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DigiCat Publishing presents to you this special edition of "Light in August" by William Faulkner. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Seminar paper from the year 2013 in the subject English Language and Literature Studies - Literature, grade: 1,2, University of Stuttgart, language: English, abstract: As almost in all of William Faulkner’s novels in “Light in August” the past determines the present like nothing else in the whole story. Although the book is considered as primarily Christmas’ story it is noticeable that the story of Christmas life from adolescence to his present age of thirty-three just takes a few pages in the whole novel. Therefore it is likely that another point in the novel is far more important than simply the story of Christmas’ life: the past that determines the present and burdens its owners. The novel also explores issues of gender and race specifically, but these particular thematic currents intersect to become part of Faulkner’s larger inquiry concerning the nature of identity and how it is influenced by ones’ own history. The past is one of the most important facts in the whole story for half of the book is written in flashbacks, while the story itself seems to take just a small part from the whole large part. To understand Faulkner’s characters actions in the present it is necessary to understand and know their history in the past, which determines their present greatly. Although the novel explores the issues of gender and race specifically, these particular thematic actions are part of Faulkner’s larger, more all-encompassing inquiry concerning the nature of identity and how it is influenced by a families history, the society and individual lives of the protagonists. But not only the actions of the main protagonist Joe Christmas, are caused by the events in his past. Altogether there are three of Faulkner’s protagonists in “Light in August” which are prominent examples for how the past of a person can determine their actions in the present or their whole life in general. This three are for one Joe Christmas, whose troubled past determines his actions and his self-consciousness, Joanna Burden, who is namely affected by her ancestors religious beliefs and Gail Hightower, who is also affected by his ancestors history, but instead of Joanna not by religion, but the civil war. The townsfolk of Jefferson has resolved a acceptance of Reverend Hightower, Joanna Burden, and Joe Christmas, but each of these characters deliberately resists or abandons the distorting influence of a rigid social and moral order. They live their lives in solidarity because of the past, their ancestors left them as heritage and burden. [...]
Unlock the more straightforward side of Light in August with this concise and insightful summary and analysis! This engaging summary presents an analysis of Light in August by William Faulkner, which centers around Lena Grove, a pregnant woman who is travelling from town to town in search of the father of her illegitimate unborn child, and Joe Christmas, a troubled, violent man whose mixed-race heritage has seen him ostracised from every community he has ever encountered. Christmas eventually finds a woman who seems prepared to accept and support him, but when she is brutally murdered, he is pursued by a bloodthirsty lynch mob. William Faulkner is widely recognised as one of the most significant American authors of the 20th century, and was awarded the Nobel Prize in Literature in 1949. Find out everything you need to know about Light in August in a fraction of the time! This in-depth and informative reading guide brings you: • A complete plot summary • Character studies • Key themes and symbols • Questions for further reflection Why choose BrightSummaries.com? Available in print and digital format, our publications are designed to accompany you on your reading journey. The clear and concise style makes for easy understanding, providing the perfect opportunity to improve your literary knowledge in no time. See the very best of literature in a whole new light with BrightSummaries.com!
DigiCat Publishing presents to you this special edition of "Absalom, Absalom!" by William Faulkner. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
William Faulkner was a literary genius, and one of America's most important and influential writers. Drawing on previously unavailable sources -- including letters, memoirs, and interviews with Faulkner's daughter and lovers -- Jay Parini has crafted a biography that delves into the mystery of this gifted and troubled writer. His Faulkner is an extremely talented, obsessive artist plagued by alcoholism and a bad marriage who somehow transcends his limitations. Parini weaves the tragedies and triumphs of Faulkner's life in with his novels, serving up a biography that's as engaging as it is insightful.
"On a hot summer night in 1936 Olivia and Nora Atkins go for a stroll along the beach in Gaspé. They never return. When the body of one of them is washed ashore days later, the tiny community of Griffin Creek is electrified. The teenagers have been murdered. But by whom?"
A New York Times Notable Book of 2020 How do we read William Faulkner in the twenty-first century? asks Michael Gorra, in this reconsideration of Faulkner's life and legacy. William Faulkner, one of America’s most iconic writers, is an author who defies easy interpretation. Born in 1897 in Mississippi, Faulkner wrote such classic novels as Absolom, Absolom! and The Sound and The Fury, creating in Yoknapatawpha county one of the most memorable gallery of characters ever assembled in American literature. Yet, as acclaimed literary critic Michael Gorra explains, Faulkner has sustained justified criticism for his failures of racial nuance—his ventriloquism of black characters and his rendering of race relations in a largely unreconstructed South—demanding that we reevaluate the Nobel laureate’s life and legacy in the twenty-first century, as we reexamine the junctures of race and literature in works that once rested firmly in the American canon. Interweaving biography, literary criticism, and rich travelogue, The Saddest Words argues that even despite these contradictions—and perhaps because of them—William Faulkner still needs to be read, and even more, remains central to understanding the contradictions inherent in the American experience itself. Evoking Faulkner’s biography and his literary characters, Gorra illuminates what Faulkner maintained was “the South’s curse and its separate destiny,” a class and racial system built on slavery that was devastated during the Civil War and was reimagined thereafter through the South’s revanchism. Driven by currents of violence, a “Lost Cause” romanticism not only defined Faulkner’s twentieth century but now even our own age. Through Gorra’s critical lens, Faulkner’s mythic Yoknapatawpha County comes alive as his imagined land finds itself entwined in America’s history, the characters wrestling with the ghosts of a past that refuses to stay buried, stuck in an unending cycle between those two saddest words, “was” and “again.” Upending previous critical traditions, The Saddest Words returns Faulkner to his sociopolitical context, revealing the civil war within him and proving that “the real war lies not only in the physical combat, but also in the war after the war, the war over its memory and meaning.” Filled with vignettes of Civil War battles and generals, vivid scenes from Gorra’s travels through the South—including Faulkner’s Oxford, Mississippi—and commentaries on Faulkner’s fiction, The Saddest Words is a mesmerizing work of literary thought that recontextualizes Faulkner in light of the most plangent cultural issues facing America today.
The paradox of racial inequality in Barack Obama's America Barack Obama, in his acclaimed campaign speech discussing the troubling complexities of race in America today, quoted William Faulkner's famous remark "The past isn't dead and buried. In fact, it isn't even past." In Not Even Past, award-winning historian Thomas Sugrue examines the paradox of race in Obama's America and how President Obama intends to deal with it. Obama's journey to the White House undoubtedly marks a watershed in the history of race in America. Yet even in what is being hailed as the post-civil rights era, racial divisions—particularly between blacks and whites—remain deeply entrenched in American life. Sugrue traces Obama's evolving understanding of race and racial inequality throughout his career, from his early days as a community organizer in Chicago, to his time as an attorney and scholar, to his spectacular rise to power as a charismatic and savvy politician, to his dramatic presidential campaign. Sugrue looks at Obama's place in the contested history of the civil rights struggle; his views about the root causes of black poverty in America; and the incredible challenges confronting his historic presidency. Does Obama's presidency signal the end of race in American life? In Not Even Past, a leading historian of civil rights, race, and urban America offers a revealing and unflinchingly honest assessment of the culture and politics of race in the age of Obama, and of our prospects for a postracial America.
Set in Mississippi during the Civil War and Reconstruction, THE UNVANQUISHED focuses on the Sartoris family, who, with their code of personal responsibility and courage, stand for the best of the Old South's traditions.
Seminar paper from the year 2003 in the subject English Language and Literature Studies - Literature, grade: 1,3, Johannes Gutenberg University Mainz (FASK Germersheim), course: Seminar, 8 entries in the bibliography, language: English, abstract: 1.Introduction "...Here I am I am tired I am tired of running of having to carry my life like it was a basket of eggs..."(Light in August 255) These are the words of Joe Christmas at the age of thirty-six. They signify tiredness and resignation. Christmas is one of the main characters and a central figure in William Faulkner's Light in August (LIA). What causes this state of fatigue? What makes Joe Christmas give up? This paper deals with several factors that become the trigger for Joe's obvious resignation. Faulkner created a character who mainly suffers from elements like the race issue, womankind, self-destruction and society. These factors belong to a stirring complex of themes which can hardly be separated. Nevertheless, I will work on them separately in this paper in order to illustrate their connections. In Joe's case these factors are not only strongly connected, they even cause each other. All his experiences, his behavior and his environment mold Christmas into an outcast from society and push him into isolation. He becomes a kind of third-rate human being who is not able to leave the vicious circle that captures him until he is killed by Percy Grimm. Christmas embodies a constant struggle for identity which already starts in his early childhood. At the orphanage dark people call him white. On the other hand, white human beings look down on him as a nigger. This period will be dealt with in the following chapter. It introduces most of the topics belonging to Christmas' fate.