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Originally published in 1980, this was the first study to make use of the Lord Chamberlain's files on English stage censorship. Dramatic censorship is shown to be a significant index of the Victorian age and the book fills an important gap in the knowledge and understanding not only of Victorian theatre, but of Victorian manners and attitudes.
Using previously unpublished material from the National Archives, this book provides a thoroughgoing account of the introduction and abolition of theatre censorship in England, from Sir Robert Walpole's Licensing Act of 1737 to the successful campaign to abolish theatre censorship in 1968. It concludes with an exploration of possible new forms of covert censorship.
An alphabetical listing of plays that have been banned throughout history with a short synopsis and reason for banning as well as profiles of the playwrights and other resource material.
Throughout the nineteenth century, the performance of sacred drama on the English public stage was prohibited by law and custom left over from the Reformation: successive Examiners of Plays, under the control of the Lord Chamberlain's Office, censored and suppressed both devotional and blasphemous plays alike. Whilst the Biblical sublime found expression in the visual arts, the epic, and the oratorio, nineteenth-century spoken drama remained secular by force of precedent and law. The maintenance of this ban was underpinned by Protestant anxieties about bodily performance, impersonation, and the power of the image that persisted long after the Reformation, and that were in fact bolstered by the return of Catholicism to public prominence after the passage of the Catholic Relief Act in 1829 and the restoration of the Catholic Archbishoprics in 1850. But even as anti-Catholic prejudice at mid-century reached new heights, the turn towards medievalism in the visual arts, antiquarianism in literary history, and the 'popular' in constitutional reform placed England's pre- Reformation past at the centre of debates about the uses of the public stage and the functions of a truly national drama. This book explores the recovery of the texts of the extant mystery-play cycles undertaken by antiquarians in the early nineteenth century and the eventual return of sacred drama to English public theatres at the start of the twentieth century. Consequently, law, literature, politics, and theatre history are brought into conversation with one another in order to illuminate the history of sacred drama and Protestant ant-theatricalism in England in the long nineteenth-century.
Originally published in 1970, this book has a dual purpose. Firstly, it is a study of how Parliament works when the party whips are withdrawn. The author shows how backbenchers can create legislation of great importance; he demonstrates the obstacles, political and procedural to social reform; he relates the votes of MPs to their personal characteristics e.g. age, religion and occupation, and he argues that Parliament achieves a fresh vigour and authority when MPs think and act independently of party policy. Secondly, Parliament and Conscience analyses 6 major controversies in British society in the late 20th Century: the death penalty, homosexuality, abortion, theatre censorship, divorce and Sunday entertainment.
“Dukore’s style is fluid and his wit delightful. I learned a tremendous amount, as will most readers, and Bernard Shaw and the Censors will doubtless be the last word on the topic.” - Michel Pharand, former editor of SHAW: The Journal of Bernard Shaw Studies and author of Bernard Shaw and the French (2001). "This book shows us a new side of Shaw and his complicated relationships to the powerful mechanisms of stage and screen censorship in the long twentieth century.” - - Lauren Arrington, Professor of English, Maynooth University, Ireland A fresh view of Shaw versus stage and screen censors, this book describes Shaw as fighter and failure, whose battles against censorship – of his plays and those of others, of his works for the screen and those of others – he sometimes won but usually lost. We forget usually, because ultimately he prevailed and because his witty reports of defeats are so buoyant, they seem to describe triumphs. We think of him as a celebrity, not an outsider; as a classic, not one of the avant-garde, of which Victorians and Edwardians were intolerant; as ahead of his time, not of it, when he was called “disgusting,” “immoral", and "degenerate.” Yet it took over three decades and a world war before British censors permitted a public performance of Mrs Warren’s Profession. We remember him as an Academy Award winner for Pygmalion, not as an author whose dialogue censors required deletions for showings in the United States. Scrutinizing the powerful stage and cinema censorship in Britain and America, this book focuses on one of its most notable campaigners against them in the last century.
From 1737 until 1968 any play scheduled for performance in England was subject to censorship by the Lord Chamberlain's office.
This edited collection re-examines the global impact of Sartre’s philosophy from 1944-68. From his emergence as an eminent philosopher, dramatist, and novelist, to becoming the ‘world’s conscience’ through his political commitment, Jean-Paul Sartre shaped the mind-set of a generation, influencing writers and thinkers both in France and far beyond. Exploring the presence of existentialism in literature, theatre, philosophy, politics, psychology and film, the contributors seek to discover what made Sartre’s philosophy so successful outside of France. With twenty diverse chapters encompassing the US, Europe, the Middle East, East Asia and Latin America, the volume analyses the dissemination of existentialism through literary periodicals, plays, universities and libraries around the world, as well as the substantial challenges it faced. The global post-war surge of existentialism left permanent traces in history, exerting considerable influence on our way of life in its quest for authenticity and freedom. This timely and compelling volume revives the path taken by a philosophical movement that continues to contribute to the anti-discrimination politics of today.