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A spirited defense of Grub Street; essays on politics & literature.
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Delve into what it was like to live during the eighteenth century by reading the first-hand accounts of everyday people, including city dwellers and farmers, businessmen and bankers, artisans and merchants, artists and their patrons, politicians and their constituents. Original texts make the American, French, and Industrial revolutions vividly contemporary. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library T019998 A re-issue of the 1758 edition, with the preliminary leaves reset. Pp. 73-76 misnumbered 65-68. London: printed for R. Griffiths, 1762. [4],68[i.e.76]p.; 8°
This book deals with changing conditions and conceptions of authorship in the long eighteenth century, a period often said to have witnessed the birth of the modern author. It focuses not on authorial self-presentation or self-revelation but on an author’s interactions with booksellers, collaborators, rivals, correspondents, patrons, and audiences. Challenging older accounts of the development of authorship in the period as well as newer claims about the “public sphere” and the “professional writer,” it engages with recent work on print culture and the history of the book. Methodologically eclectic, it moves from close readings to strategic contextualization. The book is organized both chronologically and topically. Early chapters deal with writers – notably Milton and Dryden – at the beginning of the long eighteenth century, and later chapters focus more on writers — among them Johnson, Gray, and Gibbon — toward its end. Looking beyond the traditional canon, it considers a number of little-known or little-studied writers, including Richard Bentley, Thomas Birch, William Oldys, James Ralph, and Thomas Ruddiman. Some of the essays are organized around a single writer, but most deal with a broad topic – literary collaboration, literary careers, the republic of letters, the alleged rise of the “professional writer,” and the rather different figure of the “author by profession.” Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
Eighteenth-century critics differed about almost everything, but if there was one point on which they almost universally agreed, it was that they were living through an age of extraordinary change. The texts in this collection respond to a series of fundamental questions about the changing nature of the literary field during a tumultuous age: What types of writing mattered in a thriving commercial nation? What kinds of knowledge ought literature to offer, if it was to continue to be relevant? What did it mean to be an author in this busy modern world, and what sorts of social distinction should authors expect to enjoy? The Age of Authors explores the complexity, sophistication, and creativity with which the eighteenth century literary community (or “republic of letters”) responded to the challenges of the time.