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James Stephens (1882-1950) was an Irish novelist and poet. Stephens wrote many retellings of Irish fairy tales. "The Charwoman's Daughter" originally appeared in 1912.
This is a coming-of-age novel, set in Dublin, and tells the story of Mary Makebelieve. Mary Makebelieve lives with her mother, who is a charwoman, in a one-room tenement flat. While her mother goes out to work every day, Mary wanders the city, observing. This city comes alive in Mary's eyes painting a picture of both domestic and urban life. As she turns 16, she becomes aware of her body changing into a woman's and she is also becoming aware of men. She admires and fears a police officer who takes an interest in her.
An old woman who spends her days scrubbing the floors might be an unlikely damsel in distress, but Lord Dunsany proves once again his mastery of the fantastical. The Charwoman's Shadow is a beautiful tale of a sorcerer's apprentice who discovers his master's nefarious usage of stolen shadows, and vows to save the charwoman from her slavery.
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1913 edition. Excerpt: ...point of swallowing a marble, or is trying to wash itself in the butter, or the cat is about to take a nap on its face. Indeed, the woman who has six children never knows in what direction her next step must be, and the continual strain of preserving her progeny converts many a one into regular cyclones of eyes and arms and legs. It also induces in some a perpetual good-humoured irritability wherein one can slap and cuddle a child in the same instant, or shout threateningly or lovingly, call warningly and murmur encouragingly in an astonishing sequence. The woman with six children must both physically and mentally travel at a tangent, and when a husband has to be badgered or humoured into the bargain, then the life of such a woman is more complex than is readily understood. When Mary came home Mrs. Cafferty was sitting on her mother's bed, two small children and a cat were also on the bed, two slightly bigger children were under the bed, and two others were galloping furiously up and down the room. At one moment these latter twain were runaway horses, at another they were express trains. When they were horses they snorted and neighed and kicked; when they were trains they backed and shunted, blew whistles and blew off steam. The children under the bed were tigers in a jungle, and they made the noises proper to such beasts and such a place; they bit each other furiously, and howled and growled precisely as tigers do. The pair of infants on the bed were playing the game of bump; they would stand upright, then spring high into the air, and come crashing down on the bed, which then sprung them partly up again. Each time they jumped they screamed loudly, each time they fell they roared delighted congratulations to each other, and when they...
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A History of Irish Working-Class Writing provides a wide-ranging and authoritative chronicle of the writing of Irish working-class experience. Ground-breaking in scholarship and comprehensive in scope, it is a major intervention in Irish Studies scholarship, charting representations of Irish working-class life from eighteenth-century rhymes and songs to the novels, plays and poetry of working-class experience in contemporary Ireland. There are few narrative accounts of Irish radicalism, and even fewer that engage 'history from below'. This book provides original insights in these relatively untilled fields. Exploring workers' experiences in various literary forms, from early to late capitalism, the twenty-two chapters make this book an authoritative and substantial contribution to Irish studies and English literary studies generally.