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The many and varied threads of Canada's national life come together in its capital region. Where the Rideau River flows into the Ottawa River, an Algonquin community was visited by French explorers and settled by British colonists. The town grew into a city, spilled over a provincial border, and now represents Canada to the world. Ottawa is a seat of government and has all the official edifices to show for it. But as Andrew Waldron shows you in Exploring the Capital, it's a lot more than that. Follow the eleven guided-tours covering all corners of the region in Ontario and Quebec and you'll encounter homes and schools, cultural sites and green spaces, houses of worship and shrines to commerce. Early houses, humble or magnificent, from the era of the lumber barons can be found steps away from the latest in sleek condominiums and office towers built for sustainability. Waldron takes you behind the doors of more than 390 diverse structures to learn who made them, how, and why. Exploring the Capital is for architectural experts and amateurs, and for residents and visitors alike. Visit Ottawa's landmarks and neighbourhoods through its stories, maps, and photographs, and learn how great design and engineering turn landscapes into cityscapes.
In the critical decades following the First World War, the Canadian political landscape was shifting in ways that significantly recast the relationship between big business and government. As public pressures changed the priorities of Canada’s political parties, many of Canada’s most powerful businessmen struggled to come to terms with a changing world that was less sympathetic to their ideas and interests than before. Dominion of Capital offers a new account of relations between government and business in Canada during a period of transition between the established expectations of the National Policy and the uncertain future of the twentieth century. Don Nerbas tells this fascinating story through close portraits of influential business and political figures of this period – including Howard P. Robinson, Charles Dunning, Sir Edward Beatty, R.S. McLaughlin, and C.D. Howe – that provide insight into how events in different sectors of the economy and regions of the country shaped the political outlook and strategies of the country’s business elite. Drawing on business, political, social, and cultural history, Nerbas revises standard accounts of government-business relations in this period and sheds new light on the challenges facing big business in early twentieth-century Canada.
The global financial and industrial turmoil of recent years has once more brought the crisis-prone nature of the capitalist system to the forefront. In the context of economic stagnation and the retreat of working-class organizations, the rich and powerful around the world have redoubled their attack on the poor through neoliberal policies and austerity measures. In The Servant State, McCormack and Workman explore Canada’s experience through the “age of austerity” and highlight how this experience has been shaped by the exigencies of capitalist development and the catalyzing role of the Canadian state. The analytical standpoint is not that of the oppressed per se, but rather that of capitalism as a whole. They share the condemnation of the capitalist establishment, are appalled by the greed and avarice of the ruling elite and despair at the obscenities of the age; however, the critical spirit of their study is imbued less with a mood of indignation and more with assumptions and sensitivities about the inner tendencies of capitalism and the obliging role of the state. The struggle against contemporary excess and horror, they argue, must be framed with reference to the immuring tendencies of the capitalist order of things.
“A dark comedy of manners packed with urgency” (H. W. Vail, Vanity Fair), The Capital is an instant classic of world literature. A highly inventive novel of ideas written in the rich European tradition, The Capital transports readers to the cobblestoned streets of twenty-first-century Brussels. Chosen as the European Union’s symbolic capital in 1958, this elusive setting has never been examined so intricately in literature. Translated with "zest, pace and wit" (Spectator) by Jamie Bulloch, Robert Menasse's The Capital plays out the effects of a fiercely nationalistic “union.” Recalling the Balzacian conceit of assembling a vast parade of characters whose lives conspire to form a driving central plot, Menasse adapts this technique with modern sensibility to reveal the hastily assembled capital in all of its eccentricities. We meet, among others, Fenia Xenopoulou, a Greek Cypriot recently “promoted” to the Directorate-General for Culture. When tasked with revamping the boring image of the European Commission with the Big Jubilee Project, she endorses her Austrian assistant Martin Sussman’s idea to proclaim Auschwitz as its birthplace—of course, to the horror of the other nation states. Meanwhile, Inspector Émile Brunfaut attempts to solve a gritty murder being suppressed at the highest level; Matek, a Polish hitman who regrets having never become a priest, scrambles after taking out the wrong man; and outraged pig farmers protest trade restrictions as a brave escapee squeals through the streets. These narratives and more are masterfully woven, revealing the absurdities—and real dangers—of a fracturing Europe. A tour de force from one of Austria’s most esteemed novelists, The Capital is a mordantly funny and piercingly urgent saga of the European Union, and an aerial feat of sublime world literature.
“This superbly succinct and incisive book” on urban planning and real estate argues gentrification isn’t driven by latte-sipping hipsters—but is engineered by the capitalist state (Michael Sorkin, author of All Over the Map) Our cities are changing. Around the world, more and more money is being invested in buildings and land. Real estate is now a $217 trillion dollar industry, worth thirty-six times the value of all the gold ever mined. It forms sixty percent of global assets, and one of the most powerful people in the world—the former president of the United States—made his name as a landlord and developer. Samuel Stein shows that this explosive transformation of urban life and politics has been driven not only by the tastes of wealthy newcomers, but by the state-driven process of urban planning. Planning agencies provide a unique window into the ways the state uses and is used by capital, and the means by which urban renovations are translated into rising real estate values and rising rents. Capital City explains the role of planners in the real estate state, as well as the remarkable power of planning to reclaim urban life.
In 1754 Eleanor Powers was hung for a murder committed during a botched robbery. She was the first woman condemned to die in Canada, but would not be the last. In Uncertain Justice, Beverley Boissery and Murray Greenwood portray a cast of women characters almost as often wronged by the law as they have wronged society. Starting with the Powers trial and continuing to the not-too-distant past, the authors expose the patriarchal values that lie at the core of criminal law, and the class and gender biases that permeate its procedures and applications. The writing style is similar to that of a popular mystery: "Harriet Henry lay dead. Horribly and indubitably. Her body sprawled against the bed, the head twisted at a grotesque angle. Foam engulfed the grinning mouth." Scholarly analysis combines with the narrative to make Uncertain Justice a fascinating and engaging read. There is a wealth of information about the emerging and evolving legal system and profession, the state of forensic science, the roles of juries, and the political turmoil and growing resistance to a purely class-based aristocratic form of government.
Like the mythic cities of Gotham or Gomorrah, London, Ontario was for many years an unrivalled breeding ground of depravity and villainy, the difference being that its monsters were all too real. In its coming to inherit the unwanted distinction of being the serial killer capital of not just Canada—but apparently also the world during this dark age in the city’s sordid history— the crimes seen in London over this quarter-century period remain unparalleled and for the most part unsolved. From the earliest documented case of homicidal copycatting in Canada, to the fact that at any given time up to six serial killers were operating at once in the deceivingly serene “Forest City,” London was once a place that on the surface presented a veneer of normality when beneath that surface dark things would whisper and stir. Through it all, a lone detective would go on to spend the rest of his life fighting against impossible odds to protect the city against a tidal wave of violence that few ever saw coming, and which to this day even fewer choose to remember. With his death in 2011, he took these demons to his grave with him but with a twist—a time capsule hidden in his basement, and which he intended to one day be opened. Contained inside: a secret cache of his diaries, reports, photographs, and hunches that might allow a new generation of sleuths to pick up where he left off, carry on his fight, and ultimately bring the killers to justice—killers that in many cases are still out there. Murder City is an explosive book over fifty years in the making, and is the history of London, Ontario as never told before. Stranger than fiction, tragic, ironic, horrifying, yet also inspiring, this is the true story of one city under siege, and a book that marks a game changer for the true crime genre.
Chandler has thoroughly researched the Canadian context of the recurring and often emotional discussion of capital punishment.
This book addresses the conceptual difficulties and political contestations surrounding the applicability of the term "African-Canadian". In the midst of this contested terrain, the volume focuses on first generation, Black Continental Africans who have immigrated to Canada in the last four decades, and have traceable genealogical links to the continent.