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"This thundering book by the author of Old Jules is the story of the vast cattle industry of the American West; stupendous in length, concept, and achievement, it is the result of a lifetime of knowledge and research. . . . The whole story is here, long but never dull, written with humor and understatement."—Kirkus Service "Here, tough as whang leather, nourishing as pemmican, turbulent as Dodge City on a Saturday night in the late 1870s, is what time may well decide is the definitive history of the founding and flourishing of the cattle industry on this continent. . . . This splendid book says more (and says it better) about the most romantic figures of the old West than dozens of other books that have ranged over this familiar ground. Mari Sandoz has given herself room to move with tremendous drive and scholarship."—Victor P. Hass, Chicago Sunday Tribune "Drawing the fullest flavor from her expert descriptive technique, Mari Sandoz has written a regional history to stand among the best of its kind."—Library Journal
A colorful account of five centuries of cowboy culture details the life, history, customs, status, job, equipment, and more of the cowboy from sixteenth-century Spanish Mexico to the present.
The Encyclopedia of Politics in the American West is an A to Z reference work on the political development of one of America’s most politically distinct, not to mention its fastest growing, region. This work will cover not only the significant events and actors of Western politics, but also deal with key institutional, historical, environmental, and sociopolitical themes and concepts that are important to more fully understanding the politics of the West over the last century.
Cowboys are an American legend, but despite ubiquity in history and popular culture, misperceptions abound. Technically, a cowboy worked with cattle, as a ranch hand, while his boss, the cattleman, owned the ranch. Jacqueline M. Moore casts aside romantic and one-dimensional images of cowboys by analyzing the class, gender, and labor histories of ranching in Texas during the second half of the nineteenth century. As working-class men, cowboys showed their masculinity through their skills at work as well as public displays in town. But what cowboys thought was manly behavior did not always match those ideas of the business-minded cattlemen, who largely absorbed middle-class masculine ideals of restraint. Real men, by these standards, had self-mastery over their impulses and didn’t fight, drink, gamble or consort with "unsavory" women. Moore explores how, in contrast to the mythic image, from the late 1870s on, as the Texas frontier became more settled and the open range disappeared, the real cowboys faced increasing demands from the people around them to rein in the very traits that Americans considered the most masculine. Published in Cooperation with the William P. Clements Center for Southwest Studies, Southern Methodist University.
“The new image of the cattle country that emerges from Atherton’s pages is no less romantic than the prior stereotype; he writes vividly.” —Chicago Tribune Cowboys, gunslingers, and superpowered marshals dominate fictionalized accounts of the American West, but they were minor figures in the true history of the region. In The Cattle Kings, Lewis Atherton restores the leading role to the cattlemen—the genuine adventurers who opened the plains, built empires, and brought prosperity, law, and order to the West. This classic history of the West tells the true stories of rugged cattlemen like Charles Goodnight, Shanghai Pierce, the Lang family, the Marquis de Mores, and Richard King, who were attracted by the challenge of the frontier and the astounding economic opportunities it offered. Self-reliant and progressive, these young individualists revolutionized ranching. The new industry transformed the West, bringing law and order to infamous sin towns like Abilene and Dodge City and leaving an indelible mark on America’s national history and character. Atherton dramatically recreates the realities and economics of everyday life on the ranches, including the role of women, attitudes toward education and religion, and the philosophy of the cattle region. Now with an updated foreword by Western historian Timothy Lehman, this new edition of a beloved classic reveals the true heroes of the legendary cattle kingdoms that created the West. “Containing little glamour and much neglected history, this excellent book will appeal to students of the West, Old and New, and to addicts of history who prefer fact to fireworks; it belongs in all comprehensive collections of Western Americana.” —Kirkus Reviews
This is the first full biography of George Washington Littlefield, the Texas and New Mexico rancher, Austin banker and businessman, University of Texas regent, and philanthropist. In just two decades, Littlefield’s business acumen vaulted him from debt to inclusion in 1892 on the first list of American millionaires. A Man Absolutely Sure of Himself is a grand retelling of the life of a highly successful entrepreneur and Austin civic leader whose work affected spheres from ranching and banking to civic development and academia. Littlefield’s cattle operations during the open range and early ranching periods spanned a domain in New Mexico and Texas larger than the states of Delaware and Connecticut combined. In a unique contribution to ranching art, Littlefield commissioned murals and bronze doors depicting scenes from his ranches to decorate Austin’s American National Bank, which he led for its first twenty-eight years. Gracy provides new information about Littlefield’s term as University of Texas regent and the necessity of choosing between friendship and duty during the university’s confrontation with Gov. James E. Ferguson. Proud of his Civil War service in Terry’s Texas Rangers, Littlefield funded one of the nation’s first centers for Southern history. He also underwrote the school’s purchase of its first rare book library and its training programs preparing troops for World War I’s new combat roles. Littlefield played a central role in advancing Austin from a cattleman’s town into the business center it wanted to become. His Littlefield Building, the tallest office building between New Orleans and San Francisco when it was built, served for a generation as the prime location of the town’s business community. Author David B. Gracy II, a relative of Littlefield, grounds his vivid prose in a lifetime of research into archival and family sources. His comprehensive biography illuminates an exceptional figure, whose life singularly illustrates the evolution of Texas from Southern to Western to American.
One of the most colourful chapters in the history of North American settlement began in the 1880s when the rich Alberta grasslands spreading east from the foothills of the Rockies became the magnet for cattle ranching. Award-winning Cattle Kingdom provides readers with all the colourful tales of raffish characters, political intrigues and partnerships, fortunes made and lost, and the harsh realities of prairie winters. The era also gave us the mythic figure of the cowboy, still prominent in Alberta today. Nowhere is the story of ranching more rich and varied than in Alberta. There was an assortment of high rollers, big-money men from the east, English lords and remittance men, along with refugees from the American west and ordinary folk seeking a homestead and a new dream. The newly formed North West Mounted Police was on hand as well. Famous ranches were created during this period, including the Cochrane, the Oxley and the North West Cattle Company (Bar U). The cast of characters included John Ware; the brave and foolhardy Major-General Thomas Bland Strange, who had plans for a ranch for retired British army types; and the scrappy Pat Burns, who parlayed a small slaughterhouse in Calgary into a giant meat-packing and cattle empire. By the time of the first Calgary Stampede in 1912, the cattle kingdom was on the wane. More and more settlers arrived and began fencing and farming the once limitless grazing lands. And then came the discovery of oil. But during its brief and brilliant season in the sun, early ranching in Alberta put an indelible stamp on the history and culture of the Canadian west.
Pulitzer Prize-winning journalist and author Richard A. Serrano's new book American Endurance: The Great Cowboy Race and the Vanishing Wild West is history, mystery, and Western all rolled into one. In June 1893, nine cowboys raced across a thousand miles of American prairie to the Chicago World's Fair. For two weeks they thundered past angry sheriffs, governors, and Humane Society inspectors intent on halting their race. Waiting for them at the finish line was Buffalo Bill Cody, who had set up his Wild West Show right next to the World's Fair that had refused to allow his exhibition at the fair. The Great Cowboy Race occurred at a pivotal moment in our nation's history: many believed the frontier was settled and the West was no more. The Chicago World's Fair represented the triumph of modernity and the end of the cowboy age. Except no one told the cowboys. Racing toward Buffalo Bill Cody and the gold-plated Colt revolver he promised to the first to reach his arena, nine men went on a Wild West stampede from tiny Chadron, Nebraska, to bustling Chicago. But at the first thud of hooves pounding on Chicago's brick pavement, the race devolved into chaos. Some of the cowboys shipped their horses part of the way by rail, or hired private buggies. One had the unfair advantage of having helped plan the route map in the first place. It took three days, numerous allegations, and a good old Western showdown to sort out who was first to Chicago, and who won the Great Cowboy Race.
Mari Sandoz came out of the Sandhills of Nebraska to write at least three enduring books: Old Jules, Cheyenne Autumn, and Crazy Horse, the Strange Man of the Oglalas. She was a tireless researcher, a true storyteller, an artist passionately dedicated to a place little known and a people largely misunderstood. Blasted by some critics, revered by others for her vivid detail and depth of feeling, Sandoz has achieved a secure place in American literature. Her letters, edited by Helen Winter Stauffer, reveal extraordinary courage and zest for life. Included here are letters written by Sandoz over nearly forty years?from 1928, the year of her father's death and a critical one for her creative development, to 1966, the year of her own death. They allow memorable flimpses of the professional and private person: her struggles to learn her craft in spite of an unsupportive family and hard-won formal education, her experiences in gathering material, her relationships with editors and publishers, her work with fledgling writers, and her commitment to art and to various social concerns.
As a historian and as a novelist Mari Sandoz (1896?1966) stands in the front rank of western writers: in the words of John K. Hutchens, "no one in our time wrote better than the late Mari Sandoz did, or with more authority and grace, about as many aspects of the old West." This first full-length biography is particularly concerned to show the relationship between Sandoz's life and experiences and her writing. Drawing heavily on materials in the Mari Sandoz Collection at the University of Nebraska-Lincoln?correspondence to and from Sandoz, her research notes, and manuscripts?and on interviews with dozens of Sandoz's friends and acquaintances, the author not only establishes the facts of Sandoz's life but confirms her standing as a writer and historian.