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The Pennsylvania state leagues of the 1880s and 1890s rank among the most interesting minor leagues in the history of baseball. The rules were changing, the world around baseball, particularly the economy, was changing and things that would seem impossible in a later time were happening every year. These leagues had not only black players but also wholly black teams. They had great major leaguers--on their way up but also on the way back down. In fact, the greatest player of the age, surrounded by what would have been a major league all-star team only a few years before, played in a Pennsylvania minor league for almost a full season. The play was exciting, the players were exciting and the owners, managers and league politics were often more interesting than the games.
The Pennsylvania state leagues of the 1880s and 1890s rank among the most interesting minor leagues in the history of baseball. The rules were changing, the world around baseball, particularly the economy, was changing and things that would seem impossible in a later time were happening every year. These leagues had not only black players but also wholly black teams. They had great major leaguers--on their way up but also on the way back down. In fact, the greatest player of the age, surrounded by what would have been a major league all-star team only a few years before, played in a Pennsylvania minor league for almost a full season. The play was exciting, the players were exciting and the owners, managers and league politics were often more interesting than the games.
The hardening of racial lines during the first half of the twentieth century eliminated almost all African Americans from white organized sports, forcing black athletes to form their own teams, organizations, and events. This separate sporting culture, explored in the twelve essays included here, comprised much more than athletic competition; these "separate games" provided examples of black enterprise and black self-help and showed the importance of agency and the quest for racial uplift in a country fraught with racialist thinking and discrimination.
Widely considered the best black player of the 19th century, Hall-of-Famer Frank Grant challenged baseball's color barrier in the 1880s to play for all-white professional teams--two of which fought a legal battle for his services. This first full-length biography documents Grant's career highlights, including successful games against Major League teams and at-bats against Hall-of-Fame pitchers. Stories overlooked for more than a century are examined, including a falsified anecdote that obscured one of Grant's best games from history. New light is shed on the early years of the Cuban Giants, the first black pro ball club.
For more than a decade, umpire Bob Motley called balls and strikes for the Negro Baseball League, earning the opportunity to work with such legends as Hank Aaron, Ernie Banks, and Willie Mays. "Ruling Over Monarchs, Giants & Stars" is his revealing, humorous memoir.
A unique approach to the history of a Negro League team: The first half of this book covers the leagues and the players of the 1920s, the 1930s, and 1940 through 1947 (when Robinson broke the color barrier). The second half is devoted to the Black Barons of subsequent decades, the former Barons invited to tryout camps, others who were signed with minor league clubs, and the fortunate few who got their long-awaited chance in the majors.
For more than a decade, umpire Bob Motley called balls and strikes for the Negro Baseball League, earning the opportunity to work with such legends as Hank Aaron, Ernie Banks, and Willie Mays. "Ruling Over Monarchs, Giants & Stars" is his revealing, humorous memoir.
From the first amateur leagues of the 1860s to the exploits of Livan and Orlando "El Duque" Hernandez, here is the definitive history of baseball in Cuba. Roberto Gonzalez Echevarria expertly traces the arc of the game, intertwining its heroes and their stories with the politics, music, dance, and literature of the Cuban people. What emerges is more than a story of balls and strikes, but a richly detailed history of Cuba told from the unique cultural perch of the baseball diamond. Filling a void created by Cuba's rejection of bullfighting and Spanish hegemony, baseball quickly became a crucial stitch in the complex social fabric of the island. By the early 1940s Cuba had become major conduit in spreading the game throughout Latin America, and a proving ground for some of the greatest talent in all of baseball, where white major leaguers and Negro League players from the U.S. all competed on the same fields with the cream of Latin talent. Indeed, readers will be introduced to several black ballplayers of Afro-Cuban descent who played in the Major Leagues before Jackie Robinson broke the color barrier once and for all. Often dramatic, and always culturally resonant, Gonzalez Echevarria's narrative expertly lays open the paradox of fierce Cuban independence from the U.S. with Cuba's love for our national pastime. It shows how Fidel Castro cannily associated himself with the sport for patriotic p.r.--and reveals that his supposed baseball talent is purely mythical. Based on extensive primary research and a wealth of interviews, the colorful, often dramatic anecdotes and stories in this distinguished book comprise the most comprehensive history of Cuban baseball yet published and ultimately adds a vital lost chapter to the history of baseball in the U.S.
Biographies of players on the 1942 champion Kansas City Monarchs including Satchel Paige and Buck O'Neil, and feature articles on the 1942 Negro League World Series and more.