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The Calumet region historical guide
Excerpt from The Calumet Region Historical Guide: Containing the Early History of the Region as Well as the Contemporary Scene Within the Cities of Gary, Hammond, East Chicago (Including Indiana Harbor), And Whiting This Guide is one of a series of guidebooks to states, cities, and metropolitan areas compiled by the Writers' Program, Work Projects Administration. A special unit of field workers and editors under the supervision of the editorial staff of the State office of the Indiana Writers' Project, for more than a year has been collecting, writing, and editing the material contained herein. Headquarters for the work has been the Gary Commercial Club and Chamber of Commerce, Gary, Indiana. Fringing the southern tip of Lake Michigan in northwest Indiana is an arc of land about 16 miles long, and at most, ten miles wide. Within this arc is a grouping of four industrial cities: Gary, Hammond, East Chicago (including Indiana Harbor), and Whiting. The area, through local usage, is known as the Calumet Region. The term Calumet Region, as used in the title of this book, has been arbitrarily circumscribed to mean these four cities and their immediate environs. The term is not susceptible of precise definition. Popular usages vary in their geographical delimitation of the region. Thus there are some who hold it to embrace all the territory lying contiguous to the southerly shore of Lake Michigan from St. Joseph, on the eastern coast, to Waukegan, on the western, as far south as the basin of the Kankakee River. Others restrict it to the Lake Michigan litterol from South Chicago (included) to and embracing Michigan City, with a southerly extension to the Little Calumet River. For the purpose of this guidebook it has been thought advisable to fix the western limit as the Illinois-Indiana State boundary, co-terminous with the western boundary of Hammond, and the eastern as the easterly line of the Indiana Dunes State Park. The southern line of the region has been set as the southernmost point in the city of Gary, about ten miles from the southern tip of Lake Michigan. Numerous towns, hamlets, and points of interest are treated as environs. Because of its industrial and commercial eminence and the resultant wholly industrial cities, the Calumet Region dramatically illustrates the industrial age - the twentieth century. This region, within a few miles of the eastern city limits of Chicago, lay dormant during the nineteenth century waiting for electricity and the machine age to give it life. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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Most of Richard Dorson's thirty years as folklorist have been spent collecting tales and legends in the remote backcountry, far from the centers of population. For this book he extended his search for folk traditions to one of the most heavily industrialized sections of the United States. Can folklore be found, he wondered, in the Calumet Region of northwest Indiana? Does it exist among the steelworkers, ethnic groups, and blacks in Gary, Whiting, East Chicago, and Hammond? In his usual entertaining style, Dorson shows that a rich and varied folklore exists in the Region. Although it differs from that of rural people, it is equally vital. Much of this urban lore finds expression in conversational anecdotes and stories that deal with pressing issues: the flight from the inner city, crime in the streets, working conditions in the steel mills, the maintenance of ethnic identity, the place of blacks in a predominantly white society. The folklore reveals strongly held attitudes such as the loathing of industrial work, resistance to assimilation, and black adoption of middle-class-white values. Miliworkers and mill executives, housewives, ethnic performers, storekeepers, and preachers tell their stories about the Region. The concerns that occupy them affect city dwellers throughout the United States. Land of the Millrats, though it depicts a special place, speaks for much of America.
"Art as Social Action . . . is an essential guide to deepening social art practices and teaching them to students." —Laura Raicovich, president and executive director, Queens Museum Art as Social Action is both a general introduction to and an illustrated, practical textbook for the field of social practice, an art medium that has been gaining popularity in the public sphere. With content arranged thematically around such topics as direct action, alternative organizing, urban imaginaries, anti-bias work, and collective learning, among others, Art as Social Action is a comprehensive manual for teachers about how to teach art as social practice. Along with a series of introductions by leading social practice artists in the field, valuable lesson plans offer examples of pedagogical projects for instructors at both college and high school levels with contributions written by prominent social practice artists, teachers, and thinkers, including: Mary Jane Jacob Maureen Connor Brian Rosa Pablo Helguera Jen de los Reyes Jeanne van Heeswick Jaishri Abichandani Loraine Leeson Ala Plastica Daniel Tucker Fiona Whelan Bo Zheng Dipti Desai Noah Fischer Lesson plans also reflect the ongoing pedagogical and art action work of Social Practice Queens (SPQ), a unique partnership between Queens College CUNY and the Queens Museum.