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First published in 2006, this book is a unique collection of the letters of Erasmus Darwin, revealing his amazing variety of talents.
Charles Darwin is a towering figure in the history of science, who changed the direction of modern thought by establishing the basis of evolutionary biology. With a Foreword by Sir David Attenborough, this is a fascinating insight into Darwin's life as he first directly addressed the issues of humanity's place in nature, and the consequences of his ideas for religious belief. Incorporating previously unpublished material, this volume includes letters written by Darwin, and also those written to him by friends and scientific colleagues world-wide, by critics who tried to stamp out his ideas, and admirers who helped them to spread. They take up the story of Darwin's life in 1860, in the immediate aftermath of the publication of On the Origin of Species, and carry it through one of the most intense and productive decades of his career, to the eve of publication of Descent of Man in 1871.
The letters in Volume 9 provide another indispensable collection for those interested in Darwin's life, work, and world. Copyright © Libri GmbH. All rights reserved.
While historians of science have focused significant attention on Erasmus Darwin’s scientific ideas and milieu, relatively little attention has been paid to Darwin as a literary writer. In The Poetry of Erasmus Darwin: Enlightened Spaces, Romantic Times, Martin Priestman situates Darwin’s three major poems - The Loves of the Plants (1789), The Economy of Vegetation (1791) and The Temple of Nature (1803) - and Darwin himself within a large, polymathic late-Enlightenment network of other scientists, writers, thinkers and social movers and shakers. Interpreting Darwin’s poetry in terms of Darwin’s broader sense of the poetic text as a material space, he posits a significant shift from the Enlightenment’s emphases on conceptual spaces to the Romantic period’s emphases on historical time. He shows how Darwin’s poetry illuminates his stance toward all the major physical sciences and his well-formulated theories of evolution and materially based psychology. Priestman’s study also offers the first substantial accounts of Darwin’s mythological theories and their links to Enlightenment Rosicrucianism and Freemansonry, and of the reading of history that emerges from the fragment-poem The Progress of Society, a first-ever printed edition of which is included in an appendix. Ultimately, Priestman’s book offers readers a sustained account of Darwin’s polymathic Enlightenment worldview and cognate poetics in a period when texts are too often judged by their adherence to a retrospectively constructed ’Romanticism’.
Dr Erasmus Darwin seemed an innocuous Midlands physician, a respectable stalwart of eighteenth-century society. But there was another side to him. Botanist, physician, Lunar inventor and popular poet, Darwin was internationally renowned for extraordinary poems explaining his theories about sex and science. Yet he became a target for the political classes, the victim of a sustained and vitriolic character assassination by London's most savage satirists. Intrigued, prize-winning historian Patricia Fara set out to investigate why Darwin had provoked such fierce intellectual and political reaction. Inviting her readers to accompany her, she embarked on what turned out to be a circuitous and serendipitous journey. Her research led her to discover a man who possessed, according to Samuel Taylor Coleridge, 'perhaps a greater range of knowledge than any other man in Europe.' His evolutionary ideas influenced his grandson Charles, were banned by the Vatican, and scandalized his reactionary critics. But for modern readers he shines out as an impassioned Enlightenment reformer who championed the abolition of slavery, the education of women, and the optimistic ideals of the French Revolution. As she tracks down her quarry, Patricia Fara uncovers a ferment of dangerous ideas that terrified the establishment, inspired the Romantics, and laid the ground for Victorian battles between faith and science.
Charles Darwin published The Origin of Species, his revolutionary tract on evolution and the fundamental ideas involved, in 1859. Nearly 150 years later, the theory of evolution continues to create tension between the scientific and religious communities. Challenges about teaching the theory of evolution in schools occur annually all over the country. This same debate raged within Darwin himself, and played an important part in his marriage: his wife, Emma, was quite religious, and her faith gave Charles a lot to think about as he worked on a theory that continues to spark intense debates. Deborah Heiligman's new biography of Charles Darwin is a thought-provoking account of the man behind evolutionary theory: how his personal life affected his work and vice versa. The end result is an engaging exploration of history, science, and religion for young readers. Charles and Emma is a 2009 National Book Award Finalist for Young People's Literature.
Soon after publication of On the Origin of Species, Charles Darwin received a letter that deeply unsettled him. He had expected outrage and accusations of heresy, but this letter was different: it accused him of taking credit for a theory that wasn't his. Yet when he tried to trace his intellectual forebears, he found that history had already forgotten them...Rediscovering Aristotle on the shores of Lesbos and Leonardo da Vinci fossil hunting in the Tuscan hills, this is a masterful retelling of the collective daring of a few like-minded men, whose early theories flew in the face of prevailing political and religious orthodoxies and laid the foundations for Darwin's revolutionary idea.
The career of Erasmus Darwin (1731-1802) affords an extraordinary glimpse into the intellectual ferment of late-eighteenth- and early-nineteenth-century Britain. As a popular poet, practicing physician, inventor of speaking machines and mechanical birds, essayer of natural history from geology to meteorology, and proponent of an evolutionary theory that inspired his famous grandson Charles, he left a lasting impression on almost every branch of knowledge. His magnum opus, and the synthesis of his myriad interests, is The Botanic Garden (1792) — an epic poem that aims to "enlist the Imagination under the banner of Science." Part I, The Economy of Vegetation, sings the praises of British industry as a dance of supernatural creatures while part II, The Loves of the Plants, wittily employs metaphors of human courtship to describe the reproductive cycles of hundreds of flowers. Darwin supplements his accomplished verses with (often much longer) "philosophical notes" that offer his idiosyncratic perspective on the scholarly controversies of the day. Despite a recent surge of academic interest in Darwin, however, no authoritative critical edition of The Botanic Garden exists, presenting a barrier to further scholarship. This two volume set comprises a complete, meticulously transcribed, reading text — including all the poetry, prose apparatus, and illustrations — along with extensive commentary that situates Darwin within contemporary debates about the natural sciences. This set will be of interest to readers as the definitive reference edition of The Botanic Garden and due to its efforts to make the work more practically and intellectually accessible to seasoned and novice readers alike. The first volume presents a wide ranging and authoritative introduction to The Botanic Garden, detailing the background to the work and the various contexts in which it should be understood. These include: aesthetic theory and practice, the science of the mind, love and sexuality, politics, spirituality, the natural sciences, and evolutionary theory and the two Darwins. The full text of Part I of the The Botanic Garden, The Economy of Vegetation, then follows accompanied by the editors’ annotations, discussion of illustrations and textual notes.