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The huge Browning Ranch in Colorado is the home of Adam and Jake Browning. The lives and loves of the Browning family are fascinating fodder for the gossips in the small town of Hamilton. Adam Browning is the big and handsome elder brother and Jake Browning, the younger brother who always settles for second place with the women in their lives. But only one woman wins the heart of handsome Adam-Jake's girlfriend. This causes a rift between the brothers that threatens to divide the Browning Ranch in half
The classic account of Custer\'s Last Stand that shattered themyth of the Little Bighorn and rewrote history books. This historic and personal work tells the Native American sideof Custer\'s fabled attack, poignantly revealing how disastrous theencounter was for the "victors," the last great gathering of PlainsIndians under the leadership of Sitting Bull.
Your round-trip ticket to the wildest, wackiest, most outrageous people, places, and things the Treasure State has to offer! Whether you’re a born-and-raised Montanan, a recent transplant, or just passing through, Montana Curiosities will have you laughing out loud as Ednor Therriault takes you on a rollicking tour of the strangest sides of Big Sky Country. Just try keeping your seat on a Martin City barstool—when the stool is moving at 20 miles an hour, that is,at the Martin City Barstool Races each February. Spend an amazing day at the Miracle of America Museum in Polson—a sprawling, wildly eclectic testament to American culture and history. Enjoy hard rock music near Whitehall by hammering away at the Ringing Rocks—a rare pile of reddish-gray boulders that chime when tapped.
In Indians in Color, noted cultural critic Norman K. Denzin addresses the acute differences in the treatment of artwork about Native America created by European-trained artists compared to those by Native artists. In his fourth volume exploring race and culture in the New West, Denzin zeroes in on painting movements in Taos, New Mexico over the past century. Part performance text, part art history, part cultural criticism, part autoethnography, he once again demonstrates the power of visual media to reify or resist racial and cultural stereotypes, moving us toward a more nuanced view of contemporary Native American life. In this book, Denzin-contrasts the aggrandizement by collectors and museums of the art created by the early 20th century Taos Society of Artists under railroad sponsorship with that of indigenous Pueblo painters;-shows how these tensions between mainstream and Native art remains today; and-introduces a radical postmodern artistic aesthetic of contemporary Native artists that challenges notions of the “noble savage.”
The first narrative history revealing the entire story of the development, operation, and harmful legacy of the Native American boarding schools—and how our nation still has much to resolve before we can fully heal. When Europeans came to the Americas centuries ago, too many of them brought racism along with them. Even presidents such as George Washington, Thomas Jefferson, and Andrew Jackson each had different takes on how to solve the “Indian Problem”—none of them beneficial for the Natives. In the early 1800s, the federal government and various church denominations devised the “Indian Boarding Schools,” in which Native children were forced to give up their Native languages, clothes, and spiritual beliefs for a life of cultural assimilation. Many of the children were abused sexually—and a shocking number died of pneumonia, tuberculosis, and other diseases. Sizable graveyards were found at many of these boarding schools. In 2021, the mass graves of First Nations children were found at the remains of some Canadian boarding schools, and the Pope traveled to Canada to apologize. In May 2022, U.S. Secretary of the Interior Deb Haaland released the first installment of an investigation into Native American boarding schools in the United States. It was the tip of the iceberg. The findings were shocking: the investigation revealed that the boarding school system emphasized manual labor and vocational training, which failed to prepare indigenous students for life in a capitalist economy. Despite the plot against Native America, tribal cultures have endured and are now flourishing. Indigenous birth rates are higher than those of white communities. Tribal councils across Indian Country are building their own herds of bison. As the tribes rebuild and reinvigorate their culture, the Catholic Church in America is fading. Some thirty dioceses have declared bankruptcy because of lawsuits brought by the victims of the sexual predators among priests and nuns. Native Americans seeking reparations for lost land are looking directly at the Vatican.
Focusing on the northern plains and the Southwest, Iverson traces the rise and fall of individual and tribal cattle industries against the backdrop of changing federal Indian policies. He describes the Indian Bureau's inability to recognize that most nineteenth-century reservations were better suited to ranching than farming. Even though allotment and leasing stifled ranching, livestock became symbols and ranching a new means of resisting, adapting, and living - for remaining Native.
The Indian Cowboy -The Hunter `If you ever need a shitty job nobody wants to do, call me,` -says an FBI agent to Ryan Black Hawk. `I don't work for the FBI!` `Not for the FBI. For me.` When Ryan is dishonorably discharged from the U.S. Air Force, he has no choice, but to walk away into an uncer-tain and dangerous future. When he meets the mysterious Keshia, everything is supposed to change. Almost forgot-ten feelings enchant the two young people. But then everything changes... Editorial office Hufgeflüster. EU The author describes with sensitivity and depth a very current topic - the conflict of a young Lakota between the world of modern America and the traditional world of the ancient Americans.
The rodeo cowboy is one of the most evocative images of the Wild West. The master of the frontier, he is renowned for his masculinity, toughness, and skill. A Wilder West returns to rodeo's small-town roots to explore how rodeo simultaneously embodies and subverts our traditional understandings of power relations between man and nature, women and men, settlers and Aboriginal peoples. An important contact zone – a chaotic and unpredictable place of encounter – rodeo has challenged expected social hierarchies, bringing people together across racial and gender divides to create friendships, rivalries, and unexpected intimacies. At the rodeo, Aboriginal riders became local heroes, and rodeo queens spoke their minds. A Wilder West complicates the idea of western Canada as a “white man's country” and shows how rural rodeos have been communities in which different rules applied. Lavishly illustrated, this creative history will change the way we see the West's most controversial sport.
More than any other book that I can think of, Bronze Inside and Out puts a human face on Western art - indeed, all art. It invites us to ponder the very nature of the creative process. From the foreword by Brian W. Dippie, University of Victoria Bronze Inside and Out is a literary biography of sculptor Bob Scriver, written by his wife, Mary Strachan Scriver. Bob Scriver is best known for his work in bronze and for his pivotal role in the rise of "cowboy art." Living and working on the Montana Blackfeet Reservation, Scriver created a bronze foundry, a museum, and a studio - an atelier based on classical methods, but with local Blackfeet artisans. His importance in the still-developing genre of "western art" cannot be overstated. Mary Strachan Scriver lived and worked with Boba Scriver for over a decade and was instrumental in his rise to international acclaim. Working alongside her husband, she became intimately familiar with the man, his work, and his process. Her frank, uncensored, and highly entertaining biography reveals details that give the reader a unique picture of Scriver both as man and as artist. Bronze Inside and Out also provides a fascinating look into the practice of bronze casting, cleverly structuring the story of Bob Scriver's life according to the steps in this complicated and temperamental process.