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The Broken Bell, the second book in Alan Kennedy's Boat in the Bay trilogy. When he arranges a surprise holiday for the children Uncle Albert imagines he can look after them well enough. But before this story ends he is the one who needs looking after. Set on a remote island off the coast of southern France, an idyllic holiday gradually becomes a terrifying race against time, building to a dramatic climax. The Broken Bell also gives us the first glimpse of Poppy the painter, hardly aware of her own incredible talent, torn between the magic world of art and artists and her life with the others. But the hero of this book is the youngest of all. Ian never completely understands what is going on, but he is the one who finally discovers the secret of the broken bell. For readers of any age. "The writing is assured ... the implied reminders of the Swallows and Amazons series again add another dimension and are a delight" - Julian Lovelock, The Journal of the Arthur Ransome Society.
Poems of various French authors, translated into English, with notes, by Toru Dutt.
The oldest child in a troubled Philadelphia family, Angel Ferente struggles to care for her three sisters while pursuing her goal of attending college on a swimming scholarship. She has a problematic relationship with her mother, Pic, who uses alcohol and drugs to self-medicate and at one point lost custody for a year, and an outright hostile relationship with her stepfather, the only father figure in her life. Angel is the center of stability in the household—making sure the younger girls get to school, ensuring that holidays are observed, doing the family’s laundry at her part-time job at a Laundromat, and even taking care of Pic when she is sick or depressed. It’s 1993, the midst of the crack epidemic, and Angel and her sisters are witness to the everyday events of life in a community beset by poverty and drugs: dealers on the corner, shoot-outs that kill bystanders, prostitutes on the job, and more. Then Angel goes to a team party on New Year’s Eve—and doesn’t come home afterward. In the wake of her disappearance, her teammates, her coach’s church, and her family search the city for her. The result changes their lives forever.
This book is an extension of Dr. Spooner's previous work on the interplay of insect processes and human culture as discussed in The Metaphysics of Insect Life (ISP, 1995). It continues the application of the literary, philosophical, and scientific methods employed there to the main currents in the evolution of modern Hispanic literature.
It’s called the Broken Road. A long abandoned route veiled in rumor, only spoken of in whispers. Some claim that bandits stalk its overgrown path, while others speak of a city of cannibals. Stories tell of dark apparitions, bizarre monsters, and ancient evils. One thing is certain: no one goes near it. Caravan Master Waldo Bell has had his fill of trouble. But when faced with a stubborn client, a lousy deal demanding delivery on any terms, and military action that closes major caravan routes, Wal and his company find themselves forced on to that vast stretch of trail. While strange events plague the caravan, Wal must confront the horrors of his recent past, as he’s thrown into the middle of a deadly conflict that feels far too familiar. On this road, chaos awaits…
What happens when fashionable forms of unserious speech prove to be contagious, when they adulterate and weaken communicative spheres that rely on honesty, trust, and sincerity? Demonstrating how the tension between irony and avowal constitutes a central conflict in Fontane's works, this book argues that his best-known society novels play out a struggle between the incompatible demands of these two modes of speaking. Read in this light, the novels identify an irreconcilable discrepancy between word and deed as both the root of emotional discord and the proximate cause of historical and political upheaval. Given the alarm since 2016 over unreliability, falsehood, and indifference to truth, it is now easier to perceive in Fontane's novels a profound concern about language that is not sincere and not meant to be taken literally. For Fontane, irony exemplifies a discrepancy between language and meaning, a loosening of the ethical bond between words and the things to which they refer. His novels investigate the extent to which human relationships can continue to function in the face of pervasive irony and the erosion of language's credibility. Although Fontane is widely regarded as an ironic writer, Tucker's analyses reveal a critical distance between his works and the prospect of irony as a dominant idiom. Revisiting Fontane's novels in a post-truth age brings the conflict between irony and avowal into sharper relief and makes legible the stakes and contours of our own post-truth condition.
Written as a confessional letter to his son, an 18th century opera singer recounts how his gift for sound led him on an astonishing journey to Europe’s celebrated opera houses and reveals how he came to raise a son who by all rights he never could have sired. The celebrated opera singer Lo Svizzero was born in a belfry high in the Swiss Alps where his mother served as the keeper of the loudest and most beautiful bells in the land. Shaped by the bells’ glorious music, he possessed an extraordinary gift for sound. But when his preternatural hearing was discovered—along with its power to expose the sins of the church—young Moses Froben was cast out of his village with only his ears to guide him in a world fraught with danger. Rescued from certain death by two traveling monks, he finds refuge at the vast and powerful Abbey of St. Gall. There, he becomes the protégé of the Abbey’s brilliant yet repulsive choirmaster, Ulrich. But it is this gift that will cause Moses’ greatest misfortune: determined to preserve his brilliant pupil’s voice, Ulrich has Moses castrated. Now, he will forever sing with the exquisite voice of an angel—a musico—yet castration is an abomination in the Swiss Confederation, and so he must hide his shameful condition from his friends and even from the girl he has come to love. When his saviors are exiled and his beloved leaves St. Gall for an arranged marriage in Vienna, he decides he can deny the truth no longer and he follows her—to sumptuous Vienna, to the former monks who saved his life, to an apprenticeship at one of Europe’s greatest theaters, and to the premiere of one of history’s most beloved operas. Like the voice of Lo Svizzero, The Bells is a sublime debut novel that rings with passion, courage, and beauty.
Enjoy Bianca Blythe's delightful, enchanting Duke Hunters Club regency romance series today! When an American wallflower learns her younger sister is forbidden to become betrothed until someone courts her, she pays a duke to pretend to be her suitor. Lucy Banks will never be mistaken for the belle of the ball. Her red hair, freckles, and reputation for surliness make that impossible, no matter how many coffers of coin her father procured on Wall Street. Unfortunately, her parents didn’t move across the Atlantic so Lucy could struggle to find a husband. Even more unfortunately, her younger sister cannot have a suitor until Lucy’s future is secure. Unless Lucy can find someone to court her, she is standing in the way of her sister’s happiness. Fortunately, Lucy is willing to pay. Harrison James, Duke of Sturbridge, might be beloved by the ton, but he has no intentions of ever marrying. That would mean exposing a bride to his secret, and that is impossible. When Miss Banks offers him money to feign romantic interest in her, he reluctantly agrees. Once Lucy returns to New York, he can pronounce himself brokenhearted and avoid another year of questions. Lucy and the duke now only have one problem: they must not confuse their hearts with their fake courtship. A fun fake engagement romance between an American heiress and a charming duke with a big secret. Can't Buy Me Love meets Taming of the Shrew set in London's glittering ballrooms and sumptuous townhouses. The Duke Hunters Club Series 1. All You Need is a Duke 2. My Favorite Duke 3. A Duke Never Forgets 4. The Duke Before Christmas 5. The Duke Meets His Matchmaker 6. The Truth about Princesses and Dukes 7. Can't Buy Me a Duke