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A hilarious Irish folktale with a terrific female heroine. "Long ago, there lived a giant called Cuhullin. My, but he was big and fierce and strong. And what made him so strong? He had a magic finger. And believe it or not, all his strength was in that little finger. Now Cuhullin had fought all the other giants, and squashed them flat. Well, all but one, and that was Finn McCool." But Finn doesn't want to fight. Finn is SCARED. When he sucks his magic thumb, Finn can see Cuhullin coming to get him. So he runs straight home to his wife, Oona. Oona isn't scared, not one bit. She just laughs . . . Will Cuhullin find Finn McCool and SQUASH HIM FLAT? Or will Oona save the day?
In the autumn of 1915 Will Bird was working on a farm in Saskatchewan when the ghost of his brother Stephen, killed by German mines in France, appeared before him in uniform. Rattled, Bird rushed home to Nova Scotia and enlisted in the army to take his dead brother's place. And We Go On is a remarkable and harrowing memoir of his two years in the trenches of the Western Front, from October 1916 until the Armistice. When it first appeared in 1930, Bird's memoir was hailed by many veterans as the most authentic account of the war experience, uncompromising in its portrayal of the horror and savagery, while also honouring the bravery, camaraderie, and unexpected spirituality that flourished among the enlisted men. Written in part as a reaction to anti-war novels such as All Quiet on the Western Front, which Bird criticized for portraying the soldier as "a coarse-minded, profane creature, seeking only the solace of loose women or the courage of strong liquor," And We Go On is a nuanced response to the trauma of war, suffused with an interest in the spiritual and the paranormal not found in other war literature. Long out of print, it is a true lost classic that arguably influenced numerous works in the Canadian literary canon, including novels by Robertson Davies and Timothy Findley. In an introduction and afterword, David Williams illuminates Bird's work by placing it within the genre of Great War literature and by discussing the book's publication history and reception.
This edition includes: Novel: The Case of Charles Dexter Ward Short Stories and Novellas: The Tomb Dagon A Reminiscence of Dr. Samuel Johnson Polaris Beyond the Wall of Sleep Memory Old Bugs The Transition of Juan Romero The White Ship The Doom that Came to Sarnath The Statement of Randolph Carter The Street The Terrible Old Man The Cats of Ulthar The Tree Celephaïs From Beyond The Temple Nyarlathotep The Picture in the House Facts concerning the Late Arthur Jermyn and His Family The Nameless City The Quest of Iranon The Moon-Bog Ex Oblivione The Other Gods The Outsider The Music of Erich Zann Sweet Ermengarde Hypnos What the Moon Brings Azathoth Herbert West-Reanimator The Hound The Lurking Fear The Rats in the Walls The Unnamable The Festival The Shunned House The Horror at Red Hook He In the Vault Cool Air The Call of Cthulhu Pickman's Model The Strange High House in the Mist The Silver Key The Dream-Quest of Unknown Kadath The Colour Out of Space The Descendant The Very Old Folk History of the Necronomicon The Dunwich Horror Ibid The Whisperer in Darkness At The Mountains Of Madness The Shadow Over Innsmouth The Dreams in the Witch House The Thing On The Doorstep The Book The Evil Clergyman The Shadow Out of Time The Haunter of The Dark Juvenilia: The Alchemist The Beast in the Cave The Little Glass Bottle The Mysterious Ship The Mystery of the Grave-yard The Secret Cave ... Howard Phillips Lovecraft (1890-1937) was an American author who achieved posthumous fame through his influential works of horror fiction. He is now regarded as one of the most significant 20th-century authors in his genre. Some of Lovecraft's work was inspired by his own nightmares. His interest started from his childhood days when his grandfather would