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Chee-Chalker: a newcomer to Alaska and the Klondike; an Indian word meaning one who is inexperienced or has no knowledge; a tenderfoot. Bill Norton might be new to Ketchikan but he’s no tenderfoot. In fact, he’s one of the sharpest FBI agents this side of the Yukon—savvy, tough and resourceful, like Harrison Ford as Jack Ryan in Clear and Present Danger. Norton’s come to this rough-and-tumble town to look into a case of a missing person—his own boss—who vanished investigating a heroin smuggling operation. What Norton finds is a string of corpses, a gallery of rogues, and a fleet of fishing boats that specialize in red herrings. He also finds himself warming up to the heart-stopping halibut heiress Elaine Halloway. But is Elaine mixed up in the heroin trade . . . or a victim of it? To find the truth Norton will have to make living men sweat—and dead men talk. Because every body fished out of the icy waters has a story to tell, and it will take all of Norton’s CSI-like skills to squeeze it out of them. Hubbard wrote The Chee-Chalker in 1940 while on his Alaskan Experimental Radio Expedition. One of its main purposes was to test an experimental radio navigation system enabling the user to locate the source of radio transmissions. While in Ketchikan, Ron used this equipment to assist the US Army Signal Corp, Coast Guard and local FBI. In the process he helped uncover a Nazi saboteur who had invented a device to interfere with radio transmissions between Alaska and the continental United States. So it’s not surprising that a radio station plays a significant role in this story.
FBI agent Bill Norton has been sent to Ketchikan, Alaska to track down his former boss, who's vanished while investigating a heroin smuggling ring. Norton instantly suspects the smugglers are operating from inside the local fishing fleet. But six months and a string of declared accidental drownings have failed to turn up any clues. Norto...
Do you love a good whodunit? Detectives and mobsters, newshawks and murderers–all ingredients for disaster in this murder mystery collection. Whether it was sending a detective after zombie killers on the prowl or chasing down headhunters at a grisly carnival, Ron knew how to thrill readers and keep them guessing until the end. The 4-book collection includes 10 short stories along with illustrations from the original publications and glossaries of historical terms. The titles and short stories in this collection are: False Cargo (includes: “Grounded”), Hurricane, Mouthpiece (includes: “Flame City,” “Calling Squad Cars!” and “The Grease Spot”) and The Slickers (includes: “Killer Ape” and “Murder Afloat”). “One of the great pulp writers, with colorful prose, lively action writing, exotic locales, fresh variations on standard characters and situations, and well-constructed plots.” —Ellery Queen
Tex Larimee is a grizzled Arizona sheriff who’s leaving the deserts of Cactus County behind, blazing a trail east to mix it up with The Slickers in the canyons of Manhattan. Years later Clint Eastwood would follow the exact same trail in Coogan’s Bluff—a western lawman on the loose in New York City. Tex’s welcome to New York is a rude one. Robbed of his cash, gun and badge, he’s locked in a room in back of a run-down bar. Breaking out of the bar, he goes looking for his best friend ... only to find him dead, his throat cut. And the cops accuse Tex of committing the murder.... But none of that’s going to keep a good Arizona lawman down. Discovering he’s been the subject of an elaborate frame-up job, Tex has got a few tricks of his own up his sleeve—and in his recovered Colt .45—to make even the toughest of city birds sing a different tune. Much like Tex, L. Ron Hubbard was born and bred on the western frontier and made his way east to explore and experience life in New York City. But unlike the sheriff, Hubbard enjoyed his time in the city, where his writing career took off as he became a leading figure in its literary world. He came to know the streets and haunts of Manhattan as well as he knew the arroyos and canyons of the west, giving him the kind of insights he needed to write stories like The Slickers. Also includes the mysteries Killer Ape, in which a man frees a mistreated orangutan, only to end up with a monkey on his back, as he’s accused of aiding and abetting the ape in a case of murder, and Murder Afloat, the story of a top narcotics cop in the U.S. Secret Service who’s pursuit of a million-dollar score could land him in some hot—and deadly—water.
"One of the great pulp writers, with colorful prose, lively action writing, exotic locales and well-constructed plots." —Ellery Queen "A hero of the classic adventure mold...tough and rugged, and has a strong sense of honor." —The Strand “What I am writing is really psychological fantasies, on the order of L. Ron Hubbard’s" —Phillip K. Dick "Suspenseful murder mystery...highly recommended." —Midwest Book Review This Collection includes: International Book Awards Winner: Dead Men Kill, Publisher's Weekly Award Winner: Spy Killer, International Book Awards Finalist: Hurricane as well as False Cargo, Cargo of Coffins, Killer's Law, The Carnival of Death, Mouthpiece, Brass Keys to Murder and The Chee-Chalker and more—16 short stories in all. For a sense of the mystery ahead, here is a glimpse of 5 stories in the collection: DEAD MEN KILL: As a police detective, he wants to know who’s behind the murders that have been targeting the wealthy of his city. He runs into something out of an apocalyptic horror. Something which cannot be reasoned with, something which cannot be bought, something which has no remorse about ending it’s victim’s lives. And adds the victims to the ranks of the killers as zombies... SPY KILLER: Falsely accused and under the gun, Reid jumps ship and vanishes into Shanghai—only to get caught in a web of intrigue, betrayal and murder. In a world where nothing is what it seems and everything is for sale, he’s soon out of his depth, drawn into a spy game in which the winner takes all...and the loser takes a knife to the back. CARNIVAL OF DEATH: Detective Clark is deep undercover at Shreve's Mammoth Carnival, when he discovers first one and then another headless body. While others believe the gruesome murders are solved after four tribal headhunters working for the show suddenly disappear, Bob Clark suspects someone else is the real killer. When he finds himself seized by the very same headhunters, Clark sincerely hopes his hunch is right, since the point of a very sharp knife is aimed at his neck! FALSE CARGO: Going undercover and posing as ruthless killer Spike O’Brien, Investigator Calloway quickly discovers that on the ship nothing is what it seems, and no one can be trusted. With so much insurance money at stake, and the whole crew apparently in on the scam, this could end up being a voyage to the bottom of the sea... Especially when the real Spike O'Brien arrives. BRASS KEYS TO MURDER: Accused of murdering his father, Steve Craig must discover the truth before being caught by the police or the real murderers. He follows a trail of smoke and mirrors and sudden violence to the Brass Keys to Murder. With them, Steve will seek to unlock the terrible truth behind his father’s death...and an astonishing secret that will change his life—and that of the woman he loves—forever. When writing mysteries, Hubbard immersed himself in the salient subject matter—studying both forensic science and criminal investigation. He interviewed a wide spectrum of law enforcement officials, federal investigators and even served as a Special Officer with the Los Angeles Police Department creating an authentic foundation for his detective fiction. So while his readers might remain in the dark until the final revelation, enjoying every twist and turn along the way, writing a mystery was never a mystery to Hubbard himself.
Fighter pilot Gary Forsythe is a man on fire. He’s tough, steely-eyed, hunted by many and feared by all. He’s British Secret Service—a striking predecessor to James Bond—with a chip on his shoulder and a .50 caliber machinegun in his flying killing machine. He is The Devil—With Wings. The Japanese have invaded Manchuria, and Forsythe has made it his mission to stop them. Japanese Military Intelligence has made it their mission to knock the Devil out of the skies. But a dogfight with the Imperial Japanese Air Force is child’s play compared to the challenge that awaits him.... Her name is Patricia Weston. Japanese spies have falsely accused the British pilot of murdering her brother—and now she wants vengeance. And for once in his life, Forsythe is disarmed—by his love for a woman who has vowed to kill him. As a young man, Hubbard visited Manchuria, where his closest friend headed up British intelligence in northern China. Hubbard gained a unique insight into the intelligence operations and spy-craft in the region as well as the hostile political climate between China and Japan—a knowledge that informs stories like The Devil—With Wings. “A rousing...adventure thriller...fast action.” —Publishers Weekly
If Lars Marlin had three wishes, two have already been granted: he has escaped from Devil’s Island . . . and he has come face to face with the man who put him there—Paco Corvino. But the third wish—putting a bullet in Corvino—will have to wait. They’re off to sea, and not since Fletcher Christian and Captain Bligh set sail on the Bounty have two more heated enemies been in the same boat. Corvino is a convict, con-man and killer who has schemed his way into a position as chief steward on a luxury yacht sailing out of Rio de Janeiro. And, in a twist as devious as it is diabolical, he’s managed to install Lars—his hated rival—as captain of the very same vessel. And there are even darker twists to come. . . . Lars is determined to find out what Corvino has up his sleeve . . . and what killer cargo he’s hiding on board. But the yacht owner’s daughter proves to be a beautiful—and dangerous—distraction. Will Lars be safe in her arms . . . or is she part of Corvino’s plot—a deadly trap set with honey? Like several leading writers of the day, L. Ron Hubbard was invited to Hollywood to write scripts, where his superior talent and productivity attracted numerous lucrative offers from the studios. But, as he wrote in a letter to the editor of Argosy magazine in August 1937: “I love to tie a yarn and try to make it blaze in print. The mags will never lose me to the movies. Never, at any salary!” And as Argosy gleefully responded in its pages: “Next to exorcise the Hollywood virus from his veins was L. Ron Hubbard. . . . he has set to work to give Argosy some more of his rousing yarns. The first, ‘Cargo of Coffins,’ is due to appear in the November 13th issue, and a serial is likely to follow.”
Meet Eddie Moran, a slightly disreputable American cooling his heels in French Morocco. And don’t be surprised if the young Cary Grant comes to mind, because Eddie’s as smooth as they come, one step ahead of the game...and of the police. Who’s after him? Just about everybody. What’s he done? A bit of everything—smuggler, revolutionary, whatever crooked little scheme will pay for his next meal or next drink. But Eddie’s latest caper is one he may not be able to escape...even if he wants to. Stumbling into a fight between a couple of Berber chieftains, Eddie lands in a prison run by The Black Sultan. He may be a captive of the Sultan, but he’s captivated by a stunning young woman the Sultan means to add to his harem. For her, Eddie might just go straight—if he can get them out of this hellhole alive. When The Black Sultan was originally published, Hubbard said that writers too often “forget a great deal of the languorous quality which made the Arabian Nights so pleasing. Jewels, beautiful women, towering cities filled with mysterious shadows, sultans equally handy with robes of honor and the beheading sword.... These things still exist, undimmed, losing no luster to the permeating Occidental flavor which reaches even the far corners of the earth today.” Hubbard brings this unique insight to his stories of North Africa and the Legionnaires, investing them with an authenticity of time, place and character that kept his readers asking for more. Also includes the adventure story, “Escape for Three,” in which a bold trio of French Legionnaires come to the rescue of their great leader—only to decide he may not be so great after all. “Action, strong characters, suspense, snappy dialogue, and titillating romance.” —Publishers Weekly
American Ann Halliday is as sexy as Rita Hayworth and as fiery as the Sahara sun. And now she’s feeling some real heat, as the prize captive of the Berber leader Abd el Malek . . . also known as “The Killer.” But Abd el Malek wants Ann alive—and in chains—subject to his every whim and fantasy. Dusty Colton, however, an American deserter from the French Foreign Legion, has a different idea. With all the swagger of Robert Mitchum, he’s determined to give “The Killer” a taste of his own bloody medicine. The only problem is . . . Dusty himself is wanted for murder. Can Ann and Dusty team up and turn evil on its head? One thing’s for sure—between Ann and the Hell’s Legionnaire, the temperature is about to get even hotter. On the subject of North Africa, Hubbard said that writers too often “forget a great deal of the languorous quality which made the Arabian Nights so pleasing. Jewels, beautiful women, towering cities filled with mysterious shadows, sultans equally handy with robes of honor and the beheading sword.” Hubbard brings this unique insight to his stories of North Africa and the Legionnaires, investing them with an authenticity of time, place and character that will keep you asking for more. Also includes the adventure stories, The Barbarians, in which a Legionnaire sets out to avenge a savage killing and makes a stunning discovery, and The Squad That Never Came Back, the story of a man who has uncovered the secret to a city of gold—a secret that could turn into a death sentence. “Action-packed . . . standout . . . hard-core graphic.” —Library Journal