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After con man Greg Moxley married Rhoda Lorton, he took her money and flew, only to have his plane crash. Years later, Rhoda weds millionaire scion Carl Montaine. But now Moxley has turned up alive and well, with plans to pocket the Montaine fortune...or else make Rhoda's bigamy public.
Perry Mason takes on the case of a woman whose millionaire husband is blackmailed by her former husband, who has turned up alive years after his plane crash. Someone murders the schemer, putting Mason on a collision course with a cold-blooded killer.
This companion volume to Mystery Movie Series of 1940s Hollywood (McFarland, 2010) focuses on 22 series and 167 individual films, primarily released during the 1930s. It was a decade that featured some of the most famous cinema detectives of all time, among them Charlie Chan, Nick and Nora Charles, Philo Vance, Nancy Drew, and such lesser known but equally entertaining figures as Hildegarde Withers, Torchy Blane, Mr. Moto, Mr. Wong, and Brass Bancroft. Each mystery movie series is placed within its historical context, with emphasis on its source material and the changes or developments within the series over time. Also included are reviews of all the series' films, analyzing the quality and cohesiveness of the mystery plotlines. For titles based on literary sources, a comparison between the film and the written work is provided.
Perry Mason takes on the case of a woman whose millionaire husband is blackmailed by her former husband, who has turned up alive years after his plane crash. Someone murders the schemer, putting Mason on a collision course with a cold-blooded killer.
Perry Mason takes on the case of a woman whose millionaire husband is blackmailed by her former husband, who has turned up alive years after his plane crash. Someone murders the schemer, putting Mason on a collision course with a cold-blooded killer.
On the motion picture screen, Hollywood star Warren William (1894-1948) was a magnificent rogue, often deliciously immoral and utterly callous, yet remarkably likable in his wickedness. Off-screen, the actor was as humble and retiring as his film characters were mean and heartless. This biography examines William's life and career in detail, from his rural Minnesota roots through his service in World War I, his Broadway stage success, and his meteoric rise and gradual fall from Hollywood fame in the 1930s and 1940s. Also analyzed are his film persona and the curious mechanisms by which our culture "selects" certain film personalities to remember and others to forget. Featured is a wealth of biographical material never before available, including rare candid photos of William's early years. Interviews with his surviving nieces provide intimate family details and personal remembrances.
An exploration of the enduring popularity of the television series Perry Mason and its universal reputation as the most formulaic program in the history of broadcast television. Perry Mason was one of the most successful television programs from the 1950s and remains one of the most influential crime melodramas from any period. The show's influence goes far beyond its nine-year tenure (1957–66), the millions of dollars it generated for its creators and for CBS, and the definitive identification it provided its star, Raymond Burr. Perry Mason has become a true piece of Americana, evolving through a formulaic approach that law professors continue to use today as a teaching tool. In his examination of Perry Mason, author Thomas Leitch looks at why this series has appealed to so many for so long and what the continued appeal tells us about Americans' attitudes toward lawyers and the law, then and now. Beginning with its roots in earlier detective fiction, stories of fictional attorneys, and the work of Erle Stanley Gardner (the show's creator), Leitch lays out the circumstances under which Perry Mason was conceived and marketed as a distinct franchise. The evolution of Perry Mason is charted here in an inclusive manner, discussing the show's broadcast history (ending with the series of two-hour telemovies that aired nearly twenty years after the original series ended) alongside its generic nature and place within popular culture, the show's ideological dynamic, and issues of authorship in the context of television. This concise study is an excellent tool for television and media scholars as well as fans of the Perry Mason series.
"The entire field of film historians awaits the AFI volumes with eagerness."--Eileen Bowser, Museum of Modern Art Film Department Comments on previous volumes: "The source of last resort for finding socially valuable . . . films that received such scant attention that they seem 'lost' until discovered in the AFI Catalog."--Thomas Cripps "Endlessly absorbing as an excursion into cultural history and national memory."--Arthur Schlesinger, Jr.