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"This is the first comprehensive social, intellectual and religious history of the wide-spread Sabbatean movement from its birth in the Ottoman Empire in the seventeenth century to the Republic of Turkey in the first half of the twentieth century, claiming that they owed their survival to the internalization of the Kabbalistic "burden of silence"--
A Burden of Silence: My Mothers Battle with AIDS, is a heartwarming story of an affectionate bond between a daughter and her sixty-six year old mother who was transfused with HIV positive blood during heart bypass surgery. It will evoke emotions of faith, inspiration, anger, and overwhelming love. The reader will also smile at the funny, tender moments that Ms. Draper writes about in her story. This is a devoted daughters story of her elderly mothers painful and lonely journey through AIDS. Because her mother was not part of a so-called AIDS risk group, she felt ignored, rejected, stigmatized, and ashamed. For years, she suffered in excruciating silence. Nancy has given her mothers story a voice. There are lessons for everyone in this booklessons about acceptance, compassion, and forgiveness. -Ann Webster, Ph.D., director, HIV/AIDS Program, Mind/Body Institute, Boston, MA Nancy Draper has written a tender account of a daughters devotion to her dying mother. This story about a grandmother who developed AIDS from a contaminated blood transfusion, will inspire admiration for Ms. Drapers courage and persistence. It will also inspire rage against the blood banks that failed to screen blood donations adequately. -Ann Pozen, Psy.D., president, National Association for Victims of Transfusion-Acquired AIDS, Inc., Bethesda, MD This book is a must readIt teaches us about the importance of embracing AIDS patients as human beings. We need to provide them with compassion and empathy instead of treating them as if they were dirty untouchable, unworthy people. In the end, I believe it is people like Nancys mother teaching us about love and acceptance. Hopefully, her dying in silence will wake us up! -Maggie Sund, Ph.D., Central Oregon Counseling and Coaching Nancy Drapers mother told her, I want you to write about me having AIDS because I dont want anyone else to suffer in silence like we have. Nancys mother must be very proud of her and this account of three years of fear, heartache, some good days and always deep love. Here Nancy tells the rest of a story that she summarized in our March 1999 issue and wrote under a pseudonym. Thanks, Nancy!" -Father Pat McCloskey, O.F.M., Editor, St. Anthony Messenger
A sensuous, textured novel of life in a refugee camp, long-listed for the Orwell Prize for Political Fiction On a hill overlooking a refugee camp in Sudan, a young man strings up bedsheets that, in an act of imaginative resilience, will serve as a screen in his silent cinema. From the cinema he can see all the comings and goings in the camp, especially those of two new arrivals: a girl named Saba, and her mute brother, Hagos. For these siblings, adapting to life in the camp is not easy. Saba mourns the future she lost when she was forced to abandon school, while Hagos, scorned for his inability to speak, must live vicariously through his sister. Both resist societal expectations by seeking to redefine love, sex, and gender roles in their lives, and when a businessman opens a shop and befriends Hagos, they cast off those pressures and make an unconventional choice. With this cast of complex, beautifully drawn characters, Sulaiman Addonia details the textures and rhythms of everyday life in a refugee camp, and questions what it means to be an individual when one has lost all that makes a home or a future. Intimate and subversive, Silence Is My Mother Tongue dissects the ways society wages war on women and explores the stories we must tell to survive in a broken, inhospitable environment.
“[A] novel of mid-life redemption . . . Ólafsdóttir writes about a good man in crisis with a raw beauty, as he gradually awakens to life and love.” —Financial Times Winner of the Icelandic Literary Prize, Hotel Silence is a delightful and heartwarming new novel from Auður Ava Ólafsdóttir, a writer who “upends expectations” (The New York Times). Jónas Ebeneser is a handy DIY kind of man with a compulsion to fix things, but he can’t seem to fix his own life. On the cusp of turning fifty, divorced, adrift, he’s recently discovered he is not the biological father of his daughter, Gudrun Waterlily, and he has sunk into an existential crisis, losing all will to live. As he visits his senile mother in a nursing home, he secretly muses on how, when, and where to put himself out of his misery. To prevent his only daughter from discovering his body, Jónas decides it’s best to die abroad. Armed with little more than his toolbox and a change of clothes, he flies to an unnamed country where the fumes of war still hover in the air. He books a room at the sparsely occupied Hotel Silence, in a small town riddled with landmines and the aftershocks of violence, and there he comes to understand the depths of other people’s scars while beginning to see his wounds in a new light. A celebration of life’s infinite possibilities, of transformations and second chances, Hotel Silence is a rousing story of a man, a community, and a path toward regeneration from the depths of despair.
After surviving World War II by escaping the Nazi occupation, Miranda Richmond Mouillot's grandparents, Anna and Armand, bought an old stone house in a remote, picturesque village in the south of France. Five years later, Anna packed her bags and walked out on Armand, taking the typewriter and their children. The two never saw or spoke to each other again. This is the deeply involving account of Miranda's journey to find out what happened. To discover the roots of this embittered and entrenched silence, Miranda abandons her plans for the future and moves to the old stone house, now a crumbling ruin, where she immerses herself in letters and archival materials, slowly teasing stories out of her reticent, and declining, grandparents. Along the way she finds herself learning how not only to survive, but to thrive - making a home in the village and falling in love. With warmth, humor, and rich, evocative detail, A Fifty-Year Silence is a heartbreaking, uplifting love story spanning two continents and three generations. Miranda Richmond Mouillot was born in North Carolina, USA but now lives in the South of France with her husband, daughter, and cat. She works as an independent translator and editor. A Fifty-Year Silence is her first book. ‘A tender portrait of a family and the inheritance—and obligation—of memory. A stunning debut.’ Kristina Olsson ‘A moving family history researched with dedication and completed with a granddaughter’s love.’ Kirkus ‘Charming, understated...A wonderful evocation of the way that the Holocaust has haunted many generations.’ Publishers Weekly ‘The corrosive effects of the Holocaust—upon those directly involved and generations thereafter—are illustrated vividly in this candid saga of familial love and misunderstanding.’ Library Journal ‘An eloquent and engrossing read...It’s a totally captivating journey that will have you rapt from start to finish.’ Australian Women's Weekly ‘Miranda’s story is moving and evocative of the times, rich in detail and with characters who come vividly to life.’ Toowoomba Chronicle ‘A skilfully written and nuanced portrait of two tough and complex individuals trying to cope with the extraordinary challenges of war.’ New Zealand Listener ‘The warmth with which Mouillot shares her experiences ensures the reader travels with her until the end in this heartbreaking insight into the last effects of the Holocaust.’ InDaily
A SPECTATOR, NEW STATESMAN AND THE TIMES BOOK OF THE YEAR 'The best biography I have read in years' Philippe Sands 'Spectacular' Observer 'A remarkable portrait' Guardian W. G. Sebald was one of the most extraordinary and influential writers of the twentieth century. Through books including The Emigrants, Austerlitz and The Rings of Saturn, he pursued an original literary vision that combined fiction, history, autobiography and photography and addressed some of the most profound themes of contemporary literature: the burden of the Holocaust, memory, loss and exile. The first biography to explore his life and work, Speak, Silence pursues the true Sebald through the memories of those who knew him and through the work he left behind. This quest takes Carole Angier from Sebald's birth as a second-generation German at the end of the Second World War, through his rejection of the poisoned inheritance of the Third Reich, to his emigration to England, exploring the choice of isolation and exile that drove his work. It digs deep into a creative mind on the edge, finding profound empathy and paradoxical ruthlessness, saving humour, and an elusive mix of fact and fiction in his life as well as work. The result is a unique, ferociously original portrait.
"The story of Eduard Schulte, the German industrialist who risked everything to oppose the Nazis and was the first to tell the world of the fate of the Jews in Hitler's Europe"--Jacket.
Liza Long, the author of “I Am Adam Lanza’s Mother"—as seen in the documentaries American Tragedy and HBO®'s A Dangerous Son—speaks out about mental illness. Like most of the nation, Liza Long spent December 14, 2012, mourning the victims of the Newtown shooting. As the mother of a child with a mental illness, however, she also wondered: “What if my son does that someday?” The emotional response she posted on her blog went viral, putting Long at the center of a passionate controversy. Now, she takes the next step. Powerful and shocking, The Price of Silence looks at how society stigmatizes mental illness—including in children—and the devastating societal cost. In the wake of repeated acts of mass violence, Long points the way forward.
2017 INSPY Award winner, general fiction category Before Christ called her daughter . . . Before she stole healing by touching the hem of his garment . . . Elianna is a young girl crushed by guilt. After her only brother is killed while in her care, Elianna tries to earn forgiveness by working for her father’s textile trade and caring for her family. When another tragedy places Elianna in sole charge of the business, her talent for design brings enormous success, but never the absolution she longs for. As her world unravels, she breaks off her betrothal to the only man she will ever love. Then illness strikes, isolating Elianna from everyone, stripping everything she has left. No physician can cure her. No end is in sight. Until she hears whispers of a man whose mere touch can heal. After so many years of suffering and disappointment, is it possible that one man could redeem the wounds of body . . . and soul?
Markus Dressler tells the story of how a number of marginalized socioreligious communities, traditionally and derogatorily referred to as Kizilbas (''Redhead''), captured the attention of the late Ottoman and early Republican Turkish nationalists and were gradually integrated into the newly formulated identity of secular Turkish nationalists.