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This is a catalogue raisonné of Rodin's bronzes. There are 455 entries with over a thousand pictures in 2 volumes. Each work lists the inventory number, the technique and a bibliography. Information about provenance and historical context along with comparison to other works is also included. The research is meticulous and the cross-references invaluable.
Exploring the full range of the work of French artist Auguste Rodin (1840-1917), this book also reveals the deep significance of Rodin's oeuvre to the history of the Legion of Honor in San Francisco, which holds one of the finest collections of Rodin sculpture in the United States. The publication contains examples from his early days as a struggling artist to his mature and most successful works. The majority of the bronzes are lifetime casts by the sculptor, making this collection a rare and significant body of Rodin's output. A related group of plaster models and fragments augment these major pieces, adding to the scope and breadth of this volume. Showcasing beautiful new photography of more than fifty of Rodin's most iconic artworks alongside an illuminating essay, this book will delight and surprise readers with its novel insights into one of the greatest sculptors in art history. Exhibition: Legion of Honor, San Francisco, USA (28.01. - 10.12.2017).
Rodin has pronounced Rilke's essay the supreme interpretation of his work. A few years ago the sculptor expressed to the translators the wish that some day the book might be placed before the English-speaking public. The appreciation was published originally as one of a series of Art Monographs under the editorship of the late Richard Muther. To estimate and interpret the work of an artist is to be creatively just to him. For this reason there are fewer critics than there are artists, and criticism with but few exceptions is almost invariably negligible and futile.
"The Rodin collection left by Mrs. Alma de Bretteville Spreckels to the California Palace of the Legion of Honor is the most salient and nearly the earliest example of America's admirable passion for an artist whose personality and works dominated the decades of 1880 to 1910. In an essay which follows this introduction, Patricia B. Sanders has chronicled the history of Mrs. Spreckels' collecting enterprise... Her choice was remarkable. Before Rodin's death in 1917 and over the following years until the 1940s, she acquired, first from Rodin and later from those nearest him, bronzes, plasters and marbles -- among them not only many of the most important Rodins but also many of the best... The Spreckels collection... is second only to the Musée Rodin in Paris as a center of Rodin art and sculptures"--