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"Music and silence-how I detest them both!"Screwtape, under-secretary to the devil, The Screwtape Letters by C. S. LewisIt's easy to see why the enemies of mankind would hate and fear both sacred silence and sacred music. Both bring joy, spur contemplation, and draw the soul nearer to the Lord. Both have been part of our private prayer as well as our communal liturgy for thousands of years.The Psalms-biblical songs of praise, supplication, and wonder-have been sung for three thousand years. Naturally, Jesus, His disciples, and later the early Christian community also sang hymns (from the Greek word meaning "songs of praise"), as The New Testament makes clear. We sing because we love, and sung praise elevates our words, takes them out of the realm of the commonplace, and increases our joy. The holy pleasure of singing to God involves the entire person-spirit, heart, mind, and body-and unites us not only with the Divine but also with one another as a worshiping community.This collection of hymns for the singing Catholic congregation exemplifies the best of the genre. These songs are religiously orthodox, beautiful, sacred, and-for the most part-familiar. But here you will also find worthy hymn tunes and texts that are new to you.We present this book to propose not that hymns replace the proper chants for that days Mass* but live happily alongside them. In most instances the proper chants for processions are the prerogative of cantors and choirs and, as they change very day as part of the Mass aren't practical to be sung by the congregation. Hymns, on the other hand, belong to all the faithful and serve as a key means of the "active participation" spoken of in Vatican II's Constitution on the Sacred Liturgy. Hymns have been sung as an important part of the Liturgy of the Hours for century upon century, so they are nothing new, new only to be sung at Mass. "To promote active participation, the people should be encouraged to take part by means of acclamations, responses, psalmody, antiphons, and songs, as well as by actions, gestures, and bodily attitudes. And at the proper times all should observe a reverent silence."Sacrosanctum Concilium (Constitution on the Sacred Liturgy, Vatican II, 1963), Paragraph 30In a parish where the scriptures are sung, the introit will accompany the procession of the ministers and the cross. Clergy, choir, and people can then sing a congregational hymn. The same is true at offertory and Communion: hymns can follow the proper chants. And at the conclusion of Mass, a suitable hymn can send the people forth with the praise of Almighty God on their lips.May this book bring joy to all who sing from it! What is the source of the Sung Antiphons for the Roman liturgy Mass?The proper texts of the Antiphons of the Roman liturgy may be found in: Graduale Romanum; English translations of these texts are also widely available. The antiphons from the Roman Missal, third edition, may also serve as proper texts. For more information see: Sacrosanctum Concilium (Constitution on the Sacred Liturgy, Vatican II, 1963), Musicam Sacram (Instruction on Music in the Liturgy, 1967)The General Instruction of the Roman Missal, 2010.
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Musicians fulfill an important and necessary function in the sacred liturgy of the Catholic Church. This book contains a list of the best known hymns of the Catholic Church. They are meant to be used throughout the year rather than simply during holidays. The Vatican II Council Fathers stressed "active participation" of all the faithful during mass. What better way to be active in worship than to sing hymns with the choir? Unfortunately, after Vatican II, choirs nearly disappeared from the Catholic liturgy. But this book predates Vatican II, enabling readers to re-discover forgotten hymns that were once an integral part of mass every Sunday. For example, At the Cross Her Station Keeping (Stabat Mater) was once used on the Friday before Palm Sunday and on September 15 for the Seven Sorrows of the Virgin Mary. It is rarely used in Catholic Church today, but Stabat Mater Dolorosa is considered one of the greatest Latin hymns of all time. Find this classic, and more besides, here.
Our Catholic Hymn Book contains the most popular hymns in use today. Whilst many are hundreds of years old, classics such as Abide with me and Amazing Grace are timeless. An excellent short book which is useful for those spreading the word of God to a range of audiences from young children to those new to religious music. This book aims to help you to add to your worship through song with this short easy guide to the Hymns you know.The price of this publication has been kept as low as possible to keep its distribution as wide as possible. This book contains some hymns which while not traditionally Catholic, still fall within the spirit of Vatican II in that they have been created by the grace of the Holy Spirit in the hearts of our separated brethren and can still be a help to our own edification.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This hymnal is a collection of traditional Catholic hymns. Compiled by the Marist Brothers, it includes a wide variety of songs for use in Mass, devotions, and other religious ceremonies. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Laudate revision is completed by the Melody/Guitar version. This can be used not only by guitarists and other instrumentalists, but trebles in choirs, as most of the descants in the Full Music are included. * 2009 unrevised edition still available, with or without supplement - see below