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Young Alex Winchester woke up in a grey metal hospital bed surrounded by the peering eyes of strange malformed creatures. A giant oblong pink and blue pill with human legs was fiddling with an IV bag above his head, and to his left a trio of mismatched prosthetic legs were attached to three truncated appendages of a smiling turquoise octopus. However well your best dentist visit went, it didn't go as well as the visit New York Times bestselling illustrator Camille Rose Garcia had several years ago. The result is this illustrated fever-dream of a book that is equal parts William Burroughs and Walt Disney. In fact, WIRED magazine declared of her reimagining of the Brothers Grimm story that "Walt Disney would likely turn over in his cryogenic vault if he saw [her] gorgeously skewed portraits of Snow White and her angry dwarves."
Camille Rose Garcia's world is a beautiful place. It is the ballroom of an Empire, a forest of aquamarine jewels, a place where cream-layered cakes, crystal castles and opiate abundance serve to sedate the masses. but as the telescope retracts, the glossy veneer of privelege falls away to reveal another reality. Machine guns and machetes decorate the landscape alongside exploding poppies. Deer and princesses hand suspensefully in a cloud of malaise and disbelief becomes the ether of the living.
Named a Best Book of the Year by NPR and LitHub Winner of the 2021 Science in Society Journalism Book Prize A fascinating and provocative new way of looking at the things we use and the spaces we inhabit, and a call to imagine a better-designed world for us all. Furniture and tools, kitchens and campuses and city streets—nearly everything human beings make and use is assistive technology, meant to bridge the gap between body and world. Yet unless, or until, a misfit between our own body and the world is acute enough to be understood as disability, we may never stop to consider—or reconsider—the hidden assumptions on which our everyday environment is built. In a series of vivid stories drawn from the lived experience of disability and the ideas and innovations that have emerged from it—from cyborg arms to customizable cardboard chairs to deaf architecture—Sara Hendren invites us to rethink the things and settings we live with. What might assistance based on the body’s stunning capacity for adaptation—rather than a rigid insistence on “normalcy”—look like? Can we foster interdependent, not just independent, living? How do we creatively engineer public spaces that allow us all to navigate our common terrain? By rendering familiar objects and environments newly strange and wondrous, What Can a Body Do? helps us imagine a future that will better meet the extraordinary range of our collective needs and desires.
All-new work from the artist/author of The Saddest Place on Earth. Garcia's seemingly light-hearted paintings and drawings of charming cartoon-like characters paradoxically actually depict dark tales of violence, corruption and greed. Camille Rose Garcia's paintings of creepy cartoon children living in wasteland fairy tales are critical commentaries on the failures of capitalist utopias. Her influences include Phillip K. Dick, William Burroughs, Henry Darger, Walt Disney, The Clash and The Dead Kennedys.
This book presents the design and history of Poliform from a unique perspective--that of fashion photographer Paolo Roversi. This is the story in pictures of a dimension of living that differs from every other. While there have been attempts to create a philosophy of interior design, there has rarely been an effort to discover the soul of furniture and objects. That is what Paolo Roversi has tried to do with his camera in these pages, which are devoted to Poliform, the Italian company that has successfully transformed ancient Italian artisanal traditions into contemporary furniture. By using what have always been his raw materials--time, light, space--Roversi leads us on a photographic journey to the middle of the Poliform universe, helping us to relive the company's story and capture the mysterious, unmistakable soul that makes the surfaces and volumes of its objects vibrate.
"This textbook is designed for pharmacy technician students enrolled in an education and training program, for technicians reviewing for the national certification exam, and for on-site training and professional development in the workplace. It provides a complete review of the basic mathematics concepts and skills upon which a more advanced understanding of pharmacy-related topics must be built"--
New work chronicling the prolific and life-changing time period of 2007-2011, when Garcia fled LA and moved to a cabin in the Northern California woods. The natural world inspires this work: her themes are disenchantment with modernity and the problems of becoming too removed from the natural world. Her layered, broken narrative paintings of wasteland fairy tales are influenced by William Burroughs' cut-up writings and surrealist film, as well as vintage Disney and Fleischer cartoons, acting as critical commentaries on the failure. This work is from shows in New York, Berlin, and Los Angeles, Escape to Darlingtonia (2007) The Grand Illusion (Berlin, 2008) Ambien Somnambulants, (New York, 2008), The Hydra of Babylon, (LA, 2009), and Snow White and the Black Lagoon (LA, 2011)
Get the lowdown on the best fiction ever written. Over 230 of the world’s greatest novels are covered, from Quixote (1614) to Orhan Pamuk’s Snow (2002), with fascinating information about their plots and their authors – and suggestions for what to read next. The guide comes complete with recommendations of the best editions and translations for every genre from the most enticing crime and punishment to love, sex, heroes and anti-heroes, not to mention all the classics of comedy and satire, horror and mystery and many other literary genres. With feature boxes on experimental novels, female novelists, short reviews of interesting film and TV adaptations, and information on how the novel began, this guide will point you to all the classic literature you’ll ever need.
Ryden was recently commissioned to create the set and costume design for a new production of Whipped Cream, put on by the American Ballet Theatre with choreography by Alexei Ratmansky. Whipped Cream is based on Schlagobers, a two-act ballet with libretto and score by Richard Strauss that was first performed at the Vienna State Opera in 1924. Premiered the MET new york, this ballet is already consider as a new classic masterpiece which would continue to be perform year after year. In partneship with Mark ryden and the crew of ABT, this book tells the story of this artistic journey. « A fantastical ballet of candyland delights » LA Times « A Sweetly Disturbing Confection » The New York Times « A Glutton's Fantasia" The Wall Street Journal