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"Cabinet Portrait Gallery of British Worthies. Volume I" through the nameless author emerges as an interesting and enigmatic literary endeavor, shrouded in thriller. This collection stands as a testomony to the deliberate selection to prioritize the illustrious figures inside, in preference to the identity of the writer. Within the pages of this extent, the writer crafts an enchanting array of biographical snap shots, each taking pictures the essence of influential figures in British records. The deliberate choice of anonymity adds an air of mystique, directing the reader's consciousness solely at the worthies whose tales unfold inside these pages. Anonymous curates a various cast of luminaries, providing readers an immersive exploration into the lives, accomplishments, and cultural importance of these British icons. The intentional omission of authorship underscores a collective effort to rejoice and keep the richness of the nation's beyond, emphasizing the collaborative nature of historic narrative. "Cabinet Portrait Gallery of British Worthies. Volume I" transcends conventional author-reader dynamics, inviting readers to immerse themselves in a literary experience that places the highlight firmly at the worthies who've left an indelible mark on the cultural cloth of Britain. Through planned anonymity, the author beckons readers to comprehend and mirror upon the multifaceted tapestry of British history as supplied thru the lives of its most outstanding and enduring figures.
With just under a thousand portraits of Queen Elizabeth II, the National Portrait Gallery boasts some of the most treasured and famous official portraits of the Queen captured at key historic moments, as well as day-to-day images of the monarch at home and with family, following her journey from childhood, to princess and Queen, mother and grandmother. This publication highlights the most important portraits of Elizabeth II from the Gallery's Collection. Paintings and photographs from the birth of Elizabeth II to the present will take readers on a visual journey through the life of Britain's foremost icon. 0The book will reflect on the Queen's life, presenting family photographs alongside important formal portraits to explore how, as her reign became record-breaking, she became an iconic figure in modern British culture and history. The publication features works by key artists depicting the Queen from 1926 to the present day, including Baron, Cecil Beaton, Dorothy Wilding, Patrick Lichfield, Andy Warhol, Annie Leibovitz and David Bailey. 0This book features an introductory essay by Alexandra Schulman, exploring how the collected portraits depict the Queen throughout her life and reign, and a timeline of key historical events and moments from Elizabeth II's life.
Cabinet cards were America’s main format for photographic portraiture throughout the last quarter of the nineteenth century. Standardized at 6½ x 4¼ inches, they were just large enough to reveal extensive detail, leading to the incorporation of elaborate poses, backdrops, and props. Inexpensive and sold by the dozen, they transformed getting one’s portrait made from a formal event taken up once or twice in a lifetime into a commonplace practice shared with friends. The cards reinforced middle-class Americans’ sense of family. They allowed people to show off their material achievements and comforts, and the best cards projected an informal immediacy that encouraged viewers to feel emotionally connected with those portrayed. The experience even led sitters to act out before the camera. By making photographs an easygoing fact of life, the cards forecast the snapshot and today’s ubiquitous photo sharing. Organized by senior curator John Rohrbach, Acting Out is the first ever in-depth examination of the cabinet card phenomena. Full-color plates include over 100 cards at full size, providing a highly entertaining collection of these early versions of the selfie and ultimately demonstrating how cabinet cards made photography modern. Published in association with the Amon Carter Museum of American Art. Tentative exhibition dates (postponed due to COVID-19): Amon Carter Museum of American Art: August 2020 Los Angeles County Museum of Art (LACMA): 2021
I was not elected to serve one party, but to serve one nation. The president of the United States is the president of every single American, every race and every background. Whether you voted for me or not, I will do my best to serve your interests, and I will work to earn your respect. I will be guided by President Jefferson's sense of purpose: to stand for principle, to be reasonable in manner, and, above all, to do great good for the cause of freedom and harmony. The presidency is more than an honor, it is more than an office. It is a charge to keep, and I will give it my all. --George W. Bush, December 13, 2000, Texas House of Representatives In A Charge to Keep, George W, Bush offers readers a warm, insightful, and honest look at the personal and political experiences that have shaped his values and led to his decision to run for president. The George W. Bush who leaps off these pages has his mother's wit and down-to-earth personality, his father's energy and competitive drive, and his own unique style and philosophy. Written with his long term communications director, Karen Hughes, A Charge to Keep is a revealing look into the background, philosophy, family, and heart of our new president.
Unveiling the unconventional : Kehinde Wiley's portrait of Barack Obama / Taína Caragol -- "Radical empathy" : Amy Sherald's portrait of Michelle Obama / Dorothy Moss -- The Obama portraits, in art history and beyond / Richard J. Powell -- The Obama portraits and the National Portrait Gallery as a site of secular pilgrimage / Kim Sajet -- The presentation of the Obama portraits : a transcript of the unveiling ceremony.