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Graphic novel in 3 volumes with over 250 pages.Cabinet of Dr. Caligari is the graphic novel, based on the German expressionist film of the same name, released in 1920. Directed by Robert Wiene and written by Hans Janowitz and Carl Mayer, it is considered one of the landmarks of expressionist cinema and one of the most influential films in the history of cinema. "The Cabinet of Dr. Caligari" tells the story of a young man named Francis, who narrates his experiences with Dr. Caligari, a mysterious hypnotist who arrives in a small town accompanied by the sleepwalker Cesare. Caligari uses Cesare to commit murders while he is in a state of induced sleep. The film, through its unique aesthetic, explores themes such as madness, the power of the mind, and manipulation.
Documents the work of the often neglected director of the German silent film classic, The Cabinet of Dr. Caligari. The chapters move chronologically through the different periods of Wiene's career, summarizing and critiquing 90 films he either directed or wrote. Originally published in German, the book includes black and white photographs and a filmography. Annotation copyrighted by Book News, Inc., Portland, OR
The miniseries consists of two volumes. Holographicman is the type of secret project the government wishes would never be discovered, especially when it goes out of control. This is briefly the basis of this story that any government would prefer not to be disclosed, even in the form of fiction literature. Now you will learn about it and how it apparently ends, apparently...
The miniseries consists of three volumes. Australia is a country with a stabilized economy and significant growth in the international market, but some men do not like this prosperity. Doctor Zealot is one of these men. Along with Worm, a laboratory-created aberration, he wants to create an ecological disaster that could embarrass the Australian government in front of world governments. In the interior of the country, there are still Aboriginal tribes living according to ancient traditions. In one of these tribes, Roderick, a white man raised following native traditions, grows up with incredible boomerang-handling skills alongside Riley, his brother in reincarnation, more than in blood, a tracker with telepathic abilities. Doctor Zealot's plan will take an unexpected turn but intends to affect the native tribes and brings forth Boomeran and Crawl. It's the beginning of the story of Boomeran and Crawl, the story of two men raised as brothers, fighting for the preservation of their land and people.
Slithering upon the heels of Dark Horse's archive collections of the seminal horror comics magazine Creepy comes its terror-filled cousin publication Eerie! Dark Horse Comics has taken great, gruesome care in presenting this groundbreaking material to readers who have been waiting decades to get their claws on it. Collected for fans for the first time ever, and packaged in the same amazing oversized format as its killer kin Creepy Archives, Eerie features work from many of the masters of comics storytelling, including Gray Morrow, Frank Frazetta, Alex Toth, Neal Adams, Joe Orlando, and others. For fans of spectacular spookiness, mind-bending sci-fi, and astonishing artwork, the New York Times bestseller Eerie Archives is a must-have.
Now available in an affordable paperback format, Eerie Archives Volume 1 features some of the most acclaimed works of horror, murder, and the macabre in the history of graphic fiction. Eerie, like its killer kin Creepy, features work from many of the grandmasters of comics storytelling, including Frank Frazetta, Al Williamson, Gray Morrow, Alex Toth, Steve Ditko, and others and stories by the legendary Archie Goodwin. Features the ultra-rare Eerie #1, for which only 200 “ashcan” copies were originally printed! Collects Eerie magazine #1–#5.
This Chronology of the Cinema, of which we propose here the first volume, aims to retrace the history of the seventh art in the different countries of the world by chronicling year by year its main events and developments, starting from the birthdates of the pioneers and inventors who preceded the Lumière brothers to reach until the year 2015, with the goal to offer the readers a global perspective on its birth, evolution and diffusion over time. This first volume covers the period going from 1830 to 1960. The information presented for each year is divided into thematic sections. The first one, titled "Personalities", reports the births and the deaths of the most important persons (directors, art directors, producers, actors, costume designers, cinematographers, theoreticians, critics, etc.) in the history of the cinema, together with the positions they covered in their careers. Across its three volumes, this Chronology offers information on more than 3000 persons. The second section, titled "Movies", lists the most relevant movies made during the year reporting for each of them the essential details like: director, English title and original title, genre, producing country, technology (film and sound), scriptwriter, editor, cinematographer, production designer/art director, producer, composer, costume designer, make-up artist, special effect artist and actors. Across its three volumes, this Chronology offers information on more than 3000 films. The third section, titled "Events", reports the main events in the history of cinema as: the first screenings and the first movies made in the different countries, the inventions and technologies that affected and innovated this art, the creation of production companies, movie archives and other institutions (cinema schools, censorship offices, festivals), and the publication of the most important theoretical essays, cinema magazines and artistic manifestos. The fourth section, titled "Film Awards", reports for each year the winners of various important awards, divided by categories, at national and international festivals and events in the different continents to offer a more articulated point of view on the seventh art across the world. Among the awards and festivals here considered are: Golden Globe, Academy Awards, Venice Film Festival, Cannes Festival, BAFTA, Berlin Film Festival, Moscow Film Festival,Ouagadougou International Film Festival, Tokyo International Film Festival and the Mar de la Plata Festival.
An essential work of the cinematic history of the Weimar Republic by a leading figure of film criticism First published in 1947, From Caligari to Hitler remains an undisputed landmark study of the rich cinematic history of the Weimar Republic. Prominent film critic Siegfried Kracauer examines German society from 1921 to 1933, in light of such movies as The Cabinet of Dr. Caligari, M, Metropolis, and The Blue Angel. He explores the connections among film aesthetics, the prevailing psychological state of Germans in the Weimar era, and the evolving social and political reality of the time. Kracauer makes a startling (and still controversial) claim: films as popular art provide insight into the unconscious motivations and fantasies of a nation. With a critical introduction by Leonardo Quaresima which provides context for Kracauer’s scholarship and his contributions to film studies, this Princeton Classics edition makes an influential work available to new generations of cinema enthusiasts.
The miniseries consists of two volumes of the title created by Ricardo Garay and produced and printed in the 90s, now in digital version. Virtual Hunter volumes 1 and 2. If you had already read Virtual Hunter in 1994 (that's right), you will remember something that was unprecedented at the time (hackers in a virtual environment). If you didn't know it, you will be surprised by what was created more than twenty years ago and is still not a reality, but unfortunately, some things are. You will also notice things from the past, like some PCs and floppy disks, for example. Lots of virtual action. This miniseries presents a plot involving cyber-terrorism, invasion of privacy, file theft, and much more.
These two volumes examine a significant but previously neglected moment in French cultural history: the emergence of French film theory and criticism before the essays of André Bazin. Richard Abel has devised an organizational scheme of six nearly symmetrical periods that serve to "bite into" the discursive flow of early French writing on the cinema. Each of the periods is discussed in a separate and extensive historical introduction, with convincing explications of the various concepts current at the time. In each instance, Abel goes on to provide a complementary anthology of selected texts in translation. Amounting to a portable archive, these anthologies make available a rich selection of nearly one hundred and fifty important texts, most of them never before published in English.