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From awe-inspiring Norman castles, to the skyscrapers of today, Simon Thurley explores how the architecture of this small island influenced the world.
The premier monument is Durham Cathedral, greatest of English Norman churches. Lovers of the Middle Ages will also seek out the county's exceptional Anglo-Saxon churches, while many of its great castles - Brancepeth, Raby, Auckland, Lambton - conceal palatial Georgian and Victorian interiors. The landscape varies dramatically, from the wilds of Teesdale and Weardale, in the west, to the pioneering industrial ports of Sunderland and Hartlepool on the coast, including fine gentry houses and stone-built market towns. South Tyneside and northern Cleveland, historically part of County Durham, are also covered.
From prehistoric Stonehenge and Avebury to railway age Swindon, the rolling countryside of Wiltshire encompasses every aspect of English building. Thirteenth-century Salisbury cathedral is set in a spacious close, within a planned medieval town, which boasts Georgian delights such as Mompesson House. Towns and villages range from Marlborough with its sweeping High Street to the exceptional Lacock, in the shadow of its abbey's remains, remodelled as an eighteenth-century Gothick fantasy. The great country houses include some of the finest in England: Palladian Wilton, with which Inigo Jones was involved, Stourhead set in its evocative classical landscape, the elegant eithteenth-century Bowood and the mellow Bath stone of Corsham Court.
This volume on London architecture covers the boroughs of Barnet, Camden, Enfield, Hackney, Haringey and Islington. It gives a view of London's expansion northward from formal Georgian squares, to the hill towns of Hampstead and Highgate.
The latest revised volume in the Pevsner Architectural Guides, covering Birmingham and the towns and settlements of the Black Country This fully revised account of the buildings of the City of Birmingham, its suburbs and outskirts, and the adjacent Black Country explores an area rich in Victorian and Edwardian architecture. Even the small towns of the Black Country supported local architects with their own distinctive styles, such as C. W. D. Joynson in Darlaston and A. T. Butler in Cradley Heath. Much West Midlands industry was organized in small to medium-sized firms, resulting in a rich and diverse streetscape and canalscape. The Arts and Crafts tradition also established deep roots in the area, resulting in masterpieces such as Lethaby's Eagle Insurance in Birmingham and Wolverhampton's Wightwick Manor, as well as a host of fine villas and churches. Older buildings of national significance include the grand Jacobean mansion of Aston Hall, Thomas Archer's Birmingham Cathedral, and such unexpected delights as the neoclassical barn in Solihull by Sir John Soane. Featuring new color photography and numerous maps and text illustrations, this volume will transform understanding and enjoyment of the architecture of this key English region.
Full of memorable and surprising buildings, Nottingham is a county that rewards close investigation. Great medieval churches are represented by Worksop, Newark and by Southwell, with its exquisite carved 'leaves'. Of its country houses, Wollaton Hall shows Elizabethan architecture at its most fantastic, Bunny Hall the English Baroque at its most bizarre, while Lord Byron's Newstead Abbey incorporates one of the strangest of all monastic ruins. The city of Nottingham, marvellously set between hills, is crowded with sturdy Victorian and Edwardian commercial buildings, and enlivened by a strong local tradition of first-rate Modernist architecture.
Highlights of this volume are a full account of the Georgian marvels of Bath, and a separate section on the port of Bristol, whose sumptuous Victorian commercial buildings are among the best of their date in England.
Surrey's architecture is a constantly surprising mix of the rural and urban with many of its most important buildings, such as the seventeenth-century Ham House, found amongst the outgrowth of London itself. The landscape gardens of Painshill and Claremont attest to Surrey's popularity in the eighteenth century and the county's enthusiasm for follies and remarkable garden buildings. More recent architecture includes notable early works by Lutyens, with gardens by Gertrude Jekyll, inspired by the rich stock of late medieval farmhouses and tile-hung cottages in the county's southern villages. Among interwar suburban housing there are some exceptional Modernist homes, such as The Homewood by Patrick Gwynne. Church architecture in Surrey includes work by all of the great names of the Gothic Revival; not least of its surprises is the luminous and spacious interior of Guildford Cathedral.
Born Nikolai Pewsner into a Russian-Jewish family in Leipzig in 1902, Nikolaus Pevsner was a dedicated scholar who pursued a promising career as an academic in Dresden and Göttingen. When, in 1933 Jews were no longer permitted to teach in German universities, he lost his job and looked for employment in England. Here, over a long and amazingly industrious career, he made himself an authority on the exploration and enjoyment of English art and architecture, so much so that his magisterial county-by-county series of 46 books on The Buildings of England (first published 1951 - 74) is usually referred to simply as 'Pevsner'. As a critic, academic and champion of Modernism, Pevsner became a central figure in the architectural consensus that accompanied post-war reconstruction; as a 'general practitioner' of architectural history, he covered an astonishing range, from Gothic cathedrals and Georgian coffee houses to the Festival of Britain and Brutalist tower blocks. Susie Harries explores the truth about Nikolaus Pevsner's reported sympathies with elements of Nazi ideology, his internment in England as an enemy alien and his sometimes painful assimilation into his country of exile. His Heftchen - secret diaries he kept from the age of 14 for another sixty years - reveal hidden aspirations and anxieties, as do his numerous letters (he wrote to his wife, Lola, every day that they were apart).Harries is the first biographer to have read Pevsner's private papers and, through them, to have seen into the workings of his mind.Her definitive biography is not only rich in context and far-ranging, but is also brought to life by quotations from Pevsner himself. He was born a Jew but converted to Lutheranism; trained in the rigour of German scholarship, he became an Everyman in his copious commissions, publications, broadcasts and lectures on art, architecture, design, education, town planning, social housing, conservation, Mannerism, the Bauhaus, the Victorians, Zeitgeist, Englishness and how a nation's character may, or must, be reflected in its art. His life - as an outsider yet an insider at the heart of English art history - illuminates both the predicament and the prowess of the continental émigrés who did so much to shape British culture after 1945.
Essex, one the largest counties of England, stretches from the suburban fringes of East London to the fishing and sailing ports of Harwich and Maldon and the famous seaside resorts of Clacton, Frinton, and Southend. Its buildings encompass rich Roman survivals, powerful Norman architecture, and the remains of major Tudor and Jacobean country houses. Essex is first and foremost a county famed for its timber buildings, from the eleventh-century church at Greensted to the early and mighty barns at Cressing Temple, and a wealth of timber-framed medieval houses. Later periods have also made their contribution, from Georgian town houses to Victorian and Edwardian industrial and civic buildings, and from important exemplars of early Modern Movement architecture to the major monument of High Tech at Stansted Airport.