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Decadence and murder found on the dark side of the big city pales in comparison to the freak show found by undercover US narcotics agent Bob Clark in The Carnival of Death. Clark's investigation begins with cocaine and leads to cold-blooded murder--the discovery of one, and then another, headless corpse. Who is behind the slaughter? Are the killings tied to the drug traffic? Or is a deeper, darker, and even more sinister conspiracy unfolding in the carnival? There are plenty of distractions--bright lights and beautiful girls--but Clark better find the murderers of the midway fast. Because the next head that rolls could very well be his own. Also includes the mystery "The Death Flyer," in which a man and woman find themselves trapped on a ghost train and bound for a deadly crash ... unless they can find a way to derail fate and cheat death--on the fly. Experience the spinning wheels, the pleasure-seeking crowds and the screams of horror as the The Carnival of Death takes you on a roller-coaster ride of suspense. "Highly recommended." --Midwest Book Review "Roars to life." --Library Journal
In the movie The Big Sleep, Bogart as Philip Marlowe follows a trail of decadence and murder on the dark side of L.A. But even the seamy underside of the city of angels pales in comparison to the freak show found by undercover U.S. narcotics agent Bob Clark . . . in The Carnival of Death. Clark’s investigation begins with cocaine and leads to cold-blooded murder—the discovery of one, and then another, headless corpse. Who is behind the slaughter? Are the killings tied to the drug traffic? Or is a deeper, darker, and even more sinister conspiracy unfolding in the carnival? There are plenty of distractions—bright lights and beautiful girls—but Clark better find the murderers of the midway fast. Because the next head that rolls could very well be his own. In 1934, while living in New York, the heart of the publishing industry, Hubbard struck up a friendship with the city’s medical examiner—a relationship that started his education in undetectable crime and provided him with authoritative clinical background for his detective stories. Also includes the mystery The Death Flyer, in which a man and woman find themselves trapped on a ghost train and bound for a deadly crash . . . unless they can find a way to derail fate and cheat death—on the fly. “Roars to life.” —Library Journal
Carnival for the Dead is a suspenseful spin-off from the Nic Costa series, David Hewson's detective novels of love and death in Italy. In Venice the past was more reticent. Beyond the tourist sights, San Marco and the Rialto, it lurked in the shadows, seeping out of the cracked stones like blood from ancient wounds, as if death itself was one more sly performance captured beneath the bright all-seeing light of the lagoon. It’s February, and Carnival time in Venice. Forensic pathologist Teresa Lupo visits the city to investigate the mysterious disappearance of her beloved bohemian Aunt Sofia. But from the moment she is greeted off the vaporetto by a masked man dressed in the costume of The Plague Doctor, Teresa starts to suspect that all is not well. The puzzle deepens when a letter reveals a piece of fiction in which both Sofia and Teresa appear. Even more strange, are the links to the past which gradually begin to surface. Are the messages being sent by Sofia herself? Her abductor? Or a third party seeking to help her unravel the mystery? The revelation is as surprising and shocking as Sofia’s fate. And Teresa herself comes to depend upon the unravelling of a mystery wrapped deep inside the art and culture of Venice itself.
Kansas, 1959. When a travelling carnival appears overnight, the townsfolk of Seneca Falls are entranced. But the circus brings more than just magic and illusion to the small town: a dead man is discovered beneath the carousel. For FBI Special Agent Michael Travis, the world is clear cut. But there are a lot of grey areas in this case. The carnival folk are unwilling to answer a straight question and they begin to challenge Travis's once unshakeable faith in solid facts and hard evidence... As the investigation turns ever more disturbing, Travis is forced to question everything he believes in as a dark and horrifying conspiracy comes to light.
When a heinous crime attacks a religious proceeding, the Chief Minister vows to solve the case in 48 hours, only to be betrayed by her own doctrine or was she! The state assembly election was due in West Bengal, and the festival of democracy was to inaugurate itself in 60 hours. The stakes soared rooftop when a lifeless corpse was found inside an idol during the celebration of Durga Puja. The sizzle and chill was observed by all. Aahana, an independent psychologist, was assigned the case in isolation by higher authorities when it was ascertained that the murder was being covered-up internally. How deep she can go to exhume the purpose of enormity is for her to decide.
Cassie Pengear thought a visit to the carnival would be fun: see some shows, eat some sweets, help her landlady’s nephew decide if the cowboy was real or an actor. But then the cowboy shot the volunteer, and he didn’t get up. Now Cassie has a ten-year-old boy insisting the cowboy isn’t a killer and a landlady insisting she help solve the killing at the carnival. Includes short story A Case of Two Clerks. A traditional cozy mystery with a steampunk setting 29,000 words, approx 150 pages In a Victorian England that almost existed, a steampunk London where tinkerers and clockwork devices exist alongside hansom cabs and corsets, murder is still solved by traditional observation and intuition. This is the London where American typist Cassandra Pengear finds herself stumbling over corpses and helping Scotland Yard detectives solve murders (although they inexplicably prefer to call it interfering). Follow her adventures in the Cassie Pengear Mystery series, beginning with The Killing at the Carnival.
Cadenza is the City of Words, a city run by poets, its skyline dominated by the steepled towers of its libraries, its heart beating to the stamp and thrum of the printing presses in the Printing Quarter. Carlo Mazzoni, a young wordsmith arrives at the city gates intent on making his name as the bells ring out with the news of the death of the city’s poet-leader. Instead, he finds himself embroiled with the intrigues of a city in turmoil, the looming prospect of war with their rival Venice ever-present. A war that threatens not only to destroy Cadenza but remove it from history altogether…
The first three Cassie Pengear Mysteries in one volume. Killing at the Carnival- Cassie Pengear thought a visit to the carnival would be fun: see some shows, eat some sweets, help her landlady’s nephew decide if the cowboy was real or an actor. But then the cowboy shot the volunteer, and he didn’t get up. Now Cassie has a ten-year-old boy insisting the cowboy isn’t a killer and a landlady insisting she help solve the killing at the carnival. Death at Dinner- Cassie Pengear did not want to spend her evening acting as a parlor maid even if the house was in Mayfair, but her landlady’s friend was desperate and it was only night. But then one of the guests collapsed at the table. Now poison is suspected and the cook is convinced she’s the main suspect and will be locked away if Cassie doesn't solve the death at dinner. Stabbing Set with Sapphires- Cassie Pengear thought a job typing up inventory lists at a jewelry store would be fun. Until there was a kidnapping. And then a robbery. And then a murder. Now Cassie must figure out the connection between the events and hope it will lead her to the missing girl. In a Victorian England that almost existed, a steampunk London where tinkerers and clockwork devices exist alongside hansom cabs and corsets, murder is still solved by traditional observation and intuition. This is the London where American typist Cassandra Pengear finds herself stumbling over corpses and helping Scotland Yard detectives solve murders (although they inexplicably prefer to call it interfering). Follow her adventures in the Cassie Pengear Mystery series, beginning with The Killing at the Carnival. Traditional cozy mysteries with a steampunk setting
A star-studded urban fantasy anthology starring bestselling authors Rachel Caine, Jennifer Estep, Kevin Hearne, Seanan McGuire, and Rob Thurman, and including Delilah S. Dawson, Kelly Gay, Mark Henry, Hillary Jacques, Jackie Kessler, Kelly Meding, Allison Pang, Nicole D. Peeler, and Jaye Wells, whose stories explore the creepy, mysterious, and, yes, sometimes magical world of traveling carnivals. Come one, come all! The Carniepunk Midway promises you every thrill and chill a traveling carnival can provide. But fear not! Urban fantasy’s biggest stars are here to guide you through this strange and dangerous world. . . . RACHEL CAINE’s vampires aren’t child’s play, as a naïve teen discovers when her heart leads her far, far astray in “The Cold Girl.” With “Parlor Tricks,” JENNIFER ESTEP pits Gin Blanco, the Elemental Assassin, against the Wheel of Death and some dangerously creepy clowns. SEANAN McGUIRE narrates a poignant, ethereal tale of a mysterious carnival that returns to a dangerous town after twenty years in “Daughter of the Midway, the Mermaid, and the Open, Lonely Sea.” KEVIN HEARNE’s Iron Druid and his wisecracking Irish wolfhound discover in “The Demon Barker of Wheat Street” that the impossibly wholesome sounding Kansas Wheat Festival is actually not a healthy place to hang out. With an eerie, unpredictable twist, ROB THURMAN reveals the fate of a psychopath stalking two young carnies in “Painted Love.”
This volume, introduced by the author, brings together three novels first published separately. 'The trilogy comprises Carnival (1985), The Infinite Rehearsal (1987) and The Four Banks of the River of Space (1990), novels linked by metaphors borrowed from theatre, traditional carnival itself and literary mythology. The characters make Odyssean voyages through time and space, witnessing and re-enacting the calamitous history of mankind, sometimes assuming sacrificial roles in an attempt to save modern civilisation from self-destruction.' Independent on Sunday ' The Four Banks of the River of Space is a kind of quantum Odyssey... in which the association of ideas is not logical but... a 'magical imponderable dreaming'. The dreamer is Anselm, another of Harris's alter egos, like Everyman Masters in Carnival and Robin Redbreast Glass in The Infinite Rehearsal... Together, they represent one of the most remarkable fictional achievements in the modern canon.' Listener