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Historians have tended to understand medieval conduct through the eyes of Enlightenment historians, seeing superior conduct as 'knightly' behaviour, categorising it as chivalry. This book shows what superior lay conduct was in Europe before chivalry, and maps how and why chivalry emerged and redefined superior conduct in the late twelfth century.
In popular imagination few phenomena are as strongly associated with medieval society as knighthood and chivalry. At the same time, and due to a long tradition of differing national perspectives and ideological assumptions, few phenomena have continued to be the object of so much academic debate. In this volume leading scholars explore various aspects of knightly identity, taking into account both commonalities and particularities across Western Europe. Knighthood and Society in the High Middle Ages addresses how, between the eleventh and the early thirteenth centuries, knighthood evolved from a set of skills and a lifestyle that was typical of an emerging elite habitus, into the basis of a consciously expressed and idealised chivalric code of conduct. Chivalry, then, appears in this volume as the result of a process of noble identity formation, in which some five key factors are distinguished: knightly practices, lineage, crusading memories, gender roles, and chivalric didactics.
Ranging from Chretien de Troyes to Shakespeare, this study proposes that the chivalric romance is characterized by a centerless structure, self-conscious fictionality and a propensity for irony. The form is tied to historical reality, yet represents the archetype of imaginative literature, declaring its fictional status without claiming to embody fixed truths. Through use of irony, the chivalric romance precludes conclusive interpretations, inviting readers to inhabit multifold fantasy worlds while uncompromisingly showing that an ideal world is only a fiction. Thus the reader is enjoined to confront the suspension of truth in their own lives.
This fully updated second edition uses the career of Edward the Black Prince to explore key developments in the history of late medieval Europe. The eruption of the Hundred Years War, the arrival of the Black Death, England’s first religious heresy, and major innovations in the role of parliament all took place during Edward’s lifetime. As king-in-waiting and one of the most significant noblemen in the realm, the prince was a major influence over local and international politics, and his example helped reshape concepts of lordship throughout the Plantagenet estates. This thoroughly revised edition includes new sources and builds on the wealth of scholarship which has been published in recent years about the fourteenth century. It includes considerations of the prince’s military career in France and Iberia, his household and the ‘colonial’ characteristics of his administrations in Wales and Aquitaine. The prince’s career also reveals the influence of the chivalric ethic and the importance of Gascony to the English crown, while his relationship with Joan, ‘the Fair Maid’ of Kent is suggestive of the changing character of female agency in the later middle ages. Drawing on central themes such as plague, chivalry, lordship, parliament, gender, and religion, Edward the Black Prince is essential reading for all students and scholars concerned with society, culture, and power in medieval Europe.
Craig Taylor's study examines the wide-ranging French debates on the martial ideals of chivalry and knighthood during the period of the Hundred Years War (1337–1453). Faced by stunning military disasters and the collapse of public order, writers and intellectuals carefully scrutinized the martial qualities expected of knights and soldiers. They questioned when knights and men-at-arms could legitimately resort to violence, the true nature of courage, the importance of mercy, and the role of books and scholarly learning in the very practical world of military men. Contributors to these discussions included some of the most famous French medieval writers, led by Jean Froissart, Geoffroi de Charny, Philippe de Mézières, Honorat Bovet, Christine de Pizan, Alain Chartier and Antoine de La Sale. This interdisciplinary study sets their discussions in context, challenging modern, romantic assumptions about chivalry and investigating the historical reality of debates about knighthood and warfare in late medieval France.
Discrete inquiries into 15 forms of the Arthurian legends produced over the last century explore how they have altered the tradition. They consider works from the US and Europe, and those aimed at popular and elite audiences. The overall conclusion is that the "Arthurian revival" is an ongoing event, and has become multivalent, multinational, and multimedia. Originally published in 1992.
Despite the multidirectional nature of modern research, the interpretation of the political history of thirteenth-century England has remained locked into a traditional framework bequeathed by the mid-twentieth-century historian, R. F. Treharne, and embellished by the emphases and accentuations of his present-day successors. Characterised by its conception of community, its constitutionalism, its ready identification of a national enterprise, and its predilection for idealism and 'progressive' thinking, this framework remains close to the Whig interpretation of English history. It is reinforced by the continuation of reverence for the baronial leader, Simon de Montfort. In contrast, Peter Coss offers here an alternative approach to the period which is anchored in social mores and cultural values. More emphasis is placed upon the interests, ambitions, and needs of contemporaries, upon social networks of various kinds, and upon how interests both clashed and cohered as people strove to improve or preserve their situations. This was a crisis born of political instability, but in the context of institutional, administrative, and legal growth, that is to say at a particular point in the evolution of the state. Drawing on a wide range of sources, the book reconsiders the generation of the crisis, the factors which influenced its course, and its (partial) resolution. In short, it explores the anatomy and physiology of a troubled realm.
Essays exploring and problematizing the idea of an "exceptional" England within Western Europe during the long thirteenth century. The theme of this volume, "Exceptional England", follows on from that of the previous one, "England in Europe". Both respond to two long-term historiographical trends among British medievalists: to place England and Britain in a wider European context, and, conversely, to emphasise the differences between developments in England and those elsewhere, either explicitly or implicitly. The essays here, in tackling aspects of political, religious, cultural and urban history, are often concerned with shifts that transcend the "national" because they are driven by forces operating on a European, or at least a western European, scale. A number bring developments in England into conversation with those in other regions, turning not only to France, a traditional comparator, but also ranging further, using Poland, Italy, Spain and Hungary as points of comparison. Others problematise England's boundaries by considering the fates of people caught between worlds as English continental possessions shrank. If England emerges in these essays as rather less "exceptional", some of the contributions highlight its unusually rich sources, suggesting ways in which these riches might illuminate the history of Europe in the long thirteenth century more generally. Particular subjects addressed include the fortunes of the knightly class, the dynamics of episcopal election, and models of child kingship, along with new studies of Gerald of Wales and Simon de Montfort.
Forging Chivalric Communities in Marlory's Morte D'Arthur shows that Malory treats chivalry not as a static institution but as a dynamic, continually evolving ideal. Le Morte D'arthur is structured to trace how communities and individuals adapt or create chivalric codes for their own purposes; in turn, codes of chivalry shape groups and their customs. Knights' loyalties are torn not just between lords and lovers but also between the different codes of chivalry and between different communities. Women, too, choose among the different roles they are asked to play as queens, counsellors, and even quasi-knights.
In the popular imagination, World War I stands for the horror of all wars. The unprecedented scale of the war and the mechanized weaponry it introduced to battle brought an abrupt end to the romantic idea that soldiers were somehow knights in shining armor who always vanquished their foes and saved the day. Yet the concept of chivalry still played a crucial role in how soldiers saw themselves in the conflict. Here for the first time, Allen J. Frantzen traces these chivalric ideals from the Great War back to their origins in the Middle Ages and shows how they resulted in highly influential models of behavior for men in combat. Drawing on a wide selection of literature and images from the medieval period, along with photographs, memorials, postcards, war posters, and film from both sides of the front, Frantzen shows how such media shaped a chivalric ideal of male sacrifice based on the Passion of Jesus Christ. He demonstrates, for instance, how the wounded body of Christ became the inspiration for heroic male suffering in battle. For some men, the Crucifixion inspired a culture of revenge, one in which Christ's bleeding wounds were venerated as badges of valor and honor. For others, Christ's sacrifice inspired action more in line with his teachings—a daring stay of hands or reason not to visit death upon one's enemies. Lavishly illustrated and eloquently written, Bloody Good will be must reading for anyone interested in World War I and the influence of Christian ideas on modern life.