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"This book reveals the central role that women played in creating and perpetuating an elite class in the foremost city of colonial British America Early in the eighteenth century, as the city's major merchant families sought to reinforce their power over both newcomer immigrants and upwardly mobile middling sorts, they endeavored to remake themselves into a colonial version of the English gentry." "This book highlights how the intersection of gender and class identities powerfully shaped the lives of privileged women in colonial Philadelphia. This account is based on extensive archival research that includes women's letters and diaries, materials from cultural organizations, British prescriptive literature, Anglican and Quaker religious records, and newspapers. This important study offers fresh insights into colonial America, women's history, urban history, and the British Atlantic world."--BOOK JACKET.
A literary scholar explains how eighteenth-century novels were manufactured, sold, bought, owned, collected, and read alongside Protestant religious texts. As the novel developed into a mature genre, it had to distinguish itself from these similar-looking books and become what we now call “literature.” Literary scholars have explained the rise of the Anglophone novel using a range of tools, from Ian Watt’s theories to James Watt’s inventions. Contrary to established narratives, When Novels Were Books reveals that the genre beloved of so many readers today was not born secular, national, middle-class, or female. For the first three centuries of their history, novels came into readers’ hands primarily as printed sheets ordered into a codex bound along one edge between boards or paper wrappers. Consequently, they shared some formal features of other codices, such as almanacs and Protestant religious books produced by the same printers. Novels are often mistakenly credited for developing a formal feature (“character”) that was in fact incubated in religious books. The novel did not emerge all at once: it had to differentiate itself from the goods with which it was in competition. Though it was written for sequential reading, the early novel’s main technology for dissemination was the codex, a platform designed for random access. This peculiar circumstance led to the genre’s insistence on continuous, cover-to-cover reading even as the “media platform” it used encouraged readers to dip in and out at will and read discontinuously. Jordan Alexander Stein traces this tangled history, showing how the physical format of the book shaped the stories that were fit to print.