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Don Carlos Buenaventura, a powerful brujo in his sixth life, practices a benign form of sorcery based on his motto “Do no harm.” His great powers derive from intensive training in heightened awareness akin to Eastern yogic disciplines rather than from incantations, spells, or aid from demon allies. He is accidentally born in 1684 into an aristocratic Catholic family in Mexico City, a social and religious milieu in which his identity as a brujo, if known, would put him in mortal danger. In repressing any sign that he is other than an ordinary young man, he forgets both his brujo powers and who he really is. Exiled at nineteen to the remote frontier town of Santa Fe, New Mexico, he is exposed during the journey northward to wild desert landscapes that awaken his forgotten powers. In Santa Fe he resumes his conventional persona to protect what he now recognizes is his true identity and is caught in the tension of trying to live two lives. An arduous return trip to Mexico City and back further intensifies his brujo powers, leading to many adventures, including dangerous encounters with an evil sorcerer, an Apache war party, and a woman devotee of an ancient Aztec goddess, and also stimulates his recall, in dreams, of his brujo training in past lives. A chance meeting in Mexico City with a woman trained in Tantric spirituality is life-changing, opening him to other dimensions of consciousness. Returning to Santa Fe, he faces the task of learning to unite his Brujo’s Way with his new spiritual path.
The Things of Others: Ethnographies, Histories, and Other Artefacts deals with the things mainly, but not only, mobilized by anthropologists in order to produce knowledge about the African American, the Afro-Brazilian and the Afro-Cuban during the 1930s. However, the book's goal is not to dig up evidence of the creation of an epistemology of knowledge and its transnational connections. The research on which this book is based suggests that the artefacts created in fieldwork, offices, libraries, laboratories, museums, and other places and experiences – beyond the important fact that these places and situations involved actors other than the anthropologists themselves – have been different things during their troubled existence. The book seeks to make these differences apparent, highlighting rather than concealing the relationships between partial modes of making and being ‘Afro’ as a subject of science. If the artefacts created in a variety of situations have been different things, we should ask what sort of things they were and how the actors involved in their creation sought to make them meaningful. The book foregrounds these discontinuous and ever-changing contours.
One of the first books to explore the unique tradition of Dominican shamanism, the magical practices called the 21 Divisions. Like all forms of Caribbean Voodoo, practitioners of the 21 Divisions believe in one God, a distant God that doesn’t get involved in human affairs. Followers of this Dominican spiritual tradition believe that God created intermediaries to help humans, beings known as Los Misterios. The Misterios are powerful beings with rulership and dominion over universal forces and human conditions. Practitioners of the 21 Divisions have ways of connecting with the Misterios to achieve success in life, improve their careers, resolve love and relationship issues, heal illness, and much more. Filled with detailed insider information and real stories of healing, magic, and mystery, this book will serve as an illuminating guide to the 21 Divisions. Hector Salva—one of the foremost authorities on the practice of the 21 Divisions—offers his insights into: The history and foundations of Dominican Voodoo The major Misterios, or spirits, of the 21 Divisions Ceremonies, rituals, and magical spells How to get started on the path of the 21 Divisions
When Tess Livingston got off the bus at a roadside stop high in the Andes, she couldn't quite remember how she got there. She was an FBI agent, and the last thing she remembered was tracing a group of counterfeiters to Ecuador. Then she found herself at the Bodega del Cielo, waiting for the bus to Esperanza, or at least that’s where her ticket says she’s going. Ian Ritter, a journalist from Minneapolis, is also at the Bodega. He was planning a trip to the Galapagos Islands, but his limited Spanish isn’t up to explaining why he needs to change to Bus 13 to Esperanza. Their meeting changed their lives forever. For the city of Esperanza is a place out of time, partly in the material world, and partly existing on another plane. There the spiritual world can manifest. The dead can come through … and they do. A few of the dead are Chasers, beings of light who have deferred their passage to a higher plane in order to help and protect the living. But many of the dead are brujos, angry ghosts who cannot let go, who desire only to possess the bodies of the living so they can reclaim their own physical existence in the world. Brujos kill those they possess, sooner or later. Tess and Ian, and their families, have made a good life together in Esperanza, and have no desire to ever leave it. But now something unusual, even for Esperanza, is happening. Parts of the city seem to be leaving them. *** TJ MacGregor creates imaginative worlds where neither beasts, ghosts, nor humans are as they seem to be, where anything and anyone can change in a flash, where love is still worth saving, and where the most courageous act of all is simply holding on to your humanity.” -- Nancy Pickard
Tess Livingston met Ian Ritter at a roadside stop high in the Andes, waiting for a bus to the mysterious town of Esperanza. Tess is an FBI agent who remembers being on the track of a group of international counterfeiters. But she doesn’t remember booking a trip to Esperanza. Ian is a journalist who was planning to vacation to the Galapagos Islands. He, too, isn’t quite sure why he has a ticket to Esperanza. Their meeting will change their lives forever. For they have been brought together because they hold the key in a mystical war between the kind spirits of the dead who guard humanity, and the hungry ghosts who exist only to possess living human bodies, and return however briefly to life. In the midst of this war, Tess and Ian will find a love that can transcend time, and a cause that not even death will overcome.
The second volume in the Buenaventura Series and the sequel to The Brujo’s Way, opens in December 1705 with a terrifying nightmare that fills Don Carlos Buenaventura, a powerful brujo in his sixth life, with dread. Feeling the need to strengthen his brujo powers, always weakened by town life, he rides out into the wild mountain landscapes around Santa Fe in order to practice his sorcerer’s technique of transforming himself into hawks and owls. Transformations are exhilarating, but they do not dispel his sense of an impending menace. In addition, as he tells his friend Inéz de Recalde, whom he has rescued from a difficult past and to whom he has declared his love, he is impatient to move forward in his quest for wisdom on what he calls the Unknown Way. Into this picture comes a trio of itinerant entertainers, a magician and two women dancers, who offer an ambiguous promise. Can they lead him to deeper realms of consciousness, or are they agents of his enemy, the evil sorcerer Don Malvolio? The magician and his alluring companions introduce Carlos to dances that transport him into ecstatic mind states, but he remains uncertain about what master they serve. Despite the risk of exposing his secret brujo identity and of being disloyal to Inéz, Carlos allows himself to be drawn ever farther into their web of dark and dangerous enchantments. Includes Readers Guide.
Working with the image of the Indian shaman as Wild Man, Taussig reveals not the magic of the shaman but that of the politicizing fictions creating the effect of the real. "This extraordinary book . . . will encourage ever more critical and creative explorations."—Fernando Coronil, [I]American Journal of Sociology[/I] "Taussig has brought a formidable collection of data from arcane literary, journalistic, and biographical sources to bear on . . . questions of evil, torture, and politically institutionalized hatred and terror. His intent is laudable, and much of the book is brilliant, both in its discovery of how particular people perpetrated evil and others interpreted it."—Stehen G. Bunker, Social Science Quarterly
Don Carlos Buenaventura, the protagonist of The Last of Our Kind, is a powerful brujo living in Santa Fe, New Mexico, a remote settlement on the edge of Spain’s North American empire. The year is 1706. Comanche war parties are boldly conducting raids nearby, French traders and soldiers are aggressively expanding toward New Mexico from the Great Plains, and agents of the Spanish Inquisition have arrived in search of a brujo suspected of being in Santa Fe. That brujo is Don Carlos, respected citizen under the name of Don Alfonso Cabeza de Vaca, his true identity known only to a small coterie of friends. Given the many dangers that threaten the town, will he be able to bring his powers to bear and still keep his brujo identity secret? When his mortal enemy, a sorcerer with formidable powers, arrives on the scene in the midst of these troubles, how will Don Carlos figure out a way to deal with him? Includes Readers Guide.
History, customs, and legends including the story Po-se-yemo.
First written in 1925, this work presents a historical account of one of the oldest Native American settlements in the United States, the Taos Pueblo in New Mexico.