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I live in a world where freedom doesn’t exist, and most people aren’t allowed to have names. I had a name once—Allura—but then I was captured by Wardens, creatures that hunt humans, and I became a Nameless. I spent years imprisoned underground beneath the city, dreaming of being outside again until Blaise rescues me. Finally, I’m free again. But the outside world isn’t how I remember it. The city has become extremely dangerous. To survive, I’ll have to learn how to fight and trust Blaise. But as I discover a new world, I also learn a secret about myself that could put me in grave danger.
When it comes to finding a safe haven, Colette is running out of options. Having a baby wasn’t supposed to be possible, but now that Colette is pregnant, the happy couple isn’t sure what to do. While Rome is ready to be a father, Colette knows the road ahead will be rough for the child she carries. Being the Last Deadblood was supposed to ensure the violence against vampires would one day come to an end, but it seems that whether Colette draws breath or not, there are some who will always hate what they do not understand. When a war comes to their doorstep, Colette knows that if she doesn’t put a stop to the revolution once and for all, her child will bear the consequences. Though it might take all she has, Colette will stop at nothing to take this stand… …even if it might be her last. "The Last City" is filled with political intrigue and scandalous secrets, written by USA Today bestselling fantasy romance author, Mary E. Twomey.
Telling the story of Saints football in New Orleans is a way to understand larger social, political and economic conditions during pivotal moments of the city's history. This book is the first to explore the team's role in rebuilding the city following Hurricane Katrina. The author documents New Orleans' initial efforts to attract professional football, the Katrina disaster and some successes and failures during 10 years of post-disaster recovery. The narrative of community recovery and cohesion crafted by Saints fans transcends racial divides and illustrates the relationship between professional sports and the American city. The voices of female fans--largely overlooked in the study of sports--compel a more inclusive definition of football fandom.
Geoff is a passionate educator and performer, In this book he focuses on the expansion of both standard and hybrid drum corps rudiments. He will introduce a simple but effective method allowing the reader to master over 500 modern rudimental variations. For the beginner: This is a great introduction to names and families of the most used rudiments.For the advanced player: This will teach a method that not only creates hundreds of new variations but helps develop complete rudimental freedom.For the teacher: This is a great resource to use as a reference and to expanding a student's rudimental vocabulary.
Communities organizing to end Brazil's urban war on drugs
100,000 miles of mountains and rivers shattered. 80 million corpses were buried in the sky. In drunkenness, the dream was born with bitterness. After waking up, he would not become an immortal! ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... I am just a village child, forced by fate to go through a tragic life, suffering unspeakably in my heart, becoming an inscriptionist, witnessing the coming of a chaotic world, the rise of demi-humans, the unravel of the Immortal's War, the secrets of the three great dead, step by step, I have to unearth the truth of this world, to find out the true story of myself, the legend of the demonkind ... [Previous Chapter] [Table of Contents] [Next Chapter] [Previous Chapter] [Table of Contents] [Next Chapter]
The architectural historian and critic Kenneth Frampton 'never recovered' from the force of Hannah Arendt's teaching at The New School in New York. The philosopher Richard J. Bernstein considers her the most perceptive political theorist and observer of 'dark times' (a concept which, drawing from Brecht, she made her own). Building on the revival of interest in Hannah Arendt, and on the increasing turn in design towards the expanded field of the social, this unique book uses insights and quotations drawn from Arendt's major writings (The Human Condition; The Origins of Totalitarianism, Men in Dark Times) to assemble a new kind of lexicon for politics, designing and acting today. Taking 56 terms – from Action, Beginnings and Creativity through Mortality, Natality, and Play to Superfluity, Technology and Violence – and inviting designers and scholars of design world-wide to contribute, Designing in Dark Times: An Arendtian Lexicon, offers up an extraordinary range of short essays that use moments and quotations from Arendt's thought as the starting points for reflection on how these terms can be conceived for contemporary design and political praxis. Neither simply dictionary nor glossary, the lexicon brings together designing and political philosophy to begin to create a new language for acting and designing against dark times.
As one of the foremost Spanish directors of all time, Luis Buñuel’s filmography has been the subject of innumerable studies. Despite the fact that the twenty films he made in Mexico between 1947 and 1965 represent the most prolific stage of his career as a filmmaker, these have remained relatively neglected in writing on Buñuel and his work. This book focuses on nine of the director’s films made in Mexico in order to show that a concerted focus on space, an important aspect of the films’ narratives that is often intimated by scholars, yet rarely developed, can unlock new philosophical meaning in this rich body of work. Although in recent years Buñuel’s Mexican films have begun to enjoy a greater presence in criticism on the director, they are often segregated according to their perceived critical value, effectively creating two substrands of work: the independent movies and the studio potboilers. The interdisciplinary approach of this book unites the two, focusing on films such as Los olvidados, Nazarín, and El ángel exterminador alongside La Mort en ce jardin, The Young One, and Simón del desierto, among others. In doing so, it avoids the tropes most often associated with Buñuel’s cinema—surrealism, Catholicism, the derision of the bourgeoisie—and the approach most often invoked in analysis of these themes: psychoanalysis. Instead, this book takes inspiration from the fields of human geography, anthropology, and philosophy, applying these to film-focused readings of Buñuel’s Mexican cinema to argue that ultimately these films depict an overriding sense of placelessness, overtly or subliminally enacting a search for belonging that forces the viewer to question what it means to be in place.
Border culture emerges through the intersection and engagement of imagination, affinity and identity. It is evident wherever boundaries separate or sort people and their goods, ideas or other belongings. It is the vessel of engagement between countries and peoples—assuming many forms, exuding a variety of expressions, changing shapes—but border culture does not disappear once it is developed, and it may be visualized as a thread that runs throughout the process of globalization. Border culture is conveyed in imaginaries and productions that are linked to borderland identities constructed in the borderlands. These identities underlie the enforcement of control and resistance to power that also comprise border cultures. Canada’s borders in globalization offer an opportunity to explore the interplay of borders and culture, identify the fundamental currents of border culture in motion, and establish an approach to understanding how border culture is placed and replaced in globalization. Published in English.
Young Ye Zangming, Green Lotus Pearl. The strong wind blew against the willow tree, neutralizing the irreversible situation; the Fiery Blaze Needle pierced through the gate of rebirth with a faint glow. After entering the World Gate, a beautiful woman appeared within the world tomb. After experiencing life and death several times, she would obtain the benefits of being able to destroy the heavens. On the road of no return, brothers share the same heart, and the true and false know what a hero is. Outside of Cheng City, demons flew in a frenzy, and people kowtowed to become true kings. The Three Gates of Life and Death would swarm over the world, turning the sun and moon into a new song. The Cave of Samsara, surrounded by mountains, had smoke rising from all corners of the world, looked like a painting in the tenth generation, and within the compass formation, four ferocious beasts and a hundred thousand devil soldiers would be reduced to fragments after ten thousand years of enmity. Her beauty was old, and she had no desire for marriage. She could only look forward to dancing with the king for all eternity. Hand-to-hand desire, the crippled king, life does not love, just to join hands to advance the new article. Communicator 476311286 [Wrap]