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When the plans for the prototype of a failed flying machine go missing from the Air and Space Museum's archives, Amal's father, the assistant archivist, is blamed. No one suspects a crime has been committed except Amal and her friends. With her father's job on the line, it's up to them to track down the missing plans. Can Amal and her friends get to the bottom of the museum mystery before it's too late? Discussion questions, writing prompts, a glossary, and nonfiction resources continue the reader's learning experience long after this e-book ends.
When the spacesuit of famous astronaut Sally Ride disappears from a traveling exhibit, Amal Farah, daughter of the Air and Space Museum's archivist, and her three friends, are determined to find the culprit before the exhibit is cancelled.
The remarkable true story of the document heist that shocked the world. Like many aspiring writers, David Breithaupt had money problems. But what he also had was unsupervised access to one of the finest special collections libraries in the country. In October 1990, Kenyon College hired Breithaupt as its library’s part-time evening supervisor. In April 2000, he was fired after a Georgia librarian discovered him selling a letter by Flannery O’Connor on eBay, but that was only the tip of the iceberg: for the past ten years, Breithaupt had been browsing the collection, taking from it whatever rare books, manuscripts, and documents caught his eye—W. H. Auden annotated typescripts, a Thomas Pynchon manuscript, and much, much more. It was a large-scale, long-term pillaging of Kenyon College’s most precious works. After he was caught, the American justice system looked like it was about to disappoint the college the way it had countless rare book crime victims before—but Kenyon, refused to let this happen . . .
It's up to Wilson Kipper and his friends to get to the bottom of the mysterious haunting at the Natural History Museum before it's too late.
When a priceless sculpture is stolen from the Capitol City Art Museum, it's up to Clementine and her friends to figure out who's responsible.
Raining Sam and his friends must figure out who is responsible for the vandalism at the Capitol City Museum of American History.
Now available in a deluxe keepsake edition! A Time Best YA Book of All Time (2021) Run away to the Metropolitan Museum of Art with E. L. Konigsburg’s beloved classic and Newbery Medal­–winning novel From the Mixed-Up Files of Mrs. Basil E. Frankweiler. When Claudia decided to run away, she planned very carefully. She would be gone just long enough to teach her parents a lesson in Claudia appreciation. And she would go in comfort-she would live at the Metropolitan Museum of Art. She saved her money, and she invited her brother Jamie to go, mostly because be was a miser and would have money. Claudia was a good organizer and Jamie bad some ideas, too; so the two took up residence at the museum right on schedule. But once the fun of settling in was over, Claudia had two unexpected problems: She felt just the same, and she wanted to feel different; and she found a statue at the Museum so beautiful she could not go home until she bad discovered its maker, a question that baffled the experts, too. The former owner of the statue was Mrs. Basil E. Frankweiler. Without her—well, without her, Claudia might never have found a way to go home.
Something is weird at the Museum of Natural History. There are hominids in the dinosaur exxhibit! Wilson Kipper knows this can't be right, since no hominids lived during the time of the dinosaurs, and it turns out his suspicions are correct: someone is altering the exhibit at night. Is someone on the janitorial staff? A new professor or her daughter? Or someone else? Wilson and his friends need to get to the bottom of this messed-up exhibit.
When Clementine Wim spots a famous painting being carried away from the Capitol City Art Museum, she knows something is wrong. But when she arrives at the museum, the painting is hanging right where it should be. No one believes what Clementine saw:ænot even her mother, an assistant curator at the museum, or her friends. It's up to Clementine to convince the others and determine fact from forgery before it's too late.
How the archive evolved to include new technologies, practices, and media, and how it became the apparatus through which we map the everyday. In Archive Everything, Gabriella Giannachi traces the evolution of the archive into the apparatus through which we map the everyday. The archive, traditionally a body of documents or a site for the preservation of documents, changed over the centuries to encompass, often concurrently, a broad but interrelated number of practices not traditionally considered as archival. Archives now consist of not only documents and sites but also artworks, installations, museums, social media platforms, and mediated and mixed reality environments. Giannachi tracks the evolution of these diverse archival practices across the centuries. Archives today offer a multiplicity of viewing platforms to replay the past, capture the present, and map our presence. Giannachi uses archaeological practices to explore all the layers of the archive, analyzing Lynn Hershman Leeson's !Women Art Revolution project, a digital archive of feminist artists. She considers the archive as a memory laboratory, with case studies that include visitors' encounters with archival materials in the Jewish Museum in Berlin. She discusses the importance of participatory archiving, examining the “multimedia roadshow” Digital Diaspora Family Reunion as an example. She explores the use of the archive in works that express the relationship between ourselves and our environment, citing Andy Warhol and Ant Farm, among others. And she looks at the transmission of the archive through the body in performance, bioart, and database artworks, closing with a detailed analysis of Lynn Hershman Leeson's Infinity Engine.