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"Daniel Randolph Deal is a Southern aristocrat, having the required bloodline, but little of the nobility. A man resistant to the folly of ethics, he prefers a selective, self-indulgent morality. He is a confessed hedonist, albeit responsibly so."--Back cover
Medieval French literature encompasses 450 years of literary output in Old and Middle French, mostly produced in Northern France and England. These texts, including courtly lyrics, prose and verse romances, dits amoureux and plays, proved hugely influential for other European literary traditions in the medieval period and beyond. This Companion offers a wide-ranging and stimulating guide to literature composed in medieval French from its beginnings in the ninth century until the Renaissance. The essays are grounded in detailed analysis of canonical texts and authors such as the Chanson de Roland, the Roman de la Rose, Villon's Testament, Chrétien de Troyes, Machaut, Christine de Pisan and the Tristan romances. Featuring a chronology and suggestions for further reading, this is the ideal companion for students and scholars in other fields wishing to discover the riches of the French medieval tradition.
The Song of Roland is a book of poems by an anonymous author. It depicts a gory French tale of war, where General Charlemagne was ambushed in a remote Pyrenean pass, showcasing a symbolic struggle between Christianity and Islam.
Charles the king, our emperor great, Has been a full seven years in Spain. As far as the sea he conquered this haughty land. Not a single castle remains standing in his path Charlemagne (768-814) was crowned Holy Roman Emperor in 800 and presided over a huge empire. He frequently appears in literature as a great warlord and pious crusading figure. In 778, the rearguard of Charlemagne's retreating army was ambushed and defeated at the battle of Roncevaux. This became the inspiration for songs and poems celebrating deeds of valour in the face of overwhelming odds, through the character of Charlemagne's nephew (the imaginary) Roland. The Song of Roland is the most stirring and moving epic poem of the European Middle Ages, offering a particularly heady mixture of history, legend, and poetry. Presented here in a lively and idiomatic new translation, the Song of Roland offers fascinating insights into medieval ideas about heroism, manhood, religion, race, and nationhood which were foundational for modern European culture. The Song of Roland is accompanied here by two other medieval French epics about Charlemagne, both of which show him to be a far more equivocal figure than that portrayed by the Roland: the Occitan Daurel and Beton, in which he is a corrupt and avaricious monarch; and the Journey of Charlemagne to Jerusalem and Constantinople, which gives the heroes of the Roland a comic makeover.
Third in Allan Massie's celebrated Dark Ages series A truly European monarch, Charlemagne was king of the Franks from 768 to 814 and for some of that time king of the Lombards, too. From 800, when at Mass on Christmas day in Rome, Pope Leo III crowned Charlemagne Imperator Romanorum (Emperor of the Romans) he became the renewer of the Western Empire, which had expired in the 5th century. His dual role as Emperor and King of the Franks provided the historical link between the Imperial dignity and the Frankish kingdoms and later Germany. Today both France and Germany look to him as a founding figure of their respective countries. His nephew, Roland, was also renowned for his prowess in battle and was the inspiration for the Chanson de Roland which recounts the story of the battle of Roncesvalles, in which he died.
Presented here for student use are the text and translation from Gerard Brault's acclaimed 1978 analytical edition of The Song of Roland, with a new introduction explicating the poem's historical and literary background and significance.The text and a line-by-line prose translation are printed on facing pages. Professor Brault's editing of the Oxford text - including emendation of the scribe's obvious errors and new readings of garbled or partially obliterated words - has been commended for its accuracy (Speculum) and reliability (French Forum). His translation has been praised as "lively and dependable" (Romance Philology), "fluent and colloquial" (French Review), and "the most correct ... in a modern vernacular" (Olifant).Directed to the student of medieval culture and society, Professor Brault's introduction places La Chanson de Roland in the context of the French epic tradition, Charlemagne's Spanish campaign of 778, the legend of Roland, and the linguistic and literary issues raised by the Oxford text. Among topics covered are the debate over the "traditionalist" versus the "individualist" theory of composition, the relation between history and myth, the epic's reflection of prevailing social beliefs and values at the time of its composition (about 1100), and the literary devices employed by the unknown author. The introduction concludes with a note about special problems in editing and translating the Oxford text. An annotated bibliography introduces leading works relating to the Chanson de Roland.
This work probes the question of Ganelon's treason within the context of medieval law and the epic poem. Since the beginning of studies on the medieval epic tradition, scholars have debated what to make of Ganelon's role in the epic and his defense at the trial. To what extent would a medieval audience sympathize with Ganelon's trial defense? Does the conflict revolving around Ganelon and his family reflect tension between the crown and the nobility, between a new sense of Roman law and kingship and an older tradition of custom and baronial authority? This book explores each stage of Ganelon's treason and trial to determine what can be learned by a careful study of the issues and procedures of the trial in the light of medieval practice. Thus the study frequently ranges beyond the confines of the poem to discuss such broad subjects as the nature of the duel, medieval proofs, the nature and punishment of treason, and the gradually changing role of the family and the state in governance and in the legal process. An understanding of the issues in Ganelon's trial illuminates many questions pertaining to the Roland, medieval composition, and the medieval period.
Giants! Elephants! Roller Coasters? That's just some of the mayhem twin brothers Beowulf and Grendel discover in the second adventure in the series by Alexis E. Fajardo! Banished from their homeland, the brothers seek refuge with their Uncle Holger in far-off France, but by the time they arrive, the kingdom is in shambles: King Charlemagne is ailing; his knights have been exiled; and France's hero, Roland, needs a kick in the pants. It's up to Beowulf and Grendel to unite the country before it's taken over by an invading Saracen horde!