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Samia Serageldin's heroine, the daughter of a politically prominent, land-owning Egyptian family, witnesses the changes sweeping her homeland. Looking back to the glamorous Egypt of the pashas and King Faruk, Serageldin moves forward to the police state of the colonels who seized power in 1952 and the disastrous consequences of Nasser's sequestration policies. Through well-chosen portraits and telling descriptions of the era's fashions and furnishings, Serageldin conveys detailed social and cultural information. She offers a glimpse of the beach at Agami in the 1960s and conveys the change in mood through the Sadat years. Serageldin's fictional treatment of recent Egyptian history includes key events leading to the rise of Islamic fundamentalism, such as the assassination of writer Yussef Siba'yi and the harassment of theologian Nasr Abu Zayd. Serageldin's heroine goes into exile in Europe and the United States but returns to Egypt in an attempt to reconcile her past and present. Charting fresh territory for the American reader, this semi-autobiographical novel is one of the most sensitive and accessible documents of historical change in Egyptian life. The book will appeal to a general audience and will be particularly useful to students interested in the social customs of the upper class in Egypt in the Nasser and Sadat years. A novel of a child growing up in Egypt & abroad within the framework of an affluent family who was proscribed under Nasser, but who survived.
From the best-selling author of The Map of Love, here is a bracing firsthand account of the Egyptian revolution—told with the narrative instincts of a novelist, the gritty insights of an activist, and the long perspective of a native Cairene. Since January 25, 2011, when thousands of Egyptians gathered in Tahrir Square to demand the fall of Hosni Mubarak’s regime, Ahdaf Soueif—author, journalist, and lifelong progressive—has been among the revolutionaries who have shaken Egypt to its core. In this deeply personal work, Soueif summons her storytelling talents to trace the trajectory of her nation’s ongoing transformation. She writes of the passion, confrontation, and sacrifice that she witnessed in the historic first eighteen days of uprising—the bravery of the youth who led the revolts and the jubilation in the streets at Mubarak’s departure. Later, the cityscape was ablaze with political graffiti and street screenings, and with the journalistic and organizational efforts of activists—including Soueif and her family. In the weeks and months after those crucial eighteen days, we watch as Egyptians fight to preserve and advance their revolution—even as the interim military government, the Supreme Council of the Armed Forces, throws up obstacles at each step. She shows us the council delaying abdication of power, undermining efforts toward democracy, claiming ownership of the revolution while ignoring its martyrs. We see elections held and an Islamist voted into power. At each scene, Soueif gives us her view from the ground—brave, intelligent, startlingly immediate. Against this stormy backdrop, she interweaves memories of her own Cairo—the balcony of her aunt’s flat, where, as a child, she would watch the open-air cinema; her first job, as an actor on a children’s sitcom; her mother’s family land outside the city, filled with fruit trees and palm groves, in sight of the pyramids. In so doing, she affirms the beauty and resilience of this ancient and remarkable city. The book ends with a postscript that considers Egypt’s more recent turns: the shifts in government, the ongoing confrontations between citizen and state, and a nation’s difficult but deeply inspiring path toward its great, human aims—bread, freedom, and social justice. In these pages, Soueif creates an illuminating snapshot of an event watched by the world—the outcome of which continues to be felt across the globe.
Well-heeled travelers from around the world flock to the Mena House Hotel—an exotic gem in the heart of Cairo where cocktails flow, adventure dispels the aftershocks of World War I, and deadly dangers wait in the shadows . . . WINNER OF THE 2021 AGATHA AWARD Egypt, 1926.Fiercely independent American Jane Wunderly has made up her mind: she won’t be swept off her feet on a trip abroad. Despite her Aunt Millie’s best efforts, the young widow would rather gaze at the Great Pyramids of Giza than into the eyes of a dashing stranger. Yet Jane’s plans to remain cool and indifferent become ancient history in the company of Mr. Redvers, a roguish banker she can’t quite figure out . . . While the Mena House has its share of charming guests, Anna Stainton isn’t one of them. The beautiful socialite makes it clear that she won’t share the spotlight with anyone—especially Jane. But Jane soon becomes the center of attention when she’s the one standing over her unintentional rival’s dead body. Now, with her innocence at stake in a foreign country, Jane must excavate an elusive killer before her future falls to ruin in Cairo, and the body count rises like the desert heat . . . “Stunning revelations, romance, adventure, and intrigue abound in this multilayered, delightfully entertaining whodunit. Neubauer’s debut dazzles, with a smart plot, remarkable scenery, and skilled execution.” —Library Journal (Starred Review)
The second volume of the highly acclaimed Cairo Trilogy from the winner of the Nobel Prize for Literature. Filled with compelling drama, earthy humor, and remarkable insight, Palace Of Desire is the unforgettable story of the violent clash between ideals and realities, dreams and desires.
Deeply divided, with ethnic French dominating the south and a large, vibrant North African community in the north, the city of Marseille typifies the tensions stemming from problematic governance, a constant influx of migrants, the widespread privatisation of services, and rapid, profit-driven, and destructive post-industrial urbanisation. Examining this complex city through a series of case studies of its built environment, this book tells of an urban reality where migration is especially prevalent. Essays, photographs, and drawings illustrate the impact of migration on space, architecture, and territory. But it also offers strategies for development that can support social and spatial integration.
A vibrant portrait of the talented and entrepreneurial women who defined an era in Cairo. One of the world’s most multicultural cities, twentieth-century Cairo was a magnet for the ambitious and talented. During the 1920s and ’30s, a vibrant music, theater, film, and cabaret scene flourished, defining what it meant to be a “modern” Egyptian. Women came to dominate the Egyptian entertainment industry—as stars of the stage and screen but also as impresarias, entrepreneurs, owners, and promoters of a new and strikingly modern entertainment industry. Raphael Cormack unveils the rich histories of independent, enterprising women like vaudeville star Rose al-Youssef (who launched one of Cairo’s most important newspapers); nightclub singer Mounira al-Mahdiyya (the first woman to lead an Egyptian theater company) and her great rival, Oum Kalthoum (still venerated for her soulful lyrics); and other fabulous female stars of the interwar period, a time marked by excess and unheard-of freedom of expression. Buffeted by crosswinds of colonialism and nationalism, conservatism and liberalism, “religious” and “secular” values, patriarchy and feminism, this new generation of celebrities offered a new vision for women in Egypt and throughout the Middle East.
The American daughter of Egyptian Jewish immigrants journeys in search of belonging from Brazil to New Orleans and beyond—includes recipes and photos! Born to Egyptian Sephardic Jews who fled to the United States after the Arab-Israeli war of 1948, Joyce Zonana spent her childhood in Brooklyn. But her experience of Jewish culture was very different from that of the other children she knew, from the foods they ate to the language they spoke. As she struggled to find a sense of inclusion, never feeling completely American or completely Egyptian, a childhood trip to Brazil became the basis for a lifelong quest to find her place in the world. Meeting members of her extended family who had migrated to Brazil was one step in discovering the kind of life she might have lived in Egypt, and exploring the woman she was becoming. Through travels that ranged from Cairo to Oklahoma and finally New Orleans in the shadow of Katrina, and including an evocative exploration of the way food varies from culture to culture, this is a “frank, spirited memoir of identity from a Brooklyn-raised, Egyptian-born Jewish feminist.” (Kirkus Reviews) “Zonana makes every human encounter lively” —Booklist
The Yacoubian Building holds all that Egypt was and has become over the 75 years since its namesake was built on one of downtown Cairo's main boulevards. From the pious son of the building's doorkeeper and the raucous, impoverished squatters on its roof, via the tattered aristocrat and the gay intellectual in its apartments, to the ruthless businessman whose stores occupy its ground floor, each sharply etched character embodies a facet of modern Egypt -- where political corruption, ill-gotten wealth, and religious hypocrisy are natural allies, where the arrogance and defensiveness of the powerful find expression in the exploitation of the weak, where youthful idealism can turn quickly to extremism, and where an older, less violent vision of society may yet prevail. Alaa Al Aswany's novel caused an unprecedented stir when it was first published in 2002 and has remained the world's best selling novel in the Arabic language since.
After being denied permission to join her husband in America, an Iraqi refugee is trapped in Cairo during the aftermath of the 2011 revolution and must rely on a foolhardy attorney with feelings for her and a not entirely legal plan to get her out.