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Based on her exloration of the British Museum's world-famous collection of Egyptian antiquities, this pioneering study reveals the powerful role of museums in shaping our understanding of science, culture, and history.
The book is published in conjunction with a traveling exhibition organized by the American Federation of Arts and The British Museum and drawn exclusively from the collection of The British Museum, which is among the finest in the world. Illustrated with images of the works in the exhibition, as well as comparative materials, Eternal Egypt is that rare book of interest and value to the general and scholarly audience alike."--BOOK JACKET.
Highlights of the British Museum's Egyptian collections.
Beautiful color photos of the breathtaking tomb of Tutankhamun and the magnificent objects buried with the young pharoah.
With contributions from leading scholars and detailed catalog entries that interpret the spells and painted scenes, this fascinating and important work affords a greater understanding of ancient Egyptian belief systems and poignantly reveals the hopes and fears about the world beyond death.
Beneath the waters of Abukir Bay, at the edge of the northwestern Nile Delta, lie the submerged remains of once-lost ancient Egyptian cities that sank over 1,200 years ago, but were dramatically rediscovered in the last years of the 20th century. Pioneering underwater excavations, begun in 1999 and still underway, are uncovering an array of ancient buildings and artefacts. Temple ruins and monumental statuary, harbour installations (and no fewer than 69 shipwrecks), exquisite jewellery and delicate ceramics are among the intriguing remains of these cities already lifted from the sea. Through these extraordinary finds, this book tells the story of how two iconic ancient civilizations, Egypt and Greece, interacted in the late first millennium BC, from the founding of Thonis-Heracleion, Naukratis and Canopus as trading and religious centres to the conquest of Egypt by Alexander the Great, through the ensuing centuries of Ptolemaic (Hellenistic) rule, to the suicide of Cleopatra and the ultimate dominance of Rome. Throughout, Greeks and Egyptians lived alongside one another in these lively cities, sharing their politics, religious beliefs, languages and customs. Greek kings adopted the regalia of the pharaoh; ordinary Greek citizens worshipped in Hellenic sanctuaries next to Egyptian temples; and their ancient gods and mythologies became ever more closely intertwined. Published to accompany the blockbuster British Museum exhibition showcasing a spectacular collection of objects, this book retells the history and rediscovery of this vibrant and multi-cultural ancient society.
The 11 painting fragments from the tomb-chapel of Nebamun that were brought to the British Museum in the early 19th century have long been recognized as some of the finest examples of ancient Egyptian art. This book places the paintings in their historical context and provides an account of the work done to preserve them.
A journey across four continents to the heart of the conflict over who should own the great works of ancient art Why are the Elgin Marbles in London and not on the Acropolis? Why do there seem to be as many mummies in France as there are in Egypt? Why are so many Etruscan masterworks in America? For the past two centuries, the West has been plundering the treasures of the ancient world to fill its great museums, but in recent years, the countries where ancient civilizations originated have begun to push back, taking museums to court, prosecuting curators, and threatening to force the return of these priceless objects. Where do these treasures rightly belong? Sharon Waxman, a former culture reporter for The New York Times and a longtime foreign correspondent, brings us inside this high-stakes conflict, examining the implications for the preservation of the objects themselves and for how we understand our shared cultural heritage. Her journey takes readers from the great cities of Europe and America to Egypt, Turkey, Greece, and Italy, as these countries face down the Louvre, the Metropolitan Museum, the British Museum, and the J. Paul Getty Museum. She also introduces a cast of determined and implacable characters whose battles may strip these museums of some of their most cherished treasures. For readers who are fascinated by antiquity, who love to frequent museums, and who believe in the value of cultural exchange, Loot opens a new window on an enduring conflict.
Amulets were first made in Egypt as early as 4000 BC and became essential adornments for both the living and the dead. They were believed to endow the wearer, by magical means, with the properties they represent. An amuletic foot, for example, could be worn to ensure fleetness of foot; while the scarab beetle represented the new-born sun, and was the symbol of new life. Amulets in the image of powerful gods would be worn for protection; and malevolent creatures - like the male hippopotamus - would be worn to ward off the evil they represented.