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This book deals with the history of the long sword, the principal weapon used by Celts during their raids in the 4th-2nd centuries B.C. The Celts adopted this weapon from European Bronze Age cultures and completed its development after it had been superseded by short, stabbing weapons in the warfare of advanced civilizations. Nonetheless, the role played by the Celtic long sword remained considerable. In this first major study of the subject, Pleiner assesses the importance of the sword, and provides the first systematic treatment of the relevant historical and technological problems associated with its manufacture.
Now in paperback, this first novel of an epic fantasy trilogy reintroduces readers to the beloved and bestselling world of Deverry, blending magic, politics, and adventure in an unforgettable setting. The bards are the people's voice--and their sword. All over the kingdom of Deverry, the common people are demanding reform of the corrupt law courts. In Aberwyn, the situation catches fire when Gwerbret Ladoic, second in authority only to the High King, allows a bard to starve to death rather than hear their grievances. Guildwoman Alyssa, a student at the local scholars' collegium, and Lady Dovina, the gwerbret's own daughter, know that evidence exists to overthrow the so-called traditional legal system, if they can only get it into the right hands. The powerful lords will kill anyone who threatens their privileges. To retrieve the proof, Alyssa must make a dangerous journey that will either change her life forever--or end it.
Young Finnabair, daughter of the great warrior queen Medb of Connacht, becomes a pawn in her mother's quest for the Brown Cow of Cuailnge.
British Iron Age swords and scabbards are here catalogued in detail for the first time. They are grouped on the basis of typologies of components and are discussed with special reference to their decoration, context and chronology. Artefact studies have been neglected for many years, and this subject was last tackled in a paper published in 1950. Since then, the material available for study has tripled, from 93 to 274 items, and new archaeological discoveries include several elaborately decorated scabbards. Illustrations include 71 full pages of line drawings, while additional contributions examine the technology of some of the swords and provide a discussion of their enamelled decoration. Contents: Introduction; Typology and terminology; Group A: Swords of medium length and scabbards with open chape ends; Group B: Swords of medium length and scabbards with closed chape ends; Group C: Long swords and scabbards with campanulate mouths; Group D: Long swords and scabbards with straight mouths; Group E: Earlier swords and scabbards in the north; Group F: Later swords and scabbards in the north; Group G: Short swords in the south and the north; Group H: Swords and scabbards of mixed traditions; Discussion; Appendices; The technology of some of the swords; Weapons and fittings with enamelled decoration; The Isleworth sword: a note on the brass foils; A technical report on the Orton Meadows scabbard; The scientific examination of the Asby Scar sword and scabbard; The extraction of swords from their scabbards; Catalogue; Bibliography.
The sword was the most important of weapons, the symbol of the warrior, not to mention the badge of a officer and a gentleman. Much has been written about the artistic and historical significance of the sword, but outside specialised publications, relatively little about its metallurgy, and that often confined to a particular group. This book aims to tell the story of the making of iron and steel swords from the first Celtic examples through the Middle Ages to the Early Modern period. The results of the microscopic examination of over a hundred swords by the author and other archaeometallurgists are given and explained in terms of the materials available in Europe.
The Irish boxer recounts his life and career in the ring
Adopted from the Celts in the 1st century BC, the spatha, a lethal and formidable chopping blade, became the primary sword of the Roman soldier in the Later Empire. Over the following centuries, the blade, its scabbard, and its system of carriage underwent a series of developments, until by the 3rd century AD it was the universal sidearm of both infantry and cavalry. Thanks to its long reach, the spatha was the ideal cavalry weapon, replacing the long gladius hispaniensis in the later Republican period. As the manner in which Roman infantrymen fought evolved, styles of hand-to-hand combat changed so much that the gladius was superseded by the longer spatha during the 2nd century AD. Like the gladius, the spatha was technologically advanced, with a carefully controlled use of steel. Easy maintenance was key to its success and the spatha was designed to be easily repaired in the field where access to a forge may have been limited. It remained the main Roman sword into the Late Roman period and its influence survived into the Dark Ages with Byzantine, Carolingian and Viking blades. Drawing together historical accounts, excavated artefacts and the results of the latest scientific analyses of the blades, renowned authority M.C. Bishop reveals the full history of the development, technology, training and use of the spatha: the sword that defended an empire.
The newly crowned King Arthur has yet to win the support of the people. Merlin must do something before the king is betrayed, or murdered, or--worst of all--gets married. So Merlin creates a trick: a sword magically placed into a slab of rock that only Arthur can withdraw. Then he lets it be known that whosoever removes the blade will rule all of England, and invites any man who would dare, to try to pull out the sword. But then someone else pulls the sword out first. . . .
Epic in its sweep and peopled by the remarkable women who have always inhabited Avalon, Marion Zimmer Bradley's Sword of Avalon expands the legendary saga that has enchanted countless readers over the years and is sure to please Bradley's loyal readership and anyone who loves wonderfully told stories of history, myth, and fantasy.