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Individuals and communities have historically reinforced values and shaped society in ways that best fit their own objectives. This study re-evaluates the interaction between religious, ethnic-, racial-, gender-, and class-based values and ideals and giving, based on Ohio between 1990 and 1930.
Treating architecture as a social phenomenon as well as a fine art, this volume is the standard architectural history of Cleveland.
During its more than a century as a Cleveland suburb, Cleveland Heights has been shaped by the natural topography, technology, enterprising developers, elected officials, and its residents of many backgrounds. The result has been a rich mosaic of places and people. In the 1890s, wealthy Clevelanders began to leave the city's smoky factories and congested neighborhoods for the "heights" in East Cleveland Township. In 1901, the heights became the hamlet of Cleveland Heights. As its population changed, so did the suburb's homes, shops, schools, parks, and places of worship. Today, Cleveland Heights is as diversified as its citizens, its eclectic architecture and neighborhoods, and its unique history.
Why does the University of Illinois campus at Urbana-Champaign look as it does today? Drawing on a wealth of research and featuring more than one hundred color photographs, An Illini Place provides an engrossing and beautiful answer to that question. Lex Tate and John Franch trace the story of the university's evolution through its buildings. Oral histories, official reports, dedication programs, and developmental plans both practical and quixotic inform the story. The authors also provide special chapters on campus icons and on the buildings, arenas and other spaces made possible by donors and friends of the university. Adding to the experience is a web companion that includes profiles of the planners, architects, and presidents instrumental in the campus's growth, plus an illustrated inventory of current and former campus plans and buildings.
From the Foreword. In 1949, while I was visiting Ezra Pound who was a political prisoner at St. Elizabeth's Hospital, Washington, D.C. (a Federal institution for the insane), Dr. Pound asked me if I had ever heard of the Federal Reserve System. I replied that I had not, as of the age of 25. He then showed me a ten dollar bill marked ""Federal Reserve Note"" and asked me if I would do some research at the Library of Congress on the Federal Reserve System which had issued this bill. Pound was unable to go to the Library himself, as he was being held without trial as a political prisoner by the United States government. After he was denied broadcasting time in the U.S., Dr. Pound broadcast from Italy in an effort to persuade people of the United States not to enter World War II. Franklin D. Roosevelt had personally ordered Pound's indictment, spurred by the demands of his three personal assistants, Harry Dexter White, Lauchlin Currie, and Alger Hiss, all connected with Communist espionage.
This authoritative catalogue of the Corcoran Gallery of Art's renowned collection of pre-1945 American paintings will greatly enhance scholarly and public understanding of one of the finest and most important collections of historic American art in the world. Composed of more than 600 objects dating from 1740 to 1945.