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""Yet the voice of Will Alexander, who here commemorates Lamantia in his pluperfect poem The Brimstone Boat, rose hardly more than a quarter century later... In this automatistically extended poem, we are witness to the passage of energies from the older to the younger poet, as Alexander charts Lamantia's life and writings across a Renaissance globe... It is here as well that Alexander succeeds Lamantia, who died in 2005, as America's greatest living surrealist poet--as the new poet at the helm on the brimstone boat, on a voyage of 'perpetual exploration.'""--ANDREW JORON The volume starts off with the 81 pages of the title poem, then 14 pages for three shorter poems, followed by 19 pages devoted to a glossary, then 50 pages for the content of four essays, and finally 3 pages of post-notes. On the cover, the frontispiece, and the end page, are three works by the American surrealist Marie Wilson; also included are eight pencil drawings by Will Alexander and two large photographs of Lamantia and Alexander.
Black & White Edition. This is the first English translation of Marie Wilson & Nanos Valaoritis' "Terre de diamant," which first appeared in French in 1958. Marie Wilson, an American surrealist, was an active participant in the Paris surrealist group in the 1950's. This book, the only book Marie herself has published, is a supreme document of poetic evidence, infused by her collaboration with the Greek poet Nanos Valaoritis. Marie was inspired to create a series of sixteen lithographs, and Nanos prepared the sixteen parallel texts that accompany them. Marie and Nanos subsequently married in 1960. They live today in Athens, Greece.
Black & White Paperback Edition.""'Spectral Hieroglyphics' is a timeless 'organic constellation' of poems on the unstoppable power of radical poetic vision...In this extraordinary troika of poems, Will Alexander not only shows the strong determination of three free minds to achieve a fully poetic way of life, he also demonstrates the actuality of their revolutionary visions...Alexander portrays these poets in the grandeur of their passionate ideas...Will Alexander revives these visions in a new myth for the future."" -Laurens Vancrevel, Foreword. Profusely illustrated by Rik Lina.
Ten years of poet and critic Garrett Caples's writing on neglected figures of art and poetry.
What I Say: Innovative Poetry by Black Writers in America is the second book in a landmark two-volume anthology that explodes narrow definitions of African American poetry by examining experimental poems often excluded from previous scholarship. The first volume, Every Goodbye Ain’t Gone, covers the period from the end of World War II to the mid-1970s. In What I Say, editors Aldon Lynn Nielsen and Lauri Ramey have assembled a comprehensive and dynamic collection that brings this pivotal work up to the present day. The elder poets in this collection, such as Nathaniel Mackey, C. S. Giscombe, Will Alexander, and Ron Allen, came of age during and were powerfully influenced by the Black Arts Movement, and What I Say grounds the collection in its black modernist roots. In tracing the fascinating and unexpected paths of experimentation these poets explored, however, Nielsen and Ramey reveal the tight delineations of African American poetry that omitted noncanonical forms. This invigorating panoply of work, when restored, brings into focus the creatively elastic frontiers and multifaceted expressions of contemporary black poetry. Several of the poets discussed in What I Say forged relationships with members of the L=A=N=G=U=A=G=E poetry movement and participated in the broader community of innovative poetry that emerged in the late 1970s and early 1980s and continues to exert a powerful influence today. Each volume can stand on its own, and reading them in tandem will provide a clear vision of how innovative African American poetries have evolved across the twentieth century and into the twenty-first. What I Say is infinitely teachable, compelling, and rewarding. It will appeal to a broad readership of poets, poetics teachers, poetics scholars, students of African American literature in nonnarrative forms, Afro-futurism, and what lies between the modern and the contemporary in global and localized writing practices.
Deluxe color edition. In this present collection of poetry & texts, Sotère "Torregian remains" steadfastly, in the words of Andrew Joron, "the envoy of a utopian zone where (quoting Heidegger) the poet is 'the Shepherd of Being.'" "Sotère brokers no clauses with the author as the owner of his texts. He simply receives and emits linguistic ignition"--Will Alexander. "Torregian doesn't seek out mystery, he just encounters it in his experiences as they come, as he articulates them"--Bill Berkson. "In Sotère Torregian, we have not simply one of the most unique poets of the New York School, but one of the most unique poets writing today"--Garrett Caples. With an introduction by Dale Smith and 12 ink drawings by Brian Lucas.
Revised edition of Sotère Torregian's seminal book of poetry "The Age of Gold" (1976), retitled "The Age of Gold (Redux)", supplemented by a new section of other poems from that period that either were excluded due to the book's size limitations or now have been added. This edition includes for the first time three short yet relevant essays written by Sotère during this period, including one that was intended to serve as the original preface to the book. Will Alexander has written the introduction for this revised edition.
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