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In this volume, Jan Bazant analyses the tradition of ancient Greece and Rome in the art of Bohemia from the 10th to the 14th century. Bohemia is of great interest in this respect because it was never part of the Roman Empire and there was, consequently, no Roman tradition per se. The Classical Tradition in Czech Medieval Art is a scholarly book, the first monographic treatment on this subject: but it is not intended exclusively for art historians. Its unique appeal for the general reader is that it deals with current topical problems of the growth of culture and the relation between art, economics, politics and religion.
This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.
A Handbook to Classical Reception in Eastern and Central Europe is the first comprehensive English ]language study of the reception of classical antiquity in Eastern and Central Europe. This groundbreaking work offers detailed case studies of thirteen countries that are fully contextualized historically, locally, and regionally. The first English-language collection of research and scholarship on Greco-Roman heritage in Eastern and Central Europe Written and edited by an international group of seasoned and up-and-coming scholars with vast subject-matter experience and expertise Essays from leading scholars in the field provide broad insight into the reception of the classical world within specific cultural and geographical areas Discusses the reception of many aspects of Greco-Roman heritage, such as prose/philosophy, poetry, material culture Offers broad and significant insights into the complicated engagement many countries of Eastern and Central Europe have had and continue to have with Greco-Roman antiquity
The legacy of ancient Greece and Rome has been imitated, resisted, misunderstood, and reworked by every culture that followed. In this volume, some five hundred articles by a wide range of scholars investigate the afterlife of this rich heritage in the fields of literature, philosophy, art, architecture, history, politics, religion, and science.
Art Nouveau was a style for a new age, but it was also one that continued to look back to the past. This new study shows how in expressing many of their most essential concerns – sexuality, death and the nature of art – its artists drew heavily upon classical literature and the iconography of classical art. It challenges the conventional view that Art Nouveau's adherents turned their backs on Classicism in their quest for new forms. Across Europe and North America, artists continued to turn back to the ancient world, and in particular to Greece, for the vitality with which they sought to infuse their creations. The works of many well-known artists are considered through this prism, including those of Gustav Klimt, Aubrey Beardsley and Louis Comfort Tiffany. But, breaking new ground in its comparative approach, this study also considers some of the movement's less well-known painters, sculptors, jewellers and architects, including in central and eastern Europe, and their use of classical iconography to express new ideas of nationhood. Across the world, while Art Nouveau was a plural style drawing on multiple influences, the Classics remained a key artistic vocabulary for its artists, whether blended with Orientalist and other iconographies, or preserving the purity of classical form.
Frances Starn is a writer living in Berkeley, California. --Book Jacket.
The Slavic Letters of St. Jerome is the first book-length study of the medieval legend that Church Father and biblical translator St. Jerome was a Slav who invented the Slavic (Glagolitic) alphabet and Roman Slavonic rite. Julia Verkholantsev locates the roots of this belief among the Latin clergy in Dalmatia in the 13th century and describes in fascinating detail how Slavic leaders subsequently appropriated it to further their own political agendas. The Slavic language, written in Jerome's alphabet and endorsed by his authority, gained the unique privilege in the Western Church of being the only language other than Latin, Greek, and Hebrew acceptable for use in the liturgy. Such privilege, confirmed repeatedly by the popes, resulted in the creation of narratives about the distinguished historical mission of the Slavs and became a possible means for bridging the divide between the Orthodox and Catholic Churches in the Slavic-speaking lands. In the fourteenth century the legend spread from Dalmatia to Bohemia and Poland, where Glagolitic monasteries were established to honor the Apostle of the Slavs Jerome and the rite and letters he created. The myth of Jerome's apostolate among the Slavs gained many supporters among the learned and spread far and wide, reaching Italy, Spain, Switzerland, and England. Grounded in extensive archival research, Verkholantsev examines the sources and trajectory of the legend of Jerome's Slavic fellowship within a wider context of European historical and theological thought. This unique volume will appeal to medievalists, Slavicists, scholars of religion, those interested in saints' cults, and specialists of philology.
Enigma in Rus and Medieval Slavic Cultures is a thematic essay volume to investigate the history and function of enigma in Orthodox Slavic cultures with a special focus on the cultural history of Rus and Muscovy. Its seventeen case studies across disciplinary boundaries analyze Slavic biblical and patristic translations, liturgical commentaries, occult divinatory texts, and dream interpretations. Slavic riddles inscribed on walls and compilations of riddles in question-and-answer format are all subjects of this volume. Not only written, but also pictorial enigmas are examined, together with their relationships to texts suggesting novel methodologies for their deciphering. This kaleidoscopic survey of Enigma in Rus and Medieval Slavic Cultures by an international group of scholars demonstrates the historiographical challenges that medieval enigmatic thought poses for researchers and offers new approaches to the interpretation of medieval sources, both verbal and visual.