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A new account of the role of coinage in the finances and economy of the Roman Empire.
Julia Augusta examines the socio-political impact of coin images of Augustus’s wife, Livia, within the broader context of her image in other visual media and reveals the detailed visual language that was developed for the promotion of Livia as the predominant female in the Roman imperial family. The book provides the most comprehensive examination of all extant coins of Livia to date, and provides one of the first studies on the images on Roman coins as gender-infused designs, which created a visual dialogue regarding Livia’s power and gender-roles in relation to those of male members of the imperial family. While the appearance of Roman women on coins was not entirely revolutionary, having roughly coincided with the introduction of images of powerful Roman statesmen to coins in the late 40s BCE, the degree to which Livia came to be commemorated on coins in the provinces and in Rome was unprecedented. This volume provides unique insights into the impact of these representations of Livia, both on coins and in other visual media. Julia Augusta: Images of Rome’s First Empress on the Coins of the Roman Empire will be of great interest to students of women and imperial imagery in the Roman Empire, as well as the importance of visual representation and Roman imperial ideology.
Nero's personality and crimes have always intrigued historians and writers of fiction. However, his reign also illuminates the nature of the Julio-Claudian Principate. Nero's suicide brought to an end the dynasty Augustus had founded, and placed in jeopardy the political system he had devised. Miriam T. Griffin's authoratitive survey of Nero's reign incorporates both a chronological account, as well as an analysis of the reasons for Nero's collapse under the pressure of his role as emperor.
In this volume, Erik Christiansen uses Alexandrian coin hoards to explore the use of money in Egypt from its conquest by Augustus in 30 BC to Diocletian's currency reform in AD 296. Although these finds, with their wide array of Graeco-Roman and Alexandrian reverses, have traditionally been classified as a part of Greek coinage, he demonstrates clearly that they belong to the Roman imperial coinage. The hoards also show that Roman Egypt enjoyed a widespread monetized economy, in addition to the credit system described in extant papyri. The relative abundance of such documents provides Christiansen with a good supplemental source of information for his conclusions. And since financial administration is known to have been quite uniform throughout the empire, this book provides a useful window on not only Rome's shifting economic fortunes but also monetary policy in other provinces, which did not leave behind the rich heritage of coins and documents that Egypt did.
A broadly-illustrated overview of the contemporary state of Greco-Roman numismatic scholarship.
Nero's reign (AD 54–68) witnessed some of the most memorable events in Roman history, such as the rebellion of Boudica and the first persecution of the Christians—not to mention Nero's murder of his mother, his tyranny and extravagance, and his suicide, which plunged the empire into civil war. The Emperor Nero gathers into a single collection the major sources for Nero's life and rule, providing students of Nero and ancient Rome with the most authoritative and accessible reader there is. The Emperor Nero features clear, contemporary translations of key literary sources along with translations and explanations of representative inscriptions and coins issued under Nero. The informative introduction situates the emperor's reign within the history of the Roman Empire, and the book's concise headnotes to chapters place the source material in historical and biographical context. Passages are accompanied by detailed notes and are organized around events, such as the Great Fire of Rome, or by topic, such as Nero's relationships with his wives. Complex events like the war with Parthia—split up among several chapters in Tacitus's Annals—are brought together in continuous narratives, making this the most comprehensible and user-friendly sourcebook on Nero available. Some images inside the book are unavailable due to digital copyright restrictions.
A lively and accessible guide to the rich literary, philosophical and artistic achievements of the notorious age of Nero.
First published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.