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Food blogger Hope Early finds one item not on her scavenger hunt list—a dead husband . . . Between developing her food blog, Hope at Home, and choosing low-cal recipes for a feature in Cooking Now! magazine, Hope has a full plate. Still, she’s never too busy to compete in a Jefferson, Connecticut, tradition—the town’s annual scavenger hunt. But as she races with her team to check off the next item, Hope discovers a grisly surprise—the body of shady real estate developer Lionel Whitcomb, shot in a parking lot. His wife Elaine, who’s also in the hunt, gasps and nearly faints. But two other women on the scene cry out that their husband is dead. It turns out this louse of a spouse was more than a little lax in legally divorcing his former wives. Did one of them put a bullet in the bigamist? Number one suspect and number three wife Elaine begs Hope to investigate. Now Hope is on a new kind of hunt—for a cold-hearted killer and triple widow-maker . . . Includes Recipes from Hope’s Kitchen!
Unlike anything Joyce Carol Oates has written before, A Widow’s Story is the universally acclaimed author’s poignant, intimate memoir about the unexpected death of Raymond Smith, her husband of forty-six years, and its wrenching, surprising aftermath. A recent recipient of National Book Critics Circle Ivan Sandrof Lifetime Achievement Award, Oates, whose novels (Blonde, The Gravedigger’s Daughter, Little Bird of Heaven, etc.) rank among the very finest in contemporary American fiction, offers an achingly personal story of love and loss. A Widow’s Story is a literary memoir on a par with The Year of Magical Thinking by Joan Didion and Calvin Trillin’s About Alice.
"While Quinn writes with spirit on weighty subjects like domestic abuse, polygamy and religious cults, her primary and most poignant theme seems to be female friendship." —New York Times Book Review "An absolutely thrilling novel. I devoured it over a weekend, unable to put it down. It's a clever and completely original take on a domestic thriller." —Alex Michaelides, author of the #1 New York Times bestseller The Silent Patient Blake's dead. They say his wife killed him. If so... which one? Polygamist Blake Nelson built a homestead on a hidden stretch of land—a raw paradise in the wilds of Utah—where he lived with his three wives: Rachel, the first wife, obedient and doting to a fault, with a past she'd prefer to keep quiet. Tina, the rebel wife, everything Rachel isn't, straight from rehab and the Vegas strip. And Emily, the young wife, naïve and scared, estranged from her Catholic family. The only thing that they had in common was Blake. Until all three are accused of his murder. When Blake is found dead under the desert sun, all three wives become suspect—not only to the police, but to each other. As the investigation draws them closer, each wife must decide who can be trusted. With stories surfacing of a notorious cult tucked away in the hills, whispers flying about a fourth wife, and evidence that can't quite explain what had been keeping Blake busy, the three widows face a reckoning that might shatter all they know to be true. For fans of The Wife Between Us and The Dry comes a chilling murder mystery that takes a domestic thriller's classic question—"Did his wife kill him?"—and twists it into an completely new type of suspense.
A legally-minded sleuth takes to the streets of 1920s Bombay in a fascinating new mystery.
“The Widows kept me on the edge of my seat. Montgomery is a masterful storyteller.” —Lee Martin, author of Pulitzer Prize-Finalist The Bright Forever Inspired by the true story of Ohio’s first female sheriff, Jess Montgomery’s powerful, lyrical debut is the story of two women who take on murder and corruption at the heart of their community. Kinship, Ohio, 1924: When Lily Ross learns that her husband, Daniel, the town’s widely respected sheriff, has been killed while transporting a prisoner in an apparent accident, she vows to seek the truth about his death. Hours after his funeral, a stranger appears at her door. Marvena Whitcomb, a coal miner’s widow, is unaware that Daniel has died and begs to speak with him about her missing daughter. From miles away but worlds apart, Lily’s and Marvena’s lives collide as they realize that Daniel was perhaps not the man that either of them believed him to be. *BONUS CONTENT: This edition of The Widows includes a new introduction from the author and a discussion guide "The Widows is a gripping, beautifully written novel about two women avenging the murder of the man they both loved."—Hallie Ephron, New York Times bestselling author of You'll Never Know, Dear "Jess Montgomery's gorgeous writing can be just as dark and terrifying as a subterranean cave when the candle is snuffed out, but her prose can just as easily lead you to the surface for a gasp of air and a glimpse of blinding, beautiful sunlight. This is a powerful novel: a tale of loss, greed, and violence, and the story of two powerful women who refuse to stand down."—Wiley Cash, New York Times bestselling author of The Last Ballad, A Land More Kind than Home, and This Dark Road to Mercy "[A] flinty, heartfelt mystery that sings of hawks and history, of coal mines and the urgent fight for social justice."—Julia Keller, Pulitzer Prize-winning author of Bone on Bone
“One day when she looked at the portrait, she considered how blessed she had been in life. She contemplated her good fortune in finding an upright man like Akbar Ahmad as her life partner and felt grateful for his bounteous legacy, which released her from all financial cares. Akbar Ahmad looked back at her, his face cast in an expression of long suffering. Mona’s eyes welled up with tears.”–from The Story of a Widow After the death of her husband Akbar Ahmad, Mona finds herself settling ambivalently into a new life. But the calm rhythm of her days–gardening, cooking, time with her neighbours and family in Karachi–is upset by the appearance of Salamat Ali, the new tenant in her friend Mrs. Baig’s house. Vivacious, friendly, and at times almost impertinent, Salamat Ali is both a breath of fresh air and a disconcerting new presence in Mona’s life, and their awkward meetings always seem to end in embarrassment or misunderstanding. When Salamat Ali, encouraged by Mrs. Baig, presents Mona with a marriage proposal, she is forced to consider what kind of future she wishes to make for herself–and what her past with Akbar Ahmad really means. The possibility of Mona marrying Salamat Ali shocks her grown daughters Tanya and Amber, and scandalizes her extended family, according to whom Mona’s happiness comes second to what people say about widows who remarry. As Mona negotiates the complex web of tradition-bound in-laws and gossiping, interfering relatives, she finds Salamat Ali waking her to the pleasures of life that thirty years with her dour first husband all but smothered. But if Salamat Ali helps her discover something essential, he also exposes her to new risks, and new dangers. The Story of a Widow is a beautifully observant novel, one that pays careful attention to the delicate movements of the heart in romantic and family life. But it is equally concerned with the mores of a society in which traditional roles both support and constrain men and–particularly–women. Gently humorous and profoundly perceptive, The Story of a Widow is the moving tale of a woman’s discovery of her voice, and herself.
In Chappaqua, New York, two elderly widows who look like grandmothers with nothing more exciting on their daily agendas than mopping the kitchen floor, are not who they seem. Originally from Afghanistan and Palestine, the widows are hiding a secret of monumental proportions. From a back room in a small secondhand bookstore attached to their house, Mrs. Abramowitz and Mrs. Silverman control the Black Widows, a worldwide terrorist organization created with a dual purposeto destabilize the Western world and to wage a personal vendetta of their own. As soon as Zach Dayanan NYPD detective and former Israeli policemantakes the case, he faces a series of apparently random murders with identical wounds slashed in the victims chests. Desperate for answers, he seeks help from his ex-lover and expert pathologist, Dr. Jayanti Joshi. After examining the hearts, Dr. Joshi quickly discovers the common thread of the murders. Unfortunately, the clue leads nowhere. Zachs search for the murderer leads him to the hidden caves of an impenetrable ancient desert city, where he is soon swept into the heart of an evil plot. Only time will tell if he can save the Western world from another Holocaust.
Vols. 11-23, 25, 27 include the separately paged supplement: The acts of the governor-general of India in council.
Alexandra, Jane, and Sukie ply their individual witcheries in contemporary Eastwick, Rhode Island, and are themselves bewitched by a dark, wealthy, decadent stranger.
A new chapter in the War of the Spider Queen saga begins in this spin-off series featuring priestess Halisstra Melarn Goddesses vie for the souls of people. Halisstra Melarn—former companion of Quenthel Baenre and convert to the cause of the goddess Eilistraee—was sent to the deepest depths of the Outer Planes to kill the demon goddess she once worshiped: Lolth, the Queen of the Demonweb Pits, the Spider Queen. Instead, Halisstra was transformed into a hideous creature bent to the vengeful will of her former mistress. Lolth not only survived her Silence but evolved into something greater than she was before—something that no longer needs to share the domain she calls her own. Could it be that the War of the Spider Queen has only now just begun?