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Ranging from 1981 to 1997, the 15 conversations featured in this collection reveal a man frustrated by what he sees as the hypocrisies of American politics, of conservatism, and of the Hollywood film industry. Though the subjects of "Nixon, JFK, Born on the 4th of July, The Doors", and "Heaven and Earth" are rooted in the turbulent 1960s, Stone as interviewee and filmmaker is firmly entrenched in the present. Film stills.
In this powerful and evocative memoir, Oscar-winning director and screenwriter, Oliver Stone, takes us right to the heart of what it's like to make movies on the edge. In Chasing The Light he writes about his rarefied New York childhood, volunteering for combat, and his struggles and triumphs making such films as Platoon, Midnight Express, and Scarface. Before the international success of Platoon in 1986, Oliver Stone had been wounded as an infantryman in Vietnam, and spent years writing unproduced scripts while taking miscellaneous jobs and driving taxis in New York, finally venturing westward to Los Angeles and a new life. Stone, now 73, recounts those formative years with vivid details of the high and low moments: we sit at the table in meetings with Al Pacino over Stone's scripts for Scarface, Platoon, and Born on the Fourth of July; relive the harrowing demon of cocaine addiction following the failure of his first feature, The Hand (starring Michael Caine); experience his risky on-the-ground research of Miami drug cartels for Scarface; and see his stormy relationship with The Deer Hunter director Michael Cimino. We also learn of the breathless hustles to finance the acclaimed and divisive Salvador; and witness tensions behind the scenes of his first Academy Award-winning film, Midnight Express. The culmination of the book is the extraordinarily vivid recreation of filming Platoon in the depths of the Philippine jungle with Kevin Dillon, Charlie Sheen, Willem Dafoe, Johnny Depp et al, pushing himself, the crew and the young cast almost beyond breaking point. Written fearlessly, with intense detail and colour, Chasing the Light is a true insider's story of Hollywood's years of upheaval in the 1970s and '80s, and Stone brings this period alive as only someone at the centre of the action truly can.
This is the companion book to the Hollywood film, "Nixon". It includes the annotated screenplay, an interview with Oliver Stone, essays by prominent figures associated with Nixon and Watergate, previously classified memos and documents from the Nixon White House, and transcripts of Nixon's taped conversations in the Oval Office. Oliver Stone is the director, producer and co-author of "Nixon".
Challenging audiences and critics alike, the films of Oliver Stone have compelled many viewers to re-examine some of their most revered beliefs about America's past. Stone has generated enormous controversy and debate among those who take issue with his dramatic use of history. This book brings Stone face to face with some of his most thoughtful critics and supporters and allows him room to respond to their views. Writers including David Halberstam, Stephen Ambrose, Arthur Schlesinger Jr, Walter LaFeber and Robert Rosenstone critique Stone's most contested films to show how they may distort, amplify or transcend the historical realities they appear to depict.
Oliver Stone is a master of in-your-face movie making. In picture after picture - in what the director refers to as "wakeup cinema" - he takes on big, controversial topics and verges on filmic assault of the audience to drive home his point of view. Stone's artistic warfare, evidenced in such widely seen films as Platoon and JFK, has brought him acclaim as one of the few commercially successful Hollywood directors unafraid to make bold, meaningful films and has brought him criticism as a self-anointed sayer of the truth on whatever subject his eye comes to rest. His provocative style has triggered an enormous critical response, with interviews, reviews, and commentaries numbering in the thousands - remarkable especially for a filmmaker whose first noteworthy film, Salvador, opened in 1986. In this thoroughgoing assessment of Stone's life and work, Frank Beaver not only uses the rich response to the films to inform his own analysis but makes the case that the director has used it as well. There is, Beaver suggests, "a telling symbiosis between critical response and ongoing practice in Stone's emergence as a unique director". Beaver explores the way in which criticism has undeniably helped to shape the course of Stone's ideas and filmmaking techniques.
Provides the complete script for JFK, which details the investigation into President Kennedy's assassination, and includes reponses and comments about the film, and official reports and documentation
Stone himself serves as guide to this no-holds-barred retrospective—an extremely candid and comprehensive monograph of the renowned and controversial writer, director, and cinematic historian in interview form. Over the course of five years, Academy Award-winning filmmaker Oliver Stone (Midnight Express, Scarface, Platoon, JFK, Natural Born Killers, Snowden) and New York Times bestselling author Matt Zoller Seitz (The Wes Anderson Collection) discussed, debated, and deconstructed the arc of Stone's outspoken, controversial life and career with extraordinary candor. This book collects those conversations for the first time, including anecdotes about Stone's childhood, Vietnam, his struggles with post-traumatic stress disorder, and his continual struggle to reinvent himself as an artist. Their dialogue is illustrated by hundreds of never-before-seen photographs and documents from Stone's personal archive, dating back to Stone's birth: personal snapshots, private correspondence, annotated script pages and storyboards, behind-the-scenes photography, and production files from all of his films to date—through 2016's Snowden, and including Stone's epic Showtime mini-series Untold HIstory of the United States. Critical commentary from Seitz on each of Stone's films is joined by original essays from filmmaker Ramin Bahrani; writer, editor, and educator Kiese Laymon; writer and actor Jim Beaver; and film critics Walter Chaw, Michael Guarnieri, Kim Morgan, and Alissa Wilkinson. At once a complex analysis of a master director’s vision and a painfully honest critical biography in widescreen technicolor, The Oliver Stone Experience is as daring, intense, and provocative as Stone’s films—it's an Oliver Stone movie about Oliver Stone, in the form of a book. Both this book and Stone’s highly anticipated film, Snowden, will be released in September 2016 to coincide with Stone’s seventieth birthday (September 15, 1946). Also available from Matt Zoller Seitz: Mad Men Carousel, The Wes Anderson Collection: Bad Dads, The Wes Anderson Collection: The Grand Budapest Hotel, and The Wes Anderson Collection.
American anti-hero Oliver Stone joins the literary canon with this bold tale of an alienated youth who takes to the road on an odyssey to hell.
The life of the filmmaker from his childhood in Manhattan, through his experiences in Viet Nam, two marriages, and move from writing screenplays to directing Acadamy Award winning movies.
Oliver Stone has written and directed many memorable films while also developing a reputation for tackling controversial subjects, such as the Turkish prison system (Midnight Express), the Vietnam war (Platoon and Born on the Fourth of July), insider trading (Wall Street), presidential assassination (JFK), and a voyeuristic media (Natural Born Killers). Along the way, Stone has been nominated for more than 10 Academy Awards and three times received Oscars for his work. In The Oliver StoneEncyclopedia, James M. Welsh and Donald M. Whaley provide an overarching evaluation of Stone's work as screenwriter, producer, and director. While the entries in this volume address all of the usual aspects of Stone’s career, they also explore new avenues of critical evaluation, especially influences such as Friedrich Nietzsche and Buddhism, which Stone converted to in the 1990s. In addition, this volume traces Stone’s obsession with Latin American politics, evident in his film Salvador (1986), his screenplay for Alan Parker’s Evita (1996), and the documentaries Commandante (2003), Looking for Fidel (2004), and South of the Border (2010). Each entry is followed by a bibliography of published sources, both in print and online. A comprehensive and engaging examination of the director, The Oliver Stone Encyclopedia will appeal to scholars and fans alike as the most comprehensive reference on this director's body of work.