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The Cartographic Eye is about the mythologies of land exploration, and about space and the colonial enterprise in particular. An innovative investigation of the presumptions, aesthetics and politics of Australian explorers' texts, it concentrates on the period 1820-1880. Simon Ryan looks at the journals of John Oxley, Thomas Mitchell, Charles Sturt and Ludwig Leichhardt and shows that they are not the simple, unadorned observations the authors would have us believe, but are complex networks of tropes. The Cartographic Eye scrutinises and undermines the scientific and literary methodology of exploration. Its insightful analysis of the tendencies of colonialism will make a major contribution to 'new historicist' interrogations of colonialism. It will be a crucial text for readers in Australian literary and cultural studies, and for those interested in colonial discourse and postcolonial theory.
"Cosgrove's analysis traces a pattern of associations between global images and the formation of Western identities, paying tribute to the richly complex cosmographic tradition out of which today's geographical imagination has emerged."--BOOK JACKET.
Created for map lovers by map lovers, this rich book explores the intriguing stories behind maps across history and illuminates how the art of cartography thrives today. In this visually stunning book, award-winning journalists Betsy Mason and Greg Miller--authors of the National Geographic cartography blog "All Over the Map"--explore the intriguing stories behind maps from a wide variety of cultures, civilizations, and time periods. Based on interviews with scores of leading cartographers, curators, historians, and scholars, this is a remarkable selection of fascinating and unusual maps. This diverse compendium includes ancient maps of dragon-filled seas, elaborate graphics picturing unseen concepts and forces from inside Earth to outer space, devious maps created by spies, and maps from pop culture such as the schematics to the Death Star and a map of Westeros from Game of Thrones. If your brain craves maps--and Mason and Miller would say it does, whether you know it or not--this eye-opening visual feast will inspire and delight.
This book is the fruition of work from contributors to the Art and Cartography: Cartography and Art symposium held in Vienna in February 2008. This meeting brought together cartographers who were interested in the design and aesthetics elements of cartography and artists who use maps as the basis for their art or who incorporate place and space in their expressions. The outcome of bringing together these like minds culminated in a wonderful event, spanning three evenings and two days in the Austrian capital. Papers, exhi- tions and installations provided a forum for appreciating the endeavors of artists and cartographers and their representations of geography. As well as indulging in an expansive and expressive occasion attendees were able to re? ect on their own work and discuss similar elements in each other’s work. It also allowed cartographers and artists to discuss the potential for collaboration in future research and development. To recognise the signi? cance of this event, paper authors were invited to further develop their work and contribute chapters to this book. We believe that this book marks both a signi? cant occasion in Vienna and a starting point for future collabo- tive efforts between artists and cartographers. The editors would like to acknowledge the work of Manuela Schmidt and Felix Ortag, who undertook the task of the design and layout of the chapters.
In this book, Claire Reddleman introduces her theoretical innovation "cartographic abstraction" – a material modality of thought and experience that is produced through cartographic techniques of depiction. Reddleman closely engages with selected artworks (by contemporary artists such as Joyce Kozloff, Layla Curtis, and Bill Fontana) and theories in each chapter. Reconfiguring the Foucauldian underpinning of critical cartography towards a materialist theory of abstraction, cartographic viewpoints are theorised as concrete abstractions. This research is positioned at the intersection of art theory, critical cartography and materialist philosophy.
Few recent writers have been as interested in the cross-over between texts and visual art as Italo Calvino (1923-85). Involved for most of his life in the publishing industry, he took as much interest in the visual as in the textual aspects of his own and other writers' books. In this volume twenty international Calvino experts, including Barenghi, Battistini, Belpoliti, Hofstadter, Ricci, Scarpa and others, consider the many facets of the interplay between the visual and textual in Calvinos works, from the use of colours in his fiction to the influence of cartoons, from the graphic qualities of the book covers themselves to the significance of photography and landscape in his fiction and non-fiction. The volume is appropriately illustrated with images evoked by Calvino's major texts.
This book is addressed to students and professionals, and it is aimed to cover as much as possible the broader region of topographic mapping as it has evolved into a modern field called geospatial information science and technology. More emphasis is placed on using scientific methods and tools materialized in algorithms and software to produce practical results. For this reason, beyond the written material, there are also many educational and professional software programs written by the first author to help comprehend the individual methodologies developed. The Target of this book is to provide the people who work in fields of applications of topographic mapping (environment, geology, geography, cartography, engineering, geotechnical, agriculture, forestry, geointelligence, etc.) a source of knowledge for the broader region so that to help them in facing relevant problems as well as in preparing contracts and specifications for such type of work assigned to professionals and evaluating such contracting results. It also aims to be a reference for theory and practice for professionals in Topographic Mapping. This book applies a didactics method where, with a relatively small effort, someone can digest a large volume of simple or complicated knowledge material at a desirable scientific depth within a relatively short time interval. The objective that educated people must be "smarter than the machine" and not treat the machine as a "black box" being "button pushers" has been achieved through the first author's experience in the USA and Greece, with relative success by adopting this didactics technique. There are 14 chapters, including Reference systems and Projections, Topographic instruments and Geometry of coordinates, Conventional construction of a topographic map, Design and reproduction of a thematic map, Digital Topographic mapping - GIS, Digital Terrain Models (DTM / DEM), GPS/GNSS, methods of Photogrammetry, Remote Sensing, new technologies LIDAR, IFSAR, Augmented reality, Mapping with UAS/UAV/Drones, the method of Least Squares adjustment, and Description of educational software accompanying the text.
List of maps -- Introduction -- One -- Two -- Three -- Four -- Five: the map as art.
Empires of Vision brings together pieces by some of the most influential scholars working at the intersection of visual culture studies and the history of European imperialism. The essays and excerpts focus on the paintings, maps, geographical surveys, postcards, photographs, and other media that comprise the visual milieu of colonization, struggles for decolonization, and the lingering effects of empire. Taken together, they demonstrate that an appreciation of the role of visual experience is necessary for understanding the functioning of hegemonic imperial power and the ways that the colonized subjects spoke, and looked, back at their imperial rulers. Empires of Vision also makes a vital point about the complexity of image culture in the modern world: We must comprehend how regimes of visuality emerged globally, not only in the metropole but also in relation to the putative margins of a world that increasingly came to question the very distinction between center and periphery. Contributors. Jordanna Bailkin, Roger Benjamin, Daniela Bleichmar, Zeynep Çelik, David Ciarlo, Natasha Eaton, Simon Gikandi, Serge Gruzinski, James L. Hevia, Martin Jay, Brian Larkin, Olu Oguibe, Ricardo Padrón, Christopher Pinney, Sumathi Ramaswamy, Benjamin Schmidt, Terry Smith, Robert Stam, Eric A. Stein, Nicholas Thomas, Krista A. Thompson
Hunting for Empire offers a fresh cultural history of sport and imperialism. Greg Gillespie integrates critical perspectives from cultural studies, literary criticism, and cultural geography to analyze the themes of authorship, sport, science, and nature. In doing so he produces a unique theoretical lens through which to study nineteenth-century British big-game hunting and exploration narratives from the western interior of Rupert's Land. Sharply written and evocatively illustrated, Hunting for Empire will appeal to students and scholars of culture, sport, geography, and history, and to general readers interested in stories of hunting, empire, and the Canadian wilderness.