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This early work by Eva March Tappan was originally published in 1907 and we are now republishing it with a brand new introductory biography. 'The Children's Hour, Volume 3. Stories from the Classics' is collection of classic tales from ancient authors such as Herodotus, Livy, and Homer. Eva March Tappan was born on 26th December 1854, in Blackstone, Massachusetts, United States. Tappan began her literary career writing about famous characters from history in works such as 'In the Days of William the Conqueror' (1901), and 'In the Days of Queen Elizabeth' (1902). She then developed an interest in children's books, writing her own and publishing collections of classic tales.
Excerpt from The Children's Hour The Children's Hour was written by E. W. S. and S. W. M in 1866. This is a 127 page book, containing 24287 words. Search Inside is enabled for this title. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Based on a play by Lillian Hellman, The Children’s Hour (1961) was the first mainstream commercial American film to feature a lesbian character in a leading role. It centres on a teacher at a girls’ school (Shirley MacLaine) who is accused of harbouring feelings for her co-worker (Audrey Hepburn) and depicts the intense moral panic that ensues. Produced in the social climate of the Lavender Scare, the film reveals deep insights into the politics of sexuality and censorship in midcentury America, only a few years before more visible struggles for queer liberation. The director, William Wyler, lobbied hard to get the film made after an earlier straight-washed version in 1936. The tense road to production included debates about whether to eliminate mentions of lesbianism from the script and how implicitly queer subject matter might conflict with the Production Code, by then weakened but still in force. Julia Erhart’s reading of the film’s conception, production, and reception advances a nuanced case of censorship as a productive force. While contests between Hellman and Wyler suppressed scenes of overt affection between main characters Karen and Martha, reception was comparatively fixated on the characters’ lesbianism: it threatened middlebrow movie critics in the mainstream press and resonated with queer audiences. Erhart’s attentive interpretation of both the script and the sonic landscape yields a detailed analysis of the soundtrack as an original pro-lesbian element. As issues of queer censorship continue to permeate life and culture more than fifty years later, Erhart demonstrates that The Children’s Hour is as salient to social and political tensions around gender and sexuality today as it was in the 1960s.
Marcia Willet's A Week in Winter and A Summer in the Country, her first two novels to be published in the United States, were welcomed enthusiastically by both eager readers and appreciative reviewers. Her new novel, The Children's Hour, will not only delight her current ardent fans, but will garner Marcia Willett a whole new circle of friends. The Children's Hour is set in a big old rambling house overlooking the sea, where assorted small children listened as their mother read them a story. Theirs was an idyllic childhood, as they played on the beach and in the garden and woods, before the war--and other tragedies--disrupted their lives. Now, many years later, two of the sisters, Nest and Mina, still live at Ottercombe, their beautiful family home. There they delight in their splendid dogs, the gorgeous Devon countryside, and visits from Lyddie, their much-beloved niece. But when their sister Georgie comes to stay, unwelcome memories of their shared childhood start to emerge. As a child, Georgie claimed to know all their secrets--secrets that she now wants to share. Georgie's revelations are a reminder of long-buried passions and promises and bring unexpected shocks to a new generation struggling with their own unruly hearts. A triumph of beautifully interwoven story lines and unfolding dramas, The Children's Hour will secure Marcia Willett's growing reputation as a world-class master storyteller.
Cervantes is regarded as the author of the first novel and the inventor of fiction. From its publication in 1605, Don Quixote--recently named the world's best book by authors from 54 countries--has been widely translated and imitated. Among its less acknowledged imitations are stories in children's literature. In context of English adaptation and critical response this book explores the noble and "mad" adventures retold for children by distinguished writers and artists in Edwardian books, collections, home libraries, schoolbooks and picture books. More recent adaptations including comics and graphic novels deviate from traditional retellings. All speak to the knight-errant's lasting influence and appeal to children.
'And what do you think of it all, Watson?' asked Sherlock Holmes, leaning back in his chair. 'It seems to me to be a most dark and sinister business.' 'Dark enough and sinister enough.' -Sir Arthur Conan Doyle, 'The Adventure of the Speckled Band' Best Classic Short Stories for Children brings together some of the most well-known and beloved stories by authors like O. Henry, Oscar Wilde and Saki, and extracts from children's classics such as The Railway Children and Little Women. With a mix of genres including science fiction, mystery and ghost stories, and a host of popular characters such as Oliver Twist, Sherlock Holmes, Jane Eyre and Dracula, this is the perfect introduction to a range of classic literature. Classics for the New Decade is a new anthology series celebrating the most acclaimed and enduring works of literature.