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Housman, Gerard Manley Hopkins, Robert Frost, Walter de la Mare, and Robert Bridges.
“A ground-breaking study of the songs of the pied butcherbird . . . intellectually engaging and also very entertaining as a fieldwork memoir.” —The Music Trust How and when does music become possible? Is it a matter of biology, or culture, or an interaction between the two? Revolutionizing the way we think about the core values of music and human exceptionalism, Hollis Taylor takes us on an outback road trip to meet the Australian pied butcherbird. Recognized for their distinct timbre, calls, and songs, both sexes of this songbird sing in duos, trios, and even larger choirs, transforming their flute-like songs annually. While birdsong has long inspired artists, writers, musicians, and philosophers, and enthralled listeners from all walks of life, researchers from the sciences have dominated its study. As a field musicologist, Taylor spends months each year in the Australian outback recording the songs of the pied butcherbird and chronicling their musical activities. She argues persuasively in these pages that their inventiveness in song surpasses biological necessity, compelling us to question the foundations of music and confront the remarkably entangled relationship between human and animal worlds. Equal parts nature essay, memoir, and scholarship, Is Birdsong Music? offers vivid portraits of the extreme locations where these avian choristers are found, quirky stories from the field, and an in-depth exploration of the vocalizations of the pied butcherbird. “Hollis Taylor has given us one of the most serious books ever written on animal music. Is Birdsong Music? is so engaging that all who care about humanity’s place on Earth should read it. We are certainly not the only musicians on this planet.” —David Rothenberg, author of Why Birds Sing
A memoir of caring for someone with Parkinsonism , PSP, CBD, or MSA
Emus, owls, and penguins are weird, wild, and wonderful—as are the rest of the creatures in the world of Aves. They are the only living things that have feathers. Some are famous for their singing and others have color combinations and feather shapes that are amazing. Some birds fly to distant places, while others can’t even leave the ground. Students will love viewing, reading, and turning the pages of this book that looks at feathered creatures and what they do to survive.
Eleven stories. Each like a matchstick struck to illuminate the darkness. Evocations of place ranging from a Bangla jungle to the deep, blue Danube to a winter beach in Melbourne excite and seduce. But what truly draws the reader in are the unexpected landscapes of people's lives, explored with rare sensitivity, grace and a fearless truthfulness. A lonely St Kilda chef invites a beautiful busker to use his spare room. A father sings a lullaby to comfort his young daughter who has woken from a nightmare. A taxi driver picks up an old-world gentleman who is reluctant to disclose his destination. A young immigrant boy growing up in the western suburbs of Melbourne daydreams of infinite possibility. Death, loneliness, passion and belief: Patrić takes on the big questions in life and writes about the small people of the world with stylistic verve and deep humanity. This collection of stories reveals the author, best known for his award-winning novels, as a true master of the short story form. ‘One of the most interesting and valuable writers working in Australia today.’ — The Australian
This innovative book, assembled by the editors of the renowned periodical Terra Nova, is the first anthology published on the subject of music and nature. Lush and evocative, yoking together the simplicities and complexities of the world of natural sound and the music inspired by it, this collection includes essays, illustrations, and plenty of sounds and music. The Book of Music and Nature celebrates our relationship with natural soundscapes while posing stimulating questions about that very relationship. The book ranges widely, with the interplay of the texts and sounds creating a conversation that readers from all walks of life will find provocative and accessible. The anthology includes classic texts on music and nature by 20th century masters including John Cage, Hazrat Inrayat Khan, Pierre Schaeffer, Rainer Maria Rilke, and Toru Takemitsu. Innovative essays by Brian Eno, Pauline Oliveros, David Toop, Hildegard Westerkamp and Evan Eisenberg also appear. Interspersed throughout are short fictional excerpts by authors Rafi Zabor, Alejo Carpentier, and Junichiro Tanazaki. The audio material for the book, available online at http://www.wesleyan.edu/wespress/musicandnaturecd/, includes fifteen tracks of music made out of, or reflective of, natural sounds, ranging from Babenzele Pygmy music to Australian butcherbirds, and from Pauline Oliveros to Brian Eno.
In her comprehensive and carefully crafted book, Gisela Kaplan demonstrates how intelligent and emotional Australian birds can be. She describes complex behaviours such as grieving, deception, problem solving and the use of tools. Many Australian birds cooperate and defend each other, and exceptional ones go fishing by throwing breadcrumbs in the water, extract poisonous parts from prey and use tools to crack open eggshells and mussels. The author brings together evidence of many such cognitive abilities, suggesting plausible reasons for their appearance in Australian birds. Bird Minds is the first attempt to shine a critical and scientific light on the cognitive behaviour of Australian land birds. In this fascinating volume, the author also presents recent changes in our understanding of the avian brain and links these to life histories and longevity. Following on from Gisela’s well-received books on the Australian Magpie and the Tawny Frogmouth, as well as two earlier titles on birds, Bird Minds contends that the unique and often difficult conditions of Australia's environment have been crucial for the evolution of unusual complexities in avian cognition and behaviour.
Alone on the endless red-sand desert in the Australian outback, tracking Varanus giganteus, the perentie lizard that grows to be more than six feet long. . . for desert rat Eric Pianka, such adventures have led to a satisfying, if unusual, way of life, as well as a distinguished career as a field biologist. In The Lizard Man Speaks, Pianka recounts more than thirty years of adventures in reptile studies, beginning with a boyhood passion for collecting snakes and lizards. He tells of "lizarding" in the North American deserts, the Kalahari Desert of southern Africa, and the Great Victoria Desert in Western Australia. His vivid imagery draws the reader into a world where lions lurk in the darkness beyond a gecko hunter's lights, where being stranded by car trouble miles from the last outpost is a constant danger, and where the wilderness still deserves to be called wild. Along the way, Pianka provides much general information about lizard ecology, the fire succession cycle, and the interaction of humans with the landscape. And he reveals the springs of his own determined spirit and love of solitude, describing a near-fatal boyhood accident and its shaping and character-building effect on the life that followed.