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This ground-breaking collection of essays presents a new 'bookish' literary history, which situates questions about books at the intersection of a range of debates about the role of authors and readers, the organization of knowledge, the vogue for collecting, and the impact of overlapping technologies of writing and shifting generic boundaries.
"During Sir Robert Walpole's term as "Prime Minister" exorbitant amounts of money were spent on propaganda in support of his administration. Since nearly all the major writers of the period adopted an anti-government stance, however, historians have shown far more interest in the organization and contents of opposition propaganda than in its pro-government counterpart. This book is the first comprehensive study of the literature published in support of Walpole's administration, and explores important pro-government themes, and also explains how the propaganda network was organized and what precisely the Old Corps Whig leadership hoped to achieve."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
This book explores the ways that authors responded to fundamental questions about literature during an age of accelerating change.
This study tries, through a systematic and historical analysis of the concept of critical authority, to write a history of literary criticism from the end of the 17th to the end of the 18th century that not only takes the discursive construction of its (self)representation into account, but also the social and economic conditions of its practice. It tries to consider the whole of the critical discourse on literature and criticism in the time period covered. Thus, it is distinctive through its methodology (there is no systematic account of the historical development of critical authority and no discussion of the institutionalization of criticism of such a scope), its material of analysis (most of the many hundred texts self-reflexively commenting on criticism that are discussed here have been so far virtually ignored) and through its results, a complex history of criticism in the 18th century that is neither reductive nor the accumulation of isolated aspects or author figures, but that probes into the very nature of the activity of criticism. The aim of this study is both to provide a thorough historical understanding of the emergence of criticism and as a consequence an understanding of the inner workings and power relations that structure criticism to this day.
. . . this book provides an interesting insight into many aspects of copyright law. It is a useful resource not only for those whose core practice is copyright but also those involved in industries reliant on copyright. New Zealand Law Journal Copyright law is undergoing rapid transformations to cope with the new international digital environment. This valuable research Handbook provides a thorough and contemporary tableau of current thinking in copyright law. It traces the changes undergone and the challenges faced by copyright, as well as its roots and its diversity, combining to present a colourful picture of a dynamic research area. The editor brings together an elite group of international copyright scholars who offer incisive and original analysis of a wide range of issues and aspects of copyright law, and in some cases a multiplicity of perspectives on a single topic. Rigorous and often thought-provoking in nature, this research Handbook clearly maps the current landscape, and will also undoubtedly stimulate further research in the field. Analysing the cutting edge of current copyright research, Copyright Law will be of great interest to researchers, students, practitioners and policymakers.
This volume is a review of the autobiographical account Alicia LeFanu, Memoirs of the Life and Writings of Mrs. Frances Sheridan, which sheds light on the controversial role of the female writers in the early nineteenth century.