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The Moscow Art Theatre is still recognized as having more impact on modern theatre than any company in the world. This lavishly illustrated and beautifully produced facsimile edition of a Russian journal from 1914 documents, photographically, the premieres of all of Anton Chekhov's plays produced by the Moscow Art Theatre, including: *The Seagull, *Three Sisters *Uncle Vanya *Cherry Orchard *Ivanov. Edited by renowned theatre historian Vera Gottlieb, the volume also reproduces - for the first time in an English translation - introductions by Stanislavsky's collaborators Nemirovich-Danchenko and Efros. With 175 unique photographs, this is a significant contribution to our understanding of the origins of today's theatre.
Often called “the comic Russian Hamlet,” Chekhov’s Nikolai Ivanov is a man constantly at odds with the world around him. His personal and professional lives collide in unexpected and humorous ways, as he struggles to dig himself out of debt and out of provincial boredom. The local doctor informs him that his wife is dying and accuses him of worsening her condition with his foul moods, yet Ivanov finds himself drawn to a beautiful young woman who happens to be the daughter of the family to whom he owes an enormous sum of money. In this fascinating early work by Anton Chekhov, we see the union of humor and pathos that would become his trademark. This version is in a sparkling translation by Curt Columbus, whose Chekhov translations have been proclaimed by Variety as “savvy, clear, fair-minded, and right-headed.”
“Pevear and Volokhonsky are at once scrupulous translators and vivid stylists of English.” —James Wood, New Yorker The Seagull, in this new translation for TCG’s Russian Drama Series, includes lines and variants found in Chekhov’s final version of the play, but omitted from the script for the original performance at the Moscow Art Theatre in 1898, which went on to become the standard printed version. The restored text, a product of the continuing collaboration of playwright Richard Nelson and translators Richard Pevear and Larissa Volokhonsky, provides valuable insight into Chekhov’s intentions in his groundbreaking play. Richard Nelson’s many plays include The Apple Family: Scenes from Life in the Country (That Hopey Changey Thing, Sweet and Sad, Sorry, Regular Singing); The Gabriels: Election Year in the Life of One Family (Hungry, What Did You Expect?, Women of a Certain Age); Nikolai and the Others; Goodnight Children Everywhere (Olivier Award for Best Play); Franny’s Way; Some Americans Abroad; Frank’s Home; Two Shakespearean Actors and James Joyce’s The Dead (with Shaun Davey; Tony Award for Best Book of a Musical). Richard Pevear and Larissa Volokhonsky have translated the works of Leo Tolstoy, Fyodor Dostoevsky, Nikolai Gogol, Anton Chekhov, Boris Pasternak and Mikhail Bulgakov. Their translations of The Brothers Karamazov and Anna Karenina won the PEN Translation Prize in 1991 and 2002, respectively. Pevear, a native of Boston, and Volokhonsky, of St. Petersburg, are married and live in France.
Collection of twelve poems by Anton Chekhov translated from the Russian.