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Though little known today, from 1860 to 1940 Canadian novelists from the Maritime provinces were writing highly successful books which were widely read in Canada, the US, and Britain. Although today only Lucy Maud Montgomery is remembered and read, there were several dozen writers who enjoyed the same level of success and renown. This book brings these authors and their most successful books back into the spotlight of Canadian writing. In 2001, Canadian literature specialist Gwen Davies and Formac publisher James Lorimer set out to republish books by these largely forgotten Maritime authors. Readers can now discover 35 of their novels, all reprinted in Formac's Fiction Treasures series. For each book, series editor Gwen Davies commissioned an introduction by a contemporary scholar who offers a brief biography of the writer and a discussion of the text itself. As Gwen Davies notes, "These introductions not only capture new research in literary biography or publishing history, but also broaden our understanding of regional popular reading tastes from the era of Queen Victoria to the Second World War." This book brings these introductory essays together in a single volume so that readers can discover these writers and get an overview of their best works.
The Great War: From Memory to History offers a new look at the multiple ways the Great War has been remembered and commemorated through the twentieth century and into the twenty-first. Drawing on contributions from history, cultural studies, film, and literary studies this collection offers fresh perspectives on the Great War and its legacy at the local, national, and international levels. More importantly, it showcases exciting new research on the experiences and memories of “forgotten” participants who have often been ignored in dominant narratives or national histories. Contributors to this international study highlight the transnational character of memory-making in the Great War’s aftermath. No single memory of the war has prevailed, but many symbols, rituals, and expressions of memory connect seemingly disparate communities and wartime experiences. With groundbreaking new research on the role of Aboriginal peoples, ethnic minorities, women, artists, historians, and writers in shaping these expressions of memory, this book will be of great interest to readers from a variety of national and academic backgrounds.
Nervous Reactions considers Victorian responses to Romanticism, particularly the way in which the Romantic period was frequently constructed in Victorian-era texts as a time of nervous or excitable authors (and readers) at odds with Victorian values of self-restraint, moderation, and stolidity. Represented in various ways—as a threat to social order, as a desirable freedom of feeling, as a pathological weakness that must be cured—this nervousness, both about and of the Romantics, is an important though as yet unaddressed concern in Victorian responses to Romantic texts. By attending to this nervousness, the essays in this volume offer a new consideration not only of the relationship between the Victorian and Romantic periods, but also of the ways in which our own responses to Romanticism have been mediated by this Victorian attention to Romantic excitability. Considering editions and biographies as well as literary and critical responses to Romantic writers, the volume addresses a variety of discursive modes and genres, and brings to light a number of authors not normally included in the longstanding category of "Victorian Romanticism": on the Romantic side, not just Wordsworth, Keats, and P. B. Shelley but also Byron, S. T. Coleridge, Thomas De Quincey, Mary Shelley, and Mary Wollstonecraft; and on the Victorian side, not just Thomas Carlyle and the Brownings but also Sara Coleridge, George Eliot, Elizabeth Gaskell, Archibald Lampman, and J. S. Mill. Contributors include D. M. R. Bentley, Kristen Guest, Joel Faflak, Grace Kehler, Donelle Ruwe, Alan Vardy, Lisa Vargo, Timothy J. Wandling, Joanne Wilkes, and Julia M. Wright.
" ... Documents the history and development of [Post-colonial literatures in English, together with English and American literature] and includes original research relating to the literatures of some 50 countries and territories. In more than 1,600 entries written by more than 600 internationally recognized scholars, it explores the effect of the colonial and post-colonial experience on literatures in English worldwide.
From the 1890s through the 1920s, the best-selling fiction of Ralph Connor, Robert Stead, Nellie McClung, Lucy Maud Montgomery, and Arthur Stringer was internationally recognized. In this intriguing cultural history of the conception, production, and reception of popular fiction, Clarence Karr challenges the common assumption that best sellers are a conservative cultural influence, reflecting and promoting traditional values. By focusing on a society and its cultural leaders at a period when they were coming to grips with modernity, Karr provides a new perspective on popular culture and the interaction between readers and popular authors.
Robert Lecker explores the ways in which these anthologies contributed to the formation of a Canadian literary canon, the extent to which this canon was tied to an ideal of English-Canadian nationalism, and the material conditions accounting for the anthologies' production.
George Parkin was born the thirteenth child of an immigrant New Brunswick farmer and died a knight of the realm and perhaps the most famous Canadian in the world. Charismatic, charming, eloquent and dedicated, Parkin devoted his immense energy to two causes. As an orator and journalist, he worked to strengthen the bonds between the English-speaking peoples; as Principal of Upper Canada College and Founding Secretary of the Rhodes Scholarships he promoted a vision of education primarily as the formation of character, not the training of the intellect. This beautifully written and witty biography is a story of ideas lived through Parkin and those in his wide circle of influence with leaders of many countries. He was one of the first Canadians to see the development of globalization, and produced that famous map to demonstrate his vision, the British Empire all in red, Canada huge and dominating in the centre. His passionate opposition to free trade and eventual annexation by the United States mark him as an eloquent and prophetic visionary of Canada’s fate under NAFTA. Author William Christian’s own life in Parkin’s footsteps and rich sensitivity to Parkin’s story is on full display in this masterful biography. Political science professor at University of Guelph, well-known journalist and political commentator, Christian is an acknowledged authority on the intersection of philosophy, political life, communication theory and public purpose.
Beginning in the 1890s, reaching its first full realization by modernist writers in the 1920s, and brought to its heyday during the Canadian Renaissance starting in the 1960s, the short story has become Canada's flagship genre. It continues to attract the country's most accomplished and innovative writers today, among them Margaret Atwood, Mavis Gallant, Alice Munro, Carol Shields, and many others. Yet in contrast to the stature and popularity of the genre and the writers who partake in it, surprisingly little literary criticism and theory has been devoted to the Canadian short story. This collection redresses that imbalance by providing the first collection of critical interpretations of a range of thirty well-known and often-anthologized Canadian short stories from the genre's beginnings through the twentieth century. A historical survey of the genre introduces the volume and a timeline comparing the genre's development in Canada, the US, and Great Britain via representative examples completes it. The collection is geared both to specialists in and to students of Canadian literature. For the latter it is of particular benefit that the volume provides not only a collection of interpretations, but a comprehensive introduction to the history of the Canadian short story. Reingard M. Nischik is professor and chair of American Literature at the University of Constance, Germany.
Frequently dismissed as a 'nature poet' and an 'Indian Princess' E. Pauline Johnson (1861-1913) was not only an accomplished thinker and writer but a contentious and passionate personality who 'talked back' to Euro-Canadian culture. Paddling Her Own Canoe is the only major scholarly study that examines Johnson's diverse roles as a First Nations champion, New Woman, serious writer and performer, and Canadian nationalist. A Native advocate of part-Mohawk ancestry, Johnson was also an independent, self-supporting, unmarried woman during the period of first-wave feminism. Her versatile writings range from extraordinarily erotic poetry to polemical statements about the rights of First Nations. Based on thorough research into archival and published sources, this volume probes the meaning of Johnson's energetic career and addresses the complexities of her social, racial, and cultural position. While situating Johnson in the context of turn-of-the-century Canada, the authors also use current feminist and post-colonial perspectives to reframe her contribution. Included is the first full chronology ever compiled of Johnson's writing. Pauline Johnson was an extraordinary woman who crossed the racial and gendered lines of her time, and thereby confounded Canadian society. This study reclaims both her writings and her larger significance.