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Most American cities are now administered by appointed city managers and governed by councils chosen in nonpartisan, at-large elections. In the early twentieth century, many urban reformers claimed these structures would make city government more responsive to the popular will. But on the whole, the effects of these reforms have been to make citizens less likely to vote in local elections and local governments less representative of their constituents. How and why did this happen? Ariane Liazos examines the urban reform movement that swept through the country in the early twentieth century and its unintended consequences. Reformers hoped to make cities simultaneously more efficient and more democratic, broadening the scope of what local government should do for residents while also reconsidering how citizens should participate in their governance. However, they increasingly focused on efficiency, appealing to business groups and compromising to avoid controversial and divisive topics, including the voting rights of African Americans and women. Liazos weaves together wide-ranging nationwide analysis with in-depth case studies. She offers nuanced accounts of reform in five cities; details the activities of the National Municipal League, made up of prominent national reformers and political scientists; and analyzes quantitative data on changes in the structures of government in over three hundred cities. Reforming the City is an important study for American history and political development, with powerful insights into the relationships between scholarship and reform and between the structures of city government and urban democracy.
Vols. contain the election results for various offices; e.g. presidential electors, senators, representatives in Congress, general officers, senators and representatives in the General Assembly.
“Brimming with scandal and an equal amount of heart…a sweeping yet intimate look at the lives of some of history’s most notorious figures from Vanderbilts to the Prince of Wales… A must-read.”—Chanel Cleeton, New York Times bestselling author of When We Left Cuba and Next Year in Havana “Bryn Turnbull takes a story we think we know and turns it on its head, with captivating results… A beautifully written, meticulously researched and altogether memorable debut.”—Jennifer Robson, USA TODAY bestselling author of The Gown For fans of The Paris Wife and The Crown, this stunning novel tells the true story of the American divorcée who captured Prince Edward’s heart before he abdicated his throne for Wallis Simpson. In the summer of 1926, when Thelma Morgan marries Viscount Duke Furness after a whirlwind romance, she’s immersed in a gilded world of extraordinary wealth and privilege. For Thelma, the daughter of an American diplomat, her new life as a member of the British aristocracy is like a fairy tale—even more so when her husband introduces her to Edward, Prince of Wales. In a twist of fate, her marriage to Duke leads her to fall headlong into a love affair with Edward. But happiness is fleeting, and their love is threatened when Thelma’s sister, Gloria Morgan Vanderbilt, becomes embroiled in a scandal with far-reaching implications. As Thelma sails to New York to support Gloria, she leaves Edward in the hands of her trusted friend Wallis, never imagining the consequences that will follow. Bryn Turnbull takes readers from the raucous glamour of the Paris Ritz and the French Riviera to the quiet, private corners of St. James’s Palace in this sweeping story of love, loyalty and betrayal. Looking for more sweeping historical fiction? Don't miss Bryn Turnbull's new novel. The Last Grand Duchess takes readers behind palace walls to see the end of Imperial Russia through the eyes of Olga Romanov, the first daughter of the last Tsar.
Sweetie Ladd was Fort Worth's own "Grandma" Moses, a folk artist who captured the city's history in watercolor and lithograph. In her sixties when she began painting, Ladd once told a fellow artist she didn't know how she achieved her distinctive style. "Just paint poorly, dear," she advised. In truth, she had attended painting workshops in Paris, Spain, and Mexico and studied under Fort Worth artist Bror Utter. After she took a class on perspective, her teacher advised her to discontinue formal training and paint what came naturally. Sweetie Ladd's Historic Fort Worth presents twenty-eight paintings from the Landmark Series, paintings of historic Fort Worth structures, many of which no longer stand today: the T&P Station, Lake Como Pavilion, the Nine-Mile Bridge Casino, the Worth Hotel, the lobby of the Majestic Theater, Goat Island, and the Lake Erie Interurban. The book also contains the "Cries of Fort Worth" series based on Wheatley's "Cries of London." These ten paintings portray such old-time peddlars as the ice man, the scissor man, the bottleman, and the tamale seller. Ladd didn't simply draw the buildings or landmarks. She put them in an action setting. "The Day Fort Worth Burned" shows several young children watching the flames from a field. Two of the children are Sweetie Ladd and her sister, who were in that very field that day. Two young boys also watching could have been the Monnig brothers, Otto and Oscar. She remembered they were there that day. Other pictures include names longtime Fort Worth residents will find familiar: the horse-drawn Ballard Ice Cream Truck passes in front of the Scott home, now known as Thistle Hill; Mrs. Baird's Bread is the sign on a horse-drawn carriage in "The Breadman"; a Stripling's delivery cart is in front of the J. E. Moore home (now part of the Woman's Club); a horse-drawn funeral procession passes in front of the old Washer Brothers building; and Fuqua's Grocery sits next to Anderson Drugs in "Extra--Extra," one of the "Cries" series in which a young boy passes out the Fort Worth Star-Telegram. Sweetie Ladd's paintings were shown at the Woman's Club of Fort Worth and accepted in juried shows of the University of Texas at Arlington, the Fort Worth Art Museum, and the Texas Fine Arts Association. These historical paintings are now owned by the Fort Worth Public Library and have been reproduced with their cooperation. Cissy Stewart Lale's text elucidates each painting, explaining details and their historical significance. The book begins with brief essays on Mrs. Ladd and Fort Worth history.