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“For much of the twentieth century, these remarkable early novels were hidden in the great shadow of The Bridge of San Luis Rey. Now we can examine them in the spotlight for the gifts that they are—memorable monuments to style and keys to understanding Wilder’s genius.” – Penelope Niven, Thornton Wilder Biographer Featuring a foreword by Penelope Niven and a revealing afterword by Wilder’s nephew, Tappan, this reissue reintroduces the reader to the Thornton Wilder’s first novel, The Cabala, and to The Woman of Andros, one of the inspirations for his Pulitzer Prize-winning play Our Town. A young American student spends a year in the exotic world of post-World War I Rome. While there, he experiences firsthand the waning days of a secret community (a "cabala") of decaying royalty, a great cardinal of the Roman Church, and an assortment of memorable American ex-pats. The Cabala, a semiautobiographical novel of unforgettable characters and human passions, launched Wilder's career as a celebrated storyteller and dramatist. The Woman of Andros, set on the obscure Greek island of Brynos before the birth of Christ, explores universal questions of what is precious about life and how we live, love, and die. Eight years later, Wilder would pose the same questions on the stage in a play titled Our Town, also set in an obscure location, this time a village in New Hampshire. The Woman of Andros is celebrated for some of the most beautiful writing in American literature.
A young American in Rome encounters a mysterious cohort of aristocrats in the Pulitzer Prize–winning author’s debut novel. In love with all things classical, the narrator of Thornton Wilder’s The Cabala is entranced by the timeless city of Rome. With the Great War finally over, he’s spending a year among Rome’s salons and cafes. But he only comes to understand the grand and crumbling metropolis when a friend introduces him to a secret society of intellectuals known as the Cabala. Charmed by the young American, the elegant and idiosyncratic members of the Cabala give him the nickname Samuele. He soon becomes their confidant and go-between, privy to their intimate dramas, scandals, and insecurities. As living embodiments of ancient gods, these peculiar characters impress upon Samuele that nothing in life is truly eternal. The Cabala is a semiautobiographical novel based on Thornton Wilder’s time at the American Academy in Rome during the 1920s. First published in 1926, it launched his reputation as one of his generation’s finest storytellers.
The story is based on a fictional disaster that occurred in Peru on July 20, 1714. A rope bridge woven by the Incas on the road between Lima and Cuzco collapsed when five people were crossing it. They all fell into the river from a great height and were killed. Brother Juniper, a Franciscan friar who was about to cross the bridge himself, witnessed the tragedy. Being deeply pious, he saw in what happened a possible divine providence. Did the dead deserve to have their lives cut short in such a terrible way? The monk tries to learn as much as he can about the five victims, finding and questioning people who knew them. As a result of years of investigation, he compiles a voluminous book with all the evidence he has gathered that the beginning and end of human life are part of God's plan... The Bridge of San Luis Rey won the 1928 Pulitzer Prize for the Novel, and remains widely acclaimed as Wilder's most famous work. In 1998, the book was rated number 37 by the editorial board of the American Modern Library on the list of the 100 best 20th-century novels. Time magazine included the novel in its TIME 100 Best English-language Novels from 1923 to 2005.
“An extremely entertaining array of American life in a bygone era.” — New Yorker The last of Thornton Wilder’s works published during his lifetime, Theophilus North is part autobiographical and part the imagined adventures of Wilder’s twin brother who died at birth. This edition features an updated afterword from Wilder’s nephew, Tappan Wilder, with illuminating material about the novelist, story and setting. Setting out to see the world in the summer of 1926, Theophilus North gets as far as Newport, Rhode Island, before his car breaks down. To support himself, Theophilus takes jobs in the elegant mansions along Ocean Drive, just as Wilder himself did in the same decade. Soon the young man finds himself playing the roles of tutor, tennis coach, spy, confidant, lover, friend and enemy as he becomes entangled in adventure and intrigue in Newport’s fabulous addresses, as well as in its local boarding houses, restaurants, dives and military barracks. Narrated by the elderly North from a distance of fifty years, Theophilus North is a fascinating commentary on youth and education from the vantage point of age, and deftly displays Wilder’s trademark wit juxtaposed with his lively and timeless ruminations on what really matters, at the end of the day, about life, love, and work.
"An Eternal Family narrowly escape one disaster after another, from ancient times to the present. Meet George and Maggie Antrobus (married only 5,000 years); their two children, Gladys and Henry (perfect in every way!); and their maid, Sabina (the ageless vamp) as they overcome ice, flood, and war -- by the skin of their teeth."--Amazon
The essays in this volume evolved from papers presented at the Second International Thornton Wilder Conference, held at Salve Regina University in Newport, Rhode Island, in June 2015. They examine Wilder’s work as both playwright and novelist, focusing upon how he drew on the collaborative mode of creativity required in the theatre, when writing both drama and fiction. The book’s authors use the term “collaboration” in its broadest sense, at times in response to Wilder’s critics who faulted him for “borrowing” from other, earlier, literary works rather than recognizing these “borrowings” as central to the artistic process of collaboration. In exploring Wilder’s collaborative efforts of different kinds, the essays not only consider how Wilder worked with and revised earlier literary texts and the ideas central to those texts, but also analyze how Wilder worked with and inspired other creative individuals and how recent productions of Wilder’s plays, both in the US and abroad, have been the products of unique forms of collaboration.
“[Wilder's] finest and most beautiful novel. . . . Spanning two continents and several generations, it begins as a murder mystery and goes on to tell a story, at once dramatic and philosophical, about the range of human courage, aspirations, steadfastness, weakness, defeat and victory.” — New York Post This beautiful edition of Thornton Wilder’s renowned National Book Award–winning novel features a foreword by John Updike and an afterword by Tappan Wilder, who draws on unique sources as Wilder’s unpublished letters, handwritten annotations, and other illuminating documentary material. At once a murder mystery and a philosophical tale, The Eighth Day is a “suspenseful and deeply moving” (New York Times) work of classic stature that has been hailed as a great American epic. Set in a mining town in southern Illinois, the novels centers around two families blasted apart when the patriarch of one family, John Ashley, is accused of murdering his best friend. Ashley's miraculous jailbreak on the eve of his execution and his subsequent flight to South America trigger a powerful story tracing the fates of all those whose lives are forever changed by the tragedy: Ashley himself, his wife and children, and the wife and children of the victim.