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Epic: Maha·bhárata The Maha·bhárata tells the tale of the epic battle between the Pándavas and the Káuravas for the thrown. It begins with the famous game of dice between the Pándavas and the Káuravas, which sets the scene for the war that will lie at the center of the Maha·bhárata epic. But even after the war is ostensibly over when the heroic but flawed king of the Káuravas is dishonor­ably defeated in battle by his arch enemy, the extended family is still wracked in conflict leaving survivors, victors and vanquished struggling to comprehend their loss. Perhaps the most enigmatic philosophical text from ancient India, the final book in the set, “The Book of Liberation” is presented as the teachings of Bhishma as he lies dying on the bat­tlefield in the aftermath of war. Included in this set: Maha·bhárata Book II: The Great Hall Translated by Paul Wilmot. 588 pages / 978-0-8147-9406-7 Maha·bhárata Book III: The Forest Volume 4 Translated by William Johnson. 374 pages / 978-0-8147-4278-5 Maha·bhárata Book IV: Viráta Translated by Kathleen Garbutt. 516 pages / 978-0-8147-3183-3 Maha·bhárata Book V: Preparations for War Volume 1 Translated by Kathleen Garbutt. Foreword by Gurcharan Das. 720 pages / 978-0-8147-3191-8 Maha·bhárata Book V: Preparations for War Volume 2 Translated by Kathleen Garbutt. 760 pages / 978-0-8147-3202-1 Maha·bhárata Book VI: Bhishma Translated by Alex Cherniak. Foreword by Ranajit Guha. Volume 1 (Including the “Bhagavad Gita” in Context) 615 pages / 978-0-8147-1696-0 Maha·bhárata Book VI: Bhishma Volume 2 Translated by Alex Cherniak. 550 pages / 978-0-8147-1705-9 Maha·bhárata Book VII: Drona Volume 1 Translated by Vaughan Pilikian. 473 pages / 978-0-8147-6723-8 Maha·bhárata Book VII: Drona Volume 2 Translated by Vaughan Pilikian. 470 pages / 978-0-8147-6776-4 Maha·bhárata Book VIII: Karna Volume 1 Translated by Adam Bowles 604 pages / 978-0-8147-9981-9 Maha·bhárata Book VIII: Karna Volume 2 Translated by Adam Bowles. 684 pages / 978-0-8147-9995-6 Maha·bhárata Book IX: Shalya Volume 1 Translated by Justin Meiland. 371 pages / 978-0-8147-5706-2 Maha·bhárata Book IX: Shalya Volume 2 Translated by Justin Meiland. 470 pages / 978-0-8147-5737-6 Maha·bhárata Books X & XI: “Dead of the Night” and “The Women” Translated by Kate Crosby. 350 pages / 978-0-8147-1727-1 Maha·bhárata Book XII: Peace (Part 2: The Book of Liberation) Volume 3 Translated by Alex Wynne. 540 pages / 978-0-8147-9453-1
“Rama’s Last Act” by Bhava·bhuti is counted among the greatest Sanskrit dramas. The work at once dramatizes the “Ramáyana”—it is one of the earliest theatrical adaptations of Valmíki’s epic masterpiece—and revises its most intractable episode, the hero’s rejection of his beloved wife. Human agency in the face of destiny, the power of love, and the capacity of art to make sense of such mysteries are the themes explored in this singular literary achievement of the Indian stage. Co-published by New York University Press and the JJC Foundation For more on this title and other titles in the Clay Sanskrit series, please visit http://www.claysanskritlibrary.org
The Clay Sanskrit Library, co-published by NYU Press and the JJC Foundation, has been created to introduce classical Sanskrit literature to a wide international readership. This literature combines great beauty, enormous variety and more than three thousand years of continuous history and development. Twenty-eight leading scholars from eight countries cooperated to produce fresh new translations that combine readability and accuracy. The first twelve titles appeared in February 2005, and by 2009 the library was completed with 56 published volumes. The selection includes drama, poetry and novels, together with the famous epics. The Library is now also available as a 56-volume complete set, as well as in six thematic mini-sets, grouped for readers interested in specific areas of the world of classical Sanskrit literature.
This beautiful collection brings together passages from the renowned stories, poems, dramas and myths of South Asian literature, including the Mahābhārata and the Rāmāyaṇa. Drawing on the translations published by the Clay Sanskrit Library, the book presents episodes from the adventures of young Krishna, the life of Prince Rāma and Hindu foundational myths, the life of the Buddha, as well as Buddhist and Jaina birth stories.Pairing key excerpts from these wonderful Sanskrit texts with exquisite illustrations from the Bodleian Library's rich manuscript collections, the book includes images of birch-bark and palm-leaf manuscripts, vibrant Mughal miniatures, early printed books, sculptures, watercolour paintings and even early photograph albums.Each extract is presented in both English translation and Sanskrit in Devanāgarī script, and is accompanied by a commentary on the literature and related books and artworks. The collection is organised by geographical region and includes sections on the Himalayas, North India, Central and South India, Sri Lanka and South East Asia, Tibet, Inner and East Asia, and the Middle East and Europe.This is the perfect introduction for anyone interested in Sanskrit literature and the manuscript art of South Asia - and beyond.
One of the three surviving plays by Kali dasa (fifth century), universally acknowledged as the supreme poet in classical Sanskrit, How Urvashi Was Won, like the other two, is a masterpiece of lyricism, subtle characterization, and the working through of a bold theme. How Urvashi Was Won is the story of King Puru ravas and his love for an immortal, the dancer Urvashi, who normally lives in the heaven of the gods but who has come down to earth in order to realize her passion for the alltoo- mortal king. The tragic love of this asymmetrical couple was described already in the ancient "Rig Veda" and later often expanded. Kali dasa has reworked the narrative so as to depict a goddess in the process of becoming fully, and dangerously, human—since only human beings (at their best) are, in Kali dasa’s vision, truly capable of the depths and intricacies of loving. This great work of love, loss, and eventual restoration speaks to the human condition generally in highly nuanced verses, accessible to any modern reader.
"Numerous more followed, including the third in the CSL selection, the sixteenth-century "Swan Messenger," composed also in Bengal by Rupa Go svamin, a devotee of Krishna. Here romantic and religious love combine in a poem that shines with the intensity of love for the god Krishna."--BOOK JACKET.
A bi-lingual Sanskrit/English classic rarely available.
Each of the ten princes has several adventures on his quest to be reunited with the crown-prince. Variegated violence and sorcery figure in their exploits, but love affairs are even more prominent. Commentators have lambasted Dandin's heroes for their antiheroic, apparently random, escapades, while in fact the architecture of his plot reveals an elegant, instructive construction. What Ten Young Men Did is a coming-of-age novel from the seventh century CE. In combat and in the bedroom, ten individuals juggle virtue and vice on their heroic progress from adolescence to maturity. Dandin’s work is autobiographical in two senses: each of the young men narrates their personal experiences, while the author could not have written with such confident realism had he not had many of the same picaresque adventures in his native South India and beyond. Co-published by New York University Press and the JJC Foundation For more on this title and other titles in the Clay Sanskrit series, please visit http://www.claysanskritlibrary.org
The Ramáyana epic centers around Rama, the crown prince of the city of Ayódhya, providing a profound meditation on the paradox of the hero as both human and divine. After rescuing a sage from persecution by demons. Rama attends a tournament in the neighboring city of Míthila where he wins the prize and the hand of Sita, the princess of Míthila. But a court intrigue involving one of the king’s junior wives and a maidservant forces Rama into a fourteen-year banishment to the jungle with his wife, Sita, and his loyal brother Lákshmana. When Sita is abducted by the demon king Rávana, Rama goes to the monkey capital of Kishkíndha to seek help in finding her. It is there that he meets Hánuman, the greatest of the monkey heroes. In exchange for the assistance of the monkey troops in discovering where Sita is held captive, Rama has to help Sugríva win the monkey throne over his brother, Valin. In the final book of the set, Hánuman leaps across the ocean to the island citadel of Lanka, where he scours the city for the abducted Princess Sita. But when Hánuman reveals himself to the princess and offers to carry her back to Rama, she nevertheless insists that Rama must come himself to avenge the abduction. Included in this set: Ramáyana Book I: Boyhood By Valmíki. Translated by Robert Goldman. 424 pages / 978-0-8147-3163-5 Ramáyana Book II: Ayódhya By Valmíki. Translated by Sheldon I. Pollock. 652 pages / 978-0-8147-6716-0 Ramáyana Book III: The Forest By Valmíki. Translated by Sheldon I. Pollock. 436 pages / 978-0-8147-6722-1 Ramáyana Book IV: Kishkíndha By Valmíki. Translated by Rosalind Lefeber. 415 pages / 978-0-8147-5207-4 Ramáyana Book V: Súndara By Valmíki. Translated by Robert Goldman and Sally Sutherland Goldman. 538 pages / 978-0-8147-3178-9
The king despairs of his idle sons, so he hires a learned brahmin who promises to make their lessons in statecraft unmissable. The lessons are disguised as short stories, featuring mainly animal protagonists. Many of these narratives have traveled across the world, and are known in the West as Aesop’s fables. Co-published by New York University Press and the JJC Foundation For more on this title and other titles in the Clay Sanskrit series, please visit http://www.claysanskritlibrary.org