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Benjamin often rode past the house and saw diapers and plastic baby pants hung up on the clothesline out back. They called to him powerfully and he dreamed about them. Finally, he had to touch them and then, to take some. He was a teenager now and surely should know better, but the deep desires of his heart and loins called to the plastic pants and so he stole one. But he was caught... Now he had to spill the deep secret of his heart: he wanted to be a baby again. How would Miss Goodwin - his former teacher - react to that embarrassing admission? Would she report him or help him?
AB Discovery is proud to present the revised and extended edition of the classic ABDL book - The Clothesline of Shame. More characters, more action and more... diapers and plastic pants! Young Benjamin often rode past the house and saw diapers and plastic baby pants hung up on the clothesline out back. They called to him and he dreamed about them. Finally, he had to touch them and then, to take some. He was a teenager now and surely should know better, but the deep desires of his heart and loins called to the plastic pants and so he stole one. But he was caught... Now he had to spill the deep secret of his heart. He wanted to be a baby again. How would Miss Goodwin - his former teacher - react to that embarrassing admission? It was not his first time, not by far. We read about how Benjamin started off with his fetish for plastic pants and nappies and the characters that helped him. We also meet some new characters and we see if the Washing Line still has a place to entice and entrap young boys and men who crave the tightness of diapersand the slippery feel of plastic pants. We hear of David and James. We learn of baby Millie and Benjamin's Aunt and the roles they played in his upbringing. And we see the possibilities of the future as baby Jerry enters the back garden of Sally Goodwin and a new generation of babies is about to arrive... NOTE: THis is the 'diaper version' of the 'nappy book' The Washing Line - Extended Edition
Tasmin is fighting for survival in an abusive life, until her neighbour, the tenacious Fairy, vows to help her escape. Can this unlikely friendship save them both? Tasmin is a young woman facing her own demise, urged into unspeakable action by a kindly neighbour, and from her pain rises the personal stories of an eclectic cast of unlikely characters. "This was beautifully written--not flowery, but gorgeously constructed. The flow of the story was really cleverly done, and I loved that somewhere within the pages of each chapter we would meet the 'star' of the following chapter, until everything came together perfectly.Each character was real, believable, and intriguing; and the intertwining storylines and were equal parts engrossing, unsettling, and heart wrenching." Review by booksborrowbuy The Clothesline is the debut novel of Australian writer Krista Schade, exploring the fractured dynamics of family life, the dear friends who become family, and the search for hope.
In 1996, Craig Wilson began writing a column for USA Today called “The Final Word.” In it, he extolled the virtues of the true pleasures in life—clotheslines, freshly cut firewood, sweet corn, and Adirondack chairs—and looked back on his childhood in the country with fondness and an infectious sense of humor. Wilson’s message struck a nerve, and now he receives hundreds of letters and e-mails each week from readers who share his sense of nostalgia and appreciate his warm, thoughtful observations on daily life. It’s the Little Things... showcases the best of “The Final Word,” with the pieces arranged by season. In fall, for example, Wilson remembers his mom’s Thanksgiving gravy and his crush on his first-grade teacher; in winter, he holds forth on aluminum Christmas trees and the kiddie table; in spring, he writes about the joys of walking to work and puttering in the garage; and in summer, his thoughts turn to white bucks, front porches, and outdoor showers. The result is a delightful book to share with others and to relish throughout the year.
We live in a multicultural society, but many Christians hesitate to engage those of other faiths about Christianity. Exploring evangelism from the perspective of four major worldviews, Jay Moon and Bud Simon unpack the intercultural dynamics at hand when sharing the gospel across cultures, offering contextual evangelism approaches that are relevant, biblical, and practical.
“I never really realised what the fuss was about bedwetting. It never bothered me, be it a small puddle or soaked from end to end.” These three books explain about how bedwetting can be viewed as a positive and enjoyable experience. The first book is a ‘how-to’ guide about how to enjoy and accept bedwetting as a viable lifestyle. The second two novels are fiction, but with an element of truth, as we see two adult bedwetters come to board at the same house. The landlady not only accepts them, but encourages them, and helps them find who they really are. There are no more powerful pro-bedwetting books and novels on the market.
Challenging Global Gender Violence provides a qualitative and comparative analysis of women's experiences of violence, healing, and action across cultures. Gender violence is the most pervasive human rights violation affecting women and children across both the developed and developing world. While the specific cultural contexts and acts of violence vary, the feelings that women express about their experiences of abuse are strikingly similar. So are the images, colors, and words they use to express those feelings. Hearts - bruised, broken, and torn; black and red; NO! and No Más! are frequently found on shirts contributed to the Global Clothesline Project. While providing a theoretical analysis of trauma, Susan D. Rose grounds the discussion in the lived experiences and stories of women across cultures. Featuring women's stories, artwork, and voices as they speak about their experiences of violence and healing, this brief volume examines the relationship between gender inequality and gender violence, the health impacts of gender violence, and strategies being used to reduce violence against women.
Shame and shame reactions are two of the most delicate and difficult issues of psychotherapy and are among the most likely to defy our usual dynamic, systemic, and behavioral theories. In this groundbreaking new collection, The Voice of Shame, thirteen distinguished authors show how use of the Gestalt model of self and relationship can clarify the dynamics of shame and lead us to fresh approaches and methods in this challenging terrain. This model shows how shame issues become pivotal in therapeutic and other relationships and how healing shame is the key to transformational change. The contributors show how new perspectives on shame gained in no particular area transfer and generalize to other areas and settings. In so doing, they transform our fundamental understanding of psychotherapy itself. Grounded in the most recent research on the dynamics and experience of shame, this book is a practical guide for all psychotherapists, psychologists, clinicians, and others interested in self, psychotherapy, and relationship. This book contains powerful new insights for the therapist on a full-range of topics from intimacy in couples to fathering to politics to child development to gender issues to negative therapeutic reactions. Filled with anecdotes and case examples as well as practical strategies, The Voice of Shame will transform your ideas about the role of shame in relationships - and about the potential of the Gestalt model to clarify and contextualize other approaches.
Haunted by the memories of her powerfully destructive mother, Jamaica Kincaid is a writer out of necessity. Born Elaine Potter Richardson, Kincaid grew up in the West Indies in the shadow of her deeply contemptuous and abusive mother, Annie Drew. Drawing heavily on Kincaid's many remarks on the autobiographical sources of her writings, J. Brooks Bouson investigates the ongoing construction of Kincaid's autobiographical and political identities. She focuses attention on what many critics find so enigmatic and what lies at the heart of Kincaid's fiction and nonfiction work: the "mother mystery." Bouson demonstrates, through careful readings, how Kincaid uses her writing to transform her feelings of shame into pride as she wins the praise of an admiring critical establishment and an ever-growing reading public.
Benjamin often rode past the house and saw nappies and plastic baby pants hung up on the clothesline out back. They called to him and he dreamed about them. Finally, he had to touch them and then, to take some.He was a teenager now and surely should know better, but the deep desires of his heart and loins called to the plastic pants and so he stole one.But he was caught... Now he had to spill the deep secret of his heart. He wanted to be a baby again. How would Miss Goodwin - his former teacher - react to that embarrassing admission?NOTE: this is the 'diaper version' of the book The Washing line with British terms such as nappy and dummy replaced with diaper and pacifier and mommy