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"Art historian Nicole Dacos, the foremost authority on Raphael's Loggia, has distilled decades of research into the first comprehensive study of this remarkable monument to be published in English. In the first and second parts of her text, she examines the ornaments and the scenes from the Bible, respectively, clarifying their iconography and uncovering their sources in antique and Renaissance art. In the third part, she identifies in the Loggia the hands of Raphael's various collaborators, including not only his well known pupils, like Giulio Romano, Giovanfrancesco Penni, and Giovanni da Udine, but also many other artists, Italian, French, and Spanish, who traveled to Rome to work with the master. Finally, in the fourth part, she traces the enduring legacy of the Loggia: the style of grotesque ornament elaborated by Raphael has been imitated as far afield as the corridors of the United States Capitol, and the Bible scenes were widely circulated in engravings and copied in every medium, from painting to pottery." "The newly commissioned color photographs herein give the reader unprecedented access to the manifold visual splendors of the gallery, which is closed to the public. Also illustrated with an abundance of comparative images, this landmark volume affirms the central importance of Raphael's Loggia to the history of art."--BOOK JACKET.
Although fifteenth-century Central Italian sculpture is one of the best studied fields in art history, there is very little primary literature about sculpture from the period.
First published in 1997. For this second edition of Art Books: A Basic Bibliography of Monographs on Artists, the vast number of new books published since 1985 was surveyed and evaluated. This has resulted in the selection of 3,395 additional titles. These selections, reflective of the increase in the monographic literature on artists during the last ten years, are evidence of the activities of a larger number of art historians in more countries worldwide, of the increasingly diverse and ambitious exhibition programs of museums whose number has also increased dramatically, and also of a lively international art market and the attendant gallery activities. The selections of the first edition have been reviewed, errors have been corrected and important new editions and reprints have been noted. The second edition contains 278 names of artists not represented in the first edition.
Part 1, Books, Group 1, v. 25 : Nos. 1-121 (March - December, 1928)