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A Curious Dance Round a Curious Tree by Charles Dickens (January 17, 1852).St. Luke's Hospital was founded in 1750 to provide free care to the impoverished mentally ill. It mixed benevolence with "unconscious cruelty" in the treatments used by the "practitioners of old," from restraints and drugs to swings and a key to force-feed recalcitrant patients. Dickens describes this gloomy edifice as he saw it on December 26, 1851, although he notes a "seasonable garniture" of holly. The inhabitants of St. Luke's largely sit in solitude. Dickens decries the absence of "domestic articles to occupy . . . the mind" in one gallery holding several silent, melancholy women, and praises the comfortable furnishings--and the relative "earnestness and diligence" of the inmates--in another. He uses statistics to show the prevalence of female patients, "the general efficacy of the treatment" at St. Luke's, and the unhealthy weight gain of the inhabitants due to inactivity. Dickens describes the behavior of various distinctive inhabitants during the usual fortnightly dance, the viewing of a Christmas tree, and the distribution of presents. Dickens's choice to visit St. Luke's on Boxing Day (the day after Christmas) of 1851 reflects in part an appropriate seasonal desire to concern himself, and urge others to concern themselves, with the poor and suffering, as was traditional on this day in British culture. He concludes the sketch with the injunction to readers, "if you can do a little in any good direction--do it," which may be why the Governors of St. Luke's reprinted this piece for many years as part of a fundraising pamphlet. But with Dickens's keen eye for issues of popular concern, this sketch also deftly places itself in a tradition of documents on "asylum reform" as well, as is clear in his informed, repeated retrospectives to discredited, cruel treatments.AuthorCharles John Huffam Dickens (7 February 1812 - 9 June 1870) was an English writer and social critic. He created some of the world's best-known fictional characters and is regarded by many as the greatest novelist of the Victorian era. His works enjoyed unprecedented popularity during his lifetime, and by the 20th century critics and scholars had recognised him as a literary genius. His novels and short stories enjoy lasting popularity. Born in Portsmouth, Dickens left school to work in a factory when his father was incarcerated in a debtors' prison. Despite his lack of formal education, he edited a weekly journal for 20 years, wrote 15 novels, five novellas, hundreds of short stories and non-fiction articles, lectured and performed readings extensively, was an indefatigable letter writer, and campaigned vigorously for children's rights, education, and other social reforms. Dickens's literary success began with the 1836 serial publication of The Pickwick Papers. Within a few years he had become an international literary celebrity, famous for his humour, satire, and keen observation of character and society. His novels, most published in monthly or weekly instalments, pioneered the serial publication of narrative fiction, which became the dominant Victorian mode for novel publication. Cliffhanger endings in his serial publications kept readers in suspense. The instalment format allowed Dickens to evaluate his audience's reaction, and he often modified his plot and character development based on such feedback. For example, when his wife's chiropodist expressed distress at the way Miss Mowcher in David Copperfield seemed to reflect her disabilities, Dickens improved the character with positive features. His plots were carefully constructed, and he often wove elements from topical events into his narratives.
THE STORY: Famous the world over, the often bizarre and ultimately heart-warming story of Scrooge, Bob Cratchit, Tiny Tim and the others needs no detailing here. Mr. Horovitz's adaptation follows the Dickens original scrupulously but, in bringing i
This play of A Christmas carol is faithful to the original story but includes the character of Charles Dickens.
It's the holiday season in Dickens Junction, Oregon. Local bookstore owner Simon Alastair is getting ready for the community's annual celebration of Charles Dickens's well-known story. But when a mysterious stranger shows up in the Junction and is murdered hours later, Simon begins to suspect that his little community has been targeted for destruction by a shadowy organization. With the support of Zach, a dashing young magazine reporter, Simon decides to investigate the crime himself. When a second murder follows, Simon must confront the worst question of all: which of his friends and business associates is a ruthless murderer? The Christmas Carol Murders is the first of an exciting new cozy mystery series combining the atmosphere of a classic Agatha Christie puzzle, the deft touch of Charlotte MacLeod, a hint of Oscar Wilde's humor, and the literary spirit of the great Charles Dickens.
What could be better than Christmas? Christmas in London, that's what! Julie, Lucie, and Alia are excited to get a letter from their friend Prune, inviting them to visit her in England. This is going to be the vacation of a lifetime! The only problem is that Prune doesn't exactly have time off in mind; she wants the girls to help her pull off a Christmas musical, which wouldn't be too bad if rival Carla hadn't come along for the occasion, as well. The competition will be stiff, and the girls will have to use all their dance skills to make this a yuletide memory for the ages!
(Easy Fake Book). 100 Christmas classics presented in our popular Easy Fake Book format for all C instruments. Includes: Angels from the Realms of Glory * Away in a Manger * Bring a Torch, Jeannette, Isabella * Deck the Hall * The First Noel * Good Christian Men, Rejoice * He Is Born, the Holy Child * Infant Holy, Infant Lowly * Jingle Bells * Jolly Old St. Nicholas * O Christmas Tree * O Holy Night * Pat-A-Pan * Silent Night * Still, Still, Still * Sussex Carol * The Twelve Days of Christmas * Ukrainian Bell Carol * We Three Kings of Orient Are * While Shepherds Watched Their Flocks * and more.
Inventing Scrooge uncovers the real-life inspirations from Charles Dickens' own world that led to the fascinating creation of his most beloved tale: A Christmas Carol. When Charles Dickens created the story that would become A Christmas Carol, little did he know that his ghostly little book would reinvent the way we celebrate Christmas. From a graveyard in Edinburgh to the Marshalsea Prison in London to his schoolboy years in Chatham and even his lifelong fascination with dance, so much of Dickens' past and present are woven into the characters and themes of A Christmas Carol. And by understanding the story behind the story, readers will come to embrace the holiday classic all the more. To this day, we look to the Christmas season as a time of warmth and celebration among family, friends, and strangers alike. And every year at Christmastime, not only do our lives get better for all the festivity, but we get better, as people. Just like Ebenezer Scrooge.
Hilda Greer love affair with the violin began at the age of seven, when she attended a performance by the virtuoso Phillip Manns. She believed him with a child's faith when he declared himself the reincarnation of NiccolÃ2 Paganini and then dashed from the stage, his mind in ruins. Nearly a decade after his breakdown, Phillip Manns is a recluse, insulated against the temptations of music until a former colleague begs him to teach at a nearby conservatory. Itâ (TM)s there that he meets Hilda Greer, whoâ (TM)s come to audition and plays the piece that started it all: Paganiniâ (TM)s Le Streghe, or Witchesâ (TM) Dance. Entranced by the character of Hilda's playing and unable to resist the siren call of music, Phillip takes Hilda under his wing. The two start a witchesâ (TM) dance of their own, a whirlwind that sweeps them toward the International Paganini Competition. When their curtain falls, one will bask in the music worldâ (TM)s acclaim and the otherâ (TM)s world will be shattered completely.
Edited by early music experts Hugh Keyte and Andrew Parrott, this anthology of Christmas carols is the most comprehensive collection ever made, spanning seven centuries of caroling in Britain, continental Europe, and North America. Containing music and text of 201 carols, many in more than one setting, the book is organized in two sections: composed carols, ranging from medieval Gregorian chants to modern compositions, and folk carols, including not only traditional Anglo-American songs but Irish, Welsh, German, Czech, Polish, French, Basque, Catalan, Sicilian, and West Indian songs as well. Each carol is set in four-part harmony, with lyrics in both the original language and English. Accompanying each song are detailed scholarly notes on the history of the carol and on performance of the setting presented. The introduction to the volume offers a general history of carols and caroling, and appendices provide scholarly essays on such topics as fifteenth-century pronunciation, English country and United States primitive traditions, and the revival of the English folk carol. The Oxford Book of Carols, published in 1928, is still one of Oxford's best-loved books among scholars, church choristers, and the vast number of people who enjoy singing carols. This volume is not intended to replace this classic but to supplement it. Reflecting significant developments in musicology over the past sixty years, it embodies a radical reappraisal of the repertory and a fresh approach to it. The wealth of information it contains will make it essential for musicologists and other scholars, while the beauty of the carols themselves will enchant general readers and amateur songsters alike.