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A study of the reception of Greek and Latin culture in France in the 16th and 17th centuries. There are surveys on topics as diverse as the role of French travellers to classical lands in transforming perceptible reality into narrative textuality, and the influence of ancient law in France.
This book, written by eighteen specialists, deals with the reception of Greek and Latin culture in France in the sixteenth and seventeenth centuries. It is intended for those interested in classical influences on French belles-lettres and visual arts. Readers will benefit from the comprehensive surveys provided by specialists on topics as diverse as the role of French travellers to classical lands in transforming perceptible reality into narrative textuality, Jacques Amyot's contribution to the reinvention of the novel in the West and the influence of ancient law in France. Major literary genres and themes, philosophy, major writers, early French humanists and Hellenists and the visual arts all receive detailed, up-to-date treatment. Contributors include: Olga Augustinos, Alain Billault, Jean Braybrook, Paola Cifarelli, Michèle Ducos, Sue Farquhar, Philip Ford, A. Trevor Hodge, George Huppert, Gillian Jondorf, John Parkin, Laurence Plazenet, Patricia Rosenmeyer, Ofelia Salgado, Gerald Sandy, Alison Saunders, Douglas Thomson, and Valerie Worth-Stylianou.
Since its first publication in 1954, The Classical Heritage has become established as a classic introduction to cultural and intellectual history from the Carolingian age to the end of the Renaissance.
The legacy of ancient Greece and Rome has been imitated, resisted, misunderstood, and reworked by every culture that followed. In this volume, some five hundred articles by a wide range of scholars investigate the afterlife of this rich heritage in the fields of literature, philosophy, art, architecture, history, politics, religion, and science.
This Companion covers a range of receptions of ancient Greek and Roman gender and sexuality. It explores ancient representations of these concepts as we define them today, as well as recent perspectives that have been projected back onto antiquity. Beginning in antiquity, the chapters examine how the ancient Greeks and Romans regarded concepts of what we would today call "gender" and "sexuality" based on the evidence available to us, and chart the varied interpretations and receptions of these concepts across time to the present day. In exploring how different cultures have "received" the classical past, the volume investigates these cultures’ different interpretations of Greek and Roman sexualities, and what these interpretations can reveal about their own attitudes. Through the contributions in this book, the reader gains a deeper understanding of this essential part of human existence, derived from influential sources. From ancient to modern and postmodern perspectives, from cinematic productions to TikTok videos, receptions of ancient gender and sexuality abound. This volume is of interest to students and scholars of ancient history, gender and sexuality in the ancient world, and ancient societies, as well as those working on popular culture and gender studies more broadly.
The Black Horn: The Story of Classical French Hornist Robert Lee Watt tells the story of the first African American French Hornist hired by a major symphony in the United States. Today, few African Americans hold chairs in major American symphony orchestras, and Watt is the first in many years to write about this uniquely exhilarating—and at times painful—experience. The Black Horn chronicles the upbringing of a young boy fascinated by the sound of the French horn. Watt walks readers through the many obstacles of the racial climate in the United States, both on and off stage, and his efforts to learn and eventually master an instrument little considered in the African American community. Even the author’s own father, who played trumpet, sought to dissuade the young classical musician in the making. He faced opposition from within the community—where the instrument was deemed by Watt’s father a “middle instrument suited only for thin-lipped white boys”—and from without. Watt also documented his struggles as a student at a nearly all-white major music conservatory, as well as his first job in a major symphony orchestra after the conservatory canceled his scholarship. Watt subsequently chronicles his triumphs and travails as a musician when confronting the realities of race in America and the world of classical music. This book will surely interest any classical musician and student, particularly those of color, seeking to grasp the sometimes troubled history of being the only “black horn.”
This exquisite volume beautifully reproduces and insightfully examines the most important illuminations found in French history manuscripts.
An innovative and intriguing look at the foundations of Western civilization from two leading historians; the first volume in the Penguin History of Europe The influence of ancient Greece and Rome can be seen in every aspect of our lives. From calendars to democracy to the very languages we speak, Western civilization owes a debt to these classical societies. Yet the Greeks and Romans did not emerge fully formed; their culture grew from an active engagement with a deeper past, drawing on ancient myths and figures to shape vibrant civilizations. In The Birth of Classical Europe, the latest entry in the much-acclaimed Penguin History of Europe, historians Simon Price and Peter Thonemann present a fresh perspective on classical culture in a book full of revelations about civilizations we thought we knew. In this impeccably researched and immensely readable history we see the ancient world unfold before us, with its grand cast of characters stretching from the great Greeks of myth to the world-shaping Caesars. A landmark achievement, The Birth of Classical Europe provides insight into an epoch that is both incredibly foreign and surprisingly familiar.